This narrative short is nothing less than a revolutionary handling of trans representation.

Skupin’s collection of paintings, drawings, and works on paper mourns the ongoing destruction of the planet, at the same time that it paves the way for a new way of understanding environmental crises.

Mathioudakis’s work engages the history of gynecology to embody the conflicted character of the speculum.

Mejorado is a director, and the photographs in her new series read like stills from various scenes in a film. And, like a truly beloved film, you’ll want to look at these photographs over and over again.

Storey’s archive is organic, accumulative, and about searching. Searching for something unknown (and possibly unknowable) that has been lost.

Victor Castañeda H’s Ayyy Hermanas is a virtual reality hospital-night club. Let’s take a tour.

Li is an artist whose playful and fiercely optimistic work questions geographic and cultural boundaries and defines identity on her own terms.

An essay on self-criticism, human complexity, and Tatiana Ortiz-Rubio’s moving exhibition, Light Cones, on view at the Athenaeum Music & Arts Library.

Conceived as a “sanity ritual” in March 2020, Gurantz’s project, The Plague Archives, documents how thoroughly pandemics have been intertwined with human history.

With her rephotographs, Chapman is building an index of looking that intercepts historical, queer relationships between artist and model.

Cesar and Lois create living sculptures with technological components as part of a broader exploration of power dynamics in nature and human society.

In her new installation and performance, Maria Antonia Eguiarte Souza practices self-care as a way to connect with histories of queer and feminist spirituality and subversion.

Fixing their own biochemical signature in an image, haberstroh speaks about the nature of our bodies' relationship to photographs while refusing representation.

Ruiz's practice engages in silent intergenerational conversations about ancestry, pride, and the invisible work of women as caretakers of both people and traditions.

Drawing from both craft and minimalism, Garcia-Olivo uncovers implicit meanings in the material and color of paint.

Noland accesses the sacred through the crass castoffs of middle Americana.

The archive is a palimpsest.

Reibstein evokes the elemental interconnectedness of all things in sculptures that fuse the celestial, terrestrial, and corporeal.

Cano examines her dichotomous identity as a Latina immigrant in the United States.

Moving across sky, land, and borders in Peñalosa’s conceptual photographic works.