https://www.hereinjournal.org/essays daily 0.75 2025-06-18 https://www.hereinjournal.org/essays/holly-fisher-on-sean-sarmiento monthly 0.5 2025-02-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/99a6ac90-d659-4a6c-840f-c16c397e9b60/Copy+of+BANG%21.jpg Essays - Holly Fisher on Sean Sarmiento - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/99e89b47-2335-4f35-9a2c-a14ef042bfeb/claro.jpg Essays - Holly Fisher on Sean Sarmiento - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c1acecc0-2586-4256-9b6a-a7e827867cf1/lovely%2C+lonely.jpg Essays - Holly Fisher on Sean Sarmiento - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/essays/chelsea-behle-fralick-on-francisco-eme monthly 0.5 2025-06-18 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e6106f8b-43ee-4ce6-bd43-14392ea54189/BP_Eme_02.jpg Essays - Chelsea Behle Fralick on Francisco Eme - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9e355182-7408-46fd-b44f-fb5cc0fa83bb/BP_Eme_05.jpg Essays - Chelsea Behle Fralick on Francisco Eme - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7fe6e0c4-b1cd-4a07-9d2a-e031e060f354/BP_Eme_07.jpg Essays - Chelsea Behle Fralick on Francisco Eme - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b5556243-864d-46d8-bdef-9b4ab2c94c4e/BP_Eme_03.jpg Essays - Chelsea Behle Fralick on Francisco Eme - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/essays/justin-duyao-on-c-fodoreanu monthly 0.5 2025-01-13 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8be8a850-617a-4da4-8703-5b822cd32bde/C+Fodoreanu%2C+lake+and+hills%2C+1990s%2C+courtesy+of+the+artist.jpg Essays - Justin Duyao on C Fodoreanu - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8987711a-0e91-4c84-85f2-d93bd3d8eff6/C+Fodoreanu%2C+Image+of+_Ode+to+Lake+Sacalaia_+interior%2C+2022%2C+courtesy+of+the+artist.jpeg Essays - Justin Duyao on C Fodoreanu - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/06e22f75-dc4f-47d6-8279-499823095347/C+Fodoreanu%2C+Image+of+_Ode+to+Lake+Sacalaia_+cover%2C+2022%2C+courtesy+of+the+artist+copy.jpeg Essays - Justin Duyao on C Fodoreanu - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3829fd72-68bc-48c3-be52-8ddc8e0752bb/C+Fodoreanu%2C+Image+of+_Ode+to+Lake+Sacalaia%E2%80%9D+interior+%283%29%2C+2022%2C+courtesy+of+the+artist.jpg Essays - Justin Duyao on C Fodoreanu - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/45da34b4-f3de-4222-95bd-e7bf73ccc23f/C+Fodoreanu%2C+jump+%232%2C+1990s%2C+courtesy+of+the+artist.jpg Essays - Justin Duyao on C Fodoreanu - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ab0fffde-e384-49db-852d-2d23f3217a37/C+Fodoreanu%2C+Image+of+_Ode+to+Lake+Sacalaia%E2%80%9D+interior+%282%29%2C+2022%2C+courtesy+of+the+artist.jpg Essays - Justin Duyao on C Fodoreanu - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/essays/anira-abreu-on-mayce-keeler monthly 0.5 2025-01-13 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/04b2957b-f77d-4456-90a5-aece811e4211/MAYCE-HERE_IN.jpeg Essays - Anira Abreu on Mayce Keeler - Make it stand out Mayce Keeler, Untitled, 2023, acrylic and spray paint on canvas, 44 x 44 in. Photo: Daniel Lang [Image description: A large pink dog with a yellow creature clasped between its jaws. Three blue birds fly around the edges of the painting.] https://www.hereinjournal.org/essays/adrian-dre-diaz-on-jax monthly 0.5 2024-08-12 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8de31505-aa37-4a10-b059-b3fcad09fd11/%2801%29+JAX+For+HEREIN+ICANextGen+%281+of+1%29.jpg Essays - Adrian-Dre Diaz on JAX - Make it stand out Joy’s Piece, 2024, synthetic braiding hair, cardboard, wood, and glass; Big Sister, 2024, synthetic braiding hair, Marley hair, beads, and shells [Image description: Two sculptural installations, each a mass of styled black hair, hang on a white gallery wall. The two works are connected by many ropes of hair, which drape from the ceiling and the walls, creating a web that extends out into the gallery space.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/6031882c-8948-43cb-975e-c3b032e2a735/%2803%29+JAX+For+HEREIN+Elliot+Hundley+Studio+%281+of+1%29.jpg Essays - Adrian-Dre Diaz on JAX - Make it stand out Long and Layered, 2024, synthetic braiding hair, Marley hair; OG, 2023, synthetic braiding hair, Marley hair, beads, and shells [Image description: Photographs of two of JAX’s installations. Their main forms—made up of styled black hair—are hung on adjacent walls, close together on either side of a corner. Many ropes of hair connect the two, while hair also travels up and hangs from pipes on the ceiling.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b047665e-7b94-4c8a-a7f3-218ebc57bacc/%2802%29+JAX+For+HEREIN_MFA+Thesis.JPG Essays - Adrian-Dre Diaz on JAX - Make it stand out My momma said (detail), 2024, synthetic braiding hair, Marley hair, picture frame, clock, grandmother’s glasses [Image description: A closeup of a dense mass of styled black and red hair, in which is embedded a pair of glasses and a framed picture of a smiling woman holding a baby.] https://www.hereinjournal.org/essays/lara-bullock-on-joe-yorty monthly 0.5 2024-05-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/50617cf4-5f66-454c-ae68-d2629f50de51/STAGE1+overall+macho+men+front+copy.jpg Essays - Lara Bullock on Joe Yorty - Make it stand out Joe Yorty, Stage, 2020, mixed media. Photo: Stacy Keck [Image description: A gallery space with white walls and a wood floor. In the foreground stands a modular sculpture displaying various collections of objects and potted plants.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/97056e66-4d62-4b95-84cd-18fa2340ec66/STAGE3+Sheet+Ghost.jpg Essays - Lara Bullock on Joe Yorty - Make it stand out Stage (detail), 2020, mixed media. Photo: Stacy Keck [Image description: A view of Stage featuring sheet-ghost figures as the predominant collection facing the viewer.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1ab1fc74-e699-4fd7-be9d-1782c9e02c1e/STAGE4+blue+boys.jpg Essays - Lara Bullock on Joe Yorty - Make it stand out Stage (detail), 2020, mixed media. Photo: Stacy Keck [Image description: A detail of Stage featuring five blue boy figurines of slightly different sizes. They assume identical postures, but it is apparent that they are hand-painted, as their clothes are various shades of blue and they have different skin tones.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/84665f18-034f-4cdb-b16f-cf2bd4c8e912/STAGE2++macho+men.jpg Essays - Lara Bullock on Joe Yorty - Make it stand out Stage (detail), 2020, mixed media. Photo: Stacy Keck [Image description: A detail of Stage featuring varied masculine figures, including a large wrestler doll, and smaller, muscular action figures—one wears an eye patch, one has his arm around another, and one masked figure is posed as if joyfully kicking his legs.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f4953b01-688e-48ba-8f61-b4a927017d77/Untitled+design+%284%29.png Essays - Lara Bullock on Joe Yorty - Make it stand out [Image description: Five individual images of thrifted coffee cups with a white person’s hand holding them. They are decorated with illustrations and the texts listed below.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/cdc22d0b-edc0-4aac-b3b7-6cc928d9882f/STAGE5+plants+candles.jpg Essays - Lara Bullock on Joe Yorty - Make it stand out Stage, 2020, mixed media. Photo: Stacy Keck [Image description: A view of Stage with potted pothos plants, flameless plastic candles, and Blue Boys in the foreground.] https://www.hereinjournal.org/essays/dillon-chapman-on-hazel-katz monthly 0.5 2024-02-26 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/45fa3a33-8f50-4cfc-ac51-02b8bcc16d1c/SYDNEYNKIM%281%29.png Essays - Dillon Chapman on Hazel Katz - Make it stand out Sydney & Kim, 2023, poster for Super 16 mm film, 17 min. [Image description: A red film poster with text that reads “Sydney & Kim.” There is an image of two women sitting in a bathroom, one on the toilet to the left, the other on the floor to the right. Both women have light skin and dark hair. The one on the left wears a t-shirt, while the one on the right is nude.] https://www.hereinjournal.org/essays/justin-duyao-on-marinta-skupin monthly 0.5 2023-09-15 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5c8470bf-096f-422c-aa87-41f91c1ecfb1/9.+I+Asked+AI+1.jpg Essays - Justin Duyao on Marinta Skupin - Make it stand out I Asked AI (1-6) (detail), 2023, engraving on paper, 15 x 19 in. each. Photo: Nanzi Muro [Image description: A close-up photograph of a series of text-based pieces depicting a sentence of text printed onto white paper, the closest one reading “We would miss the incredibly array of life forms and the wonder and awe they inspire.” ] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/956d2941-cb67-4d1c-b851-c46a9e3aeb39/13.+Hold+The+Star.jpg Essays - Justin Duyao on Marinta Skupin - Make it stand out Hold the Star, 2022, laser-cut film over India ink on paper, 24 x 18 in. Photo: Nanzi Muro [Image description: On top of a sheet of paper painted light blue with scribbles of hand-written text hangs another sheet, into which the lines of a poem are screen-cut and repeated, over and over, until the words overlap and detach from the page.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/6d1e97eb-ffed-44dd-a5d2-a3382340d798/Untitled+design+%284%29.png Essays - Justin Duyao on Marinta Skupin - Make it stand out The Golden Hour, 2022, India ink on paper with laser cutting, 24 x 18 in. each [Image description: Two images of a grid of 15 paintings—one of the entire wall and another close up—capture the enormity of a list of data points, carved into a landscape painting of a beach scene.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/304f4b71-4963-4d63-9e2c-6929763dac74/2c.+The+Golden+Hour+Detail+II+%281%29.jpg Essays - Justin Duyao on Marinta Skupin - Make it stand out The Golden Hour (detail), 2022, India ink on paper with laser cutting [Image description: A close-up photograph of a hazy, seaside landscape painting, into which a seemingly endless list of decimals and data points are cut.] https://www.hereinjournal.org/essays/elizabeth-rooklidge-on-maria-mathioudakis monthly 0.5 2023-08-22 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c32691c2-7b3f-41c7-8829-da021780b1fb/meltingspecula.jpg Essays - Elizabeth Rooklidge on Maria Mathioudakis - Make it stand out Untitled (Melting Specula with Acetone in Glass), 2023, plastic speculum, acetone, glass [Image description: A closeup photograph of a plastic speculum laying in a glass vessel. The front end of the speculum is dissolving into foam.] https://www.hereinjournal.org/essays/dillon-chapman-on-arlene-mejorado-part-2 monthly 0.5 2023-08-10 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/cd4d7410-9f86-4405-9fab-fda5e8d32b54/Tampa-Wall-Tree-Shadow-30x24.jpg Essays - Dillon Chapman on Arlene Mejorado, Part 2 - Make it stand out Sun, Colors, and Textures of the Valley, Northridge, California, 2023, inkjet print 30 x 24 in. [Image description: An image of a tree, casting a dark shadow on yellow and terra cotta-colored cinder block wall with iron bars on top.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3b91d8ab-2db5-40d9-953a-c26cf1afe159/Bedroom-BusinessWindow-30x24.jpg Essays - Dillon Chapman on Arlene Mejorado, Part 2 - Make it stand out Bedroom Backdrop Behind Storefront Glass, Winnetka, California, 2023, inkjet print 30 x 24 in. [Image description: An image of a bedroom behind a window, with a passerby and the photographer reflected in the glass.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/df9a40f2-d29e-477c-aceb-6f6dadb55e2d/Untitled+design+%284%29.png Essays - Dillon Chapman on Arlene Mejorado, Part 2 - Make it stand out Handling a Mother’s Archive #1, Winnetka Park, California and Handling a Mother’s Archive #2, Winnetka Park, California, both 2023, inkjet prints, 20 x 16 in. each [Image description: (left) An image of a child’s hands holding a photograph of a woman in front of white backdrop with floral embroidered detail. (right) An image of two children holding several images of various women in front of a white backdrop with floral embroidered detail.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ed39e03c-0d7f-4c78-a9d0-2630f7e67249/Reseda-View-Valley-30x24-02.jpg Essays - Dillon Chapman on Arlene Mejorado, Part 2 - Make it stand out Curtain to the Crater, Porter Ranch, California, 2023, inkjet print, 30 x 24 in. [Image description: An image of a sheer white curtain hung from a stand in front of a view of the San Fernando Valley.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0f0dad2f-efd3-43d8-96c0-e4bb16177bea/Mother-Pool-35x28.jpg Essays - Dillon Chapman on Arlene Mejorado, Part 2 - Make it stand out My Mother Standing in a Pool and Re-embodying her Childhood Photograph at a Beach in Mexico, North Hills, California, 2023, inkjet print, 30 x 24 in. [Image description: An image of a woman with brown hair in a black, one-piece bathing suit standing in a pool and in front of a white curtain hung on a gate, a shadow cast on the fabric. Cars and houses are visible outside of the gate.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8f5cc38e-9fd0-4485-bd60-d0a42ef9c5a7/4R2A7862.jpg Essays - Dillon Chapman on Arlene Mejorado, Part 2 - Make it stand out Scenes of an Inner Life, San Fernando Valley, California, 2023, inkjet print on transparency film, 90 x 40 in. [Image description: An image of a backlit curtain of eight distinct transparent images arranged horizontally and repeated vertically, to create a filmstrip pattern.This curtain hangs in front of a large industrial window in a space with concrete floors.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5c9da60b-6238-4992-be00-f357f5618374/CanogaParkHS-LARiver-30x24.jpg Essays - Dillon Chapman on Arlene Mejorado, Part 2 - Make it stand out Where the Los Angeles River Begins, Canoga Park, California, 2023, inkjet print, 30 x 24 in. [Image description: An image of a concrete riverbed that forks in two directions, with trees and the lights of a sports stadium behind it.The water barely covers the riverbed.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e0441748-d495-4a52-9b12-340ff3f4f67b/Freddy-Back-02-30x24.jpg Essays - Dillon Chapman on Arlene Mejorado, Part 2 - Make it stand out I Remember Drawing on my Father’s Back with a Ballpoint Pen, Somewhere in Los Angeles, 2023, inkjet print 30 x 24 in. [Image description: An image of a shirtless man with dark, curly hair, facing away from the camera and having a design drawn on his back with a blue pen by a pair of hands with a red bracelet.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c3d760c7-f573-4d3e-a38f-9dd140a71f68/4R2A7905.jpg Essays - Dillon Chapman on Arlene Mejorado, Part 2 - Make it stand out Scenes of an Inner Life, San Fernando Valley, California (detail), 2023, inkjet print on transparency film, 90 x 40. in. [Image description: A detail shot of the transparent images, showing us from left to right: the chandelier in a dining room with wood paneling, a scene from a party with a man and woman dancing under pink streamers and a girl behind them holding a green ball, the back of a woman standing in front of pool, and the edge of a sepia toned outdoor scene.] https://www.hereinjournal.org/essays/dillon-chapman-on-nathan-storey monthly 0.5 2023-05-10 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8f9639a4-a88e-4964-860c-3ce841a5c3f1/nathan_2nd_year_show_2023_03.jpg Essays - Dillon Chapman on Nathan Storey - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f987becb-fca0-4465-b755-ca1a88b861c0/nathan_2nd_year_show_2023_08.jpg Essays - Dillon Chapman on Nathan Storey - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/69c5d583-a6d7-4f44-b910-3e65dfcd9c59/nathan_2nd_year_show_2023_09.jpg Essays - Dillon Chapman on Nathan Storey - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/30e9d95b-b8c9-4114-90a9-c7b46b306440/nathan_2nd_year_show_2023_13.jpg Essays - Dillon Chapman on Nathan Storey - Make it stand out This is how to forget (2022) Top: “This is how to forget” Bottom, left to right: “Another picture was never made” and “All the party boys forgot about the party” dimensions Archival inkjet prints. Photo: Wren Gardiner [Image description: Three grainy grayscale prints with bold, all capitalized text that is wavy and distorted that read “this is how to forget”, “another picture was never made”, and “all the party boys forgot about the party.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8d72bc5a-371b-4393-8549-27b33b665600/Untitled+design+%284%29.png Essays - Dillon Chapman on Nathan Storey - Make it stand out Pulsing (2022) From left to right: Motel/Tillmans and Charlie’s Denver, dimensions, UV prints on aluminum. Photos: Wren Gardiner [Image description: Two images that feature overlapping text and pictures, both with intense blue. The one on the left shows two men kissing passionately with the info for the Columbine Motel on top, and the one on the right shows a disco ball cowboy boot with the name Charlie’s Denver overlaid.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/96212c12-29ef-4728-8e33-a283c642b78a/nathan_2nd_year_show_2023_10.jpg Essays - Dillon Chapman on Nathan Storey - Make it stand out Trace 01 (details), 2023, wall collage consisting of contact prints, positive and negative pigment prints, cyanotype testing stains, xerox prints, thermal prints, manipulated transparencies, polaroids, and blue tape, dimensions variable. Photos: Wren Gardiner [Image descriptions: Detail shots showing a wall collage consisting of overlapping images, mostly in black and white, faded grayscales, and monotone blues. Words, bodies, and cultural symbols are discernible.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c3251deb-3ee5-4b4b-989d-d6ab76e156ff/nathan_2nd_year_show_2023_07.jpg Essays - Dillon Chapman on Nathan Storey - Make it stand out Trace 01, 2023, wall collage consisting of contact prints, positive and negative pigment prints, cyanotype testing stains, xerox prints, thermal prints, manipulated transparencies, polaroids, and blue tape, dimensions variable. Photo: Wren Gardiner [Image description: A wall collage consisting of overlapping images, mostly in black and white, faded grayscales, and monotone blues. Words, bodies, and cultural symbols are discernible.] https://www.hereinjournal.org/essays/beck-haberstroh-on-victor-castaneda-h monthly 0.5 2023-02-23 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/bfa514fa-bbe1-4e40-ac79-67e4a801a396/image+6.png Essays - beck haberstroh on Victor Castañeda H - Make it stand out Still from Ayyy Hermanas, 2022, virtual reality [Image description: Two large kegs sit in the corner of a room, next to a pool table and a row of flowers. In the foreground, two glowing, green stick figures with pink eyes recline in each other's arms on a blue couch.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9c315c63-bff5-432d-8f19-3143c9b3812e/image+10.png Essays - beck haberstroh on Victor Castañeda H - Make it stand out Still from Ayyy Hermanas, 2022, virtual reality [image description: A massive image of the artist DJing fills a back wall. In front of it, two gloopy, green figures float, dancing, above gurneys. To the right, a “waiting room” sign flashes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/244fecd2-6208-4c90-b126-a2acf8724e0b/image+12.png Essays - beck haberstroh on Victor Castañeda H - Make it stand out Still from Ayyy Hermanas, 2022, virtual reality [Image description: We look up at a black sky full of technicolor stars and a sign that says “San Fernando Valley.” The entrance to the hospital-club is on our right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/aae28f6b-f4be-4780-866f-724f99622ee4/image+2.png Essays - beck haberstroh on Victor Castañeda H - Make it stand out Still from Ayyy Hermanas, 2022, virtual reality [Image description: A vast room stretches in front of us. Giant images adorn the walls— one, a photograph of three children, the other, a multicolored drawing. A blue table with chairs is set towards the back. A giant pill bottle sits on the ground, medication spilling out of it. What appears to be a giant ring pop floats above the floor. Red, gelatinous blobs hover overhead. A variety of figures, including a green ghost, crowd the floor.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/6df9289b-f9a5-451e-acca-56d5372b78db/image+4+credit+Philipp+Scholz+Rittermann.jpg Essays - beck haberstroh on Victor Castañeda H - Make it stand out Installation view of Ayyy Hermanas, 2022, virtual reality and papier-mâché. Institute of Contemporary Art San Diego. Photo: Philipp Scholz Rittermann [Image description: A purple and blue papier-mâché monster, roughly the height of a person, sits in front of a TV in a white-walled gallery. The TV displays the interior of Ayyy Hermanas. A multicolored blanket is wrapped around the monster’s legs, and it wears one checkered sock.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2c7bb904-1729-4204-b3b9-13c36ce1d6db/image+5.png Essays - beck haberstroh on Victor Castañeda H - Make it stand out Still from Ayyy Hermanas, 2022, virtual reality [Image description: Giant red figures crowd the space in front of us. They appear to be scribbled out of thick lines yet appear three-dimenionsal. Five photographs, which appear to be from the 80’s or 90’s, adorn the far wall. Elsewhere in the room, surgical tools are suspended in the air and green figures dance on hospital gurneys.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7044411d-0efc-4bb1-b510-1a06efaf25fb/image+9.png Essays - beck haberstroh on Victor Castañeda H - Make it stand out Still from Ayyy Hermanas, 2022, virtual reality [Image description: A closeup of the corner of a room, where various pieces of hospital equipment are arranged, including a bed with a white sheet covering a body. A green, scribbled figure dances on top of the white sheet. In other parts of the image we see the figures and objects in the virtual world glitch, distorting into lines of color.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/be390889-8c22-40b4-9a94-e359e1bba0f2/image+7.png Essays - beck haberstroh on Victor Castañeda H - Make it stand out Still from Ayyy Hermanas, 2022, virtual reality [Image description: A view from below of four family snapshots on the wall, next to a large poster that says “Nurse Station”. They are all framed in red rectangles.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/cdfae043-6c74-4b09-a52f-c777e385c41c/image+1.png Essays - beck haberstroh on Victor Castañeda H - Make it stand out Victor Castañeda H, still from Ayyy Hermanas, 2022, virtual reality [Image description: The corner of the first room inside the virtual reality world of Ayyy Hermanas. Three large posters hang on the wall, while a small stand— reminiscent of tool stands in medical facilities— holds a liquid dispenser. A red, alien-like figure stands behind a metallic-looking bar in the right corner.] https://www.hereinjournal.org/essays/tiffany-wai-ying-beres-on-huai-li monthly 0.5 2023-02-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5ecaa4bd-49c4-46c6-b298-2374cbc7920d/HARDLY+A+DRY+EYE_+CHINESE+INK+AND+ACRYLIC+ON+PAPER_+2013.jpeg Essays - Tiffany Wai-Ying Beres on Huai Li - Make it stand out Hardly a Dry Eye, 2013, Chinese ink and acrylic on paper, 120 x 45 in. [Image Description: A wall of white pages, layered together like scales, stretches out of frame. Each is impressed with fragments of words in blue ink, as well as two-dimensional black and white blots, some resembling figures, others abstractions of shapes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1a56d115-9917-4b78-bad6-00ee29fc191e/OVER+THE+RAINBOW+_+CHINESE+INK+AND+GOUACHE+ON+PAPER+1980-1996.jpeg Essays - Tiffany Wai-Ying Beres on Huai Li - Make it stand out Over the Rainbow, 1980 - 1996, Chinese ink and gouache on paper, 45 x 45 in. [Image Description: A closeup of an earth-toned image depicting several men with long mustaches, layered robes, and ornate headdresses.They are crowded together and gripping swords to their chests, with spherical forms hovering above and behind their heads. A ribbon of pink with lyrics from “Somewhere over the rainbow” stretches across the image.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e81ae8ae-bac4-4c9f-9c82-909b2a611767/ALL+THAT+GRANDEUR+%28SERIES%29+_CHINESE+INK+AND+ACRYLIC+ON+PAPER+_+2018-2022++.jpeg Essays - Tiffany Wai-Ying Beres on Huai Li - Make it stand out All That Grandeur, 2018-2022, Chinese ink and acrylic on paper, 45 x 100 in. [Image Description: Dripping blots of black ink against a white background suggest a dense forest of trees or an aerial wall of craggy mountain. A stark blue square hovers delicately in the center of the piece.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b7ec1cc0-9173-416a-baa5-a4073171d567/IMG_5478.JPG Essays - Tiffany Wai-Ying Beres on Huai Li - Make it stand out Self-Portrait, 1978, lead on paper, 27 x 19 in. [Image Description: Sketched in soft gray lines, a portrait of a Chinese girl wearing a buttoned coat. Her small mouth smiles flatly, straight black hair pulled behind her head.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/315583f3-013b-475f-80c0-cc36f67936f9/ALL+THAT+GRANDEUR+%28SERIES%29+_CHINESE+INK+AND+ACRYLIC+ON+PAPER_+2018-2022.jpeg Essays - Tiffany Wai-Ying Beres on Huai Li - Make it stand out All That Grandeur, 2018-2022, Chinese ink and acrylic on paper, 45 x 100 in. [Image Description: A mirrored print of mountains and trees in a dripping, warm orange paint. A black square hovers in the the center of the piece.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3e3ce798-202b-42df-b9da-a5a8429f6509/ALTERED+MEMORIES+%28SERIES%29+MIXED+MEDIA+ON+PAPER+_+2010.jpeg Essays - Tiffany Wai-Ying Beres on Huai Li - Make it stand out Altered Memories, 2010, mixed media on paper, 16 x 14 in. each [Image Description: A series of twelve tightly arranged frames—each the same size with identical matting—hang on a dark wall. Some are dominated by sharp blue images, others starkly black-and-white photographs, whereon splashes of geometric blue intrude the foreground.] https://www.hereinjournal.org/essays/justin-duyao-on-tatiana-ortiz-rubio monthly 0.5 2022-11-30 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c8ebc32c-52d6-481b-a22f-5ba28066c829/ca-times.brightspotcdn-1.jpg Essays - Justin Duyao on Tatiana Ortiz-Rubio - Make it stand out Cuando llegaste, 2022, graphite and charcoal on polypropylene paper, 12 x 9 in. [Image description: A side-view of a storm cloud, pillowy and dense, is brightly illuminated on the top and dark on the bottom.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9f3d1ac3-afd3-41be-b85e-4a1479ea3b3a/Ortiz-Rubio_Tatiana_BlindSightII_%2Bcopy.jpg Essays - Justin Duyao on Tatiana Ortiz-Rubio - Make it stand out Blind Sight II, 2013, oil on wood, 23.5 x 17.75 in. [Image description: A person with lights skin and dark hair presses a sheet of bubble wrap over their face, their nose and cheeks squished into the material.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/47349745-8d0b-49c9-b12f-2522abaa0bfd/ca-times.brightspotcdn.jpg Essays - Justin Duyao on Tatiana Ortiz-Rubio - Make it stand out Lunes por la mañana, 2022, graphite on paper, 9.5 x 8.75 in. [Image description: In what looks like an enlarged ink blot, a black material spreads and, in thinner areas, flakes, like cooling lava rock.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/fe984803-1a17-464a-8f0c-250f3c83e9d6/IMG_1410.jpg Essays - Justin Duyao on Tatiana Ortiz-Rubio - Make it stand out y llega siempre, 2018, charcoal on white wall, Bread & Salt, San Diego, CA [Image description: A panoramic mural that covers the walls of a long room, floor to ceiling, depicts an undulating sea of clouds.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1442c1d0-6fd3-41a8-9841-cb8f0d632fe7/IMG_1139.jpg Essays - Justin Duyao on Tatiana Ortiz-Rubio - Make it stand out y llega siempre (detail), 2018, charcoal on white wall, Bread & Salt, San Diego, CA [Image description: A closeup of a choppy, white cloud against a stormy black sky.] https://www.hereinjournal.org/essays/elizabeth-rooklidge-on-maya-gurantz monthly 0.5 2022-09-27 https://www.hereinjournal.org/essays/asa-mendelsohn-on-dillon-chapman monthly 0.5 2023-02-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a3d4de14-6ccf-4e40-963c-4c07429f8bdb/IMG_6939.JPG Essays - Asa Mendelsohn on Dillon Chapman - Make it stand out From fragments of desire (an index more than an archive), 2021-ongoing, scan of Polaroid, a rephotograph of a double nude by Robert Giard, Sunday Morning, 1989 [Image description: Sitting in front of a bright window, the features of a darker-skinned model’s face are hard to make out. The light catches the edge of his bare collarbone and the page of the newspaper in his lap. His eyes are lowered as if reading.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5b44f542-a4c8-4ebe-9a07-c1b9a81d1503/IMG_6938.JPG Essays - Asa Mendelsohn on Dillon Chapman - Make it stand out From fragments of desire (an index more than an archive), 2021-ongoing, scan of Polaroid, a rephotograph of a nude by Tom Bianchi, from his photo book Fire Island Pines: Polaroids (1975-1983) [Image description: Against a background of near-complete darkness, a white, topless model poses for the camera with a wide sideways mouth, head cocked.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/01ad1df3-631c-4f81-8e0f-6fba397b6ba6/IMG_6940.JPG Essays - Asa Mendelsohn on Dillon Chapman - Make it stand out From fragments of desire (an index more than an archive), 2021-ongoing, scan of Polaroid, a rephotograph of a self-portrait by John Dugdale, The Spirit Eye, 1998 [Image description: Face lit by an unknown source and held by two hands that reach down from the top of the image frame, a figure’s head turns to the left. The Polaroid darkens but preserves the blue coloring of the original cyanotype.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a5740acb-a915-413c-af51-fea49f9cb83e/IMG_1428+%281%29.JPG Essays - Asa Mendelsohn on Dillon Chapman - Make it stand out From fragments of desire (an index more than an archive), 2021-ongoing, Polaroids [Image description: A wide grid of 82 Polaroids are laid out against a blue fabric backdrop. Dear gays: fragmented portraits, moody shoulders, jawlines, cheekbones engulfed in light and shadow.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/aa91763e-2814-438f-8d9c-20a2bc055353/IMG_6944.JPG Essays - Asa Mendelsohn on Dillon Chapman - Make it stand out From fragments of desire (an index more than an archive), 2021-ongoing, scan of Polaroid, a rephotograph of a nude by Robert Giard, Man on Motorcycle, 1977 [Image description: From near complete darkness, the white form of an abbreviated arm and armpit flex, framing the light half of the model’s mustached face, reclining.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/51205245-8917-41f4-a927-42707262af6f/IMG_6942.JPG Essays - Asa Mendelsohn on Dillon Chapman - Make it stand out From fragments of desire (an index more than an archive), 2021-ongoing, scan of Polaroid, a rephotograph of a nude by Arthur Tress, Boy in Central Park (Rambles), 1965 [Image description: From near complete darkness, a white face and breast emerge from behind thin bare tree branches. His eyes are wide, dark splotches, as if in terror] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/07503004-3542-4fc4-9e8d-ae51e0608346/IMG_6945.JPG Essays - Asa Mendelsohn on Dillon Chapman - Make it stand out From fragments of desire (an index more than an archive), 2021-ongoing, scan of Polaroid, a rephotograph of a nude, Le fiancé, taken by Hervé Guibert of his lover, the arts worker Thierry Jouno, ca. 1982 [Image description: From a shadowy background, a figure’s blurry face is draped with light sheer fabric. The portrait is framed within the white square of the Polaroid print, and is surrounded by the dark space made by the digital scanner bed.] https://www.hereinjournal.org/essays/lauren-siry-on-cesar-and-lois monthly 0.5 2022-07-11 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7f751cb8-4261-49ab-a756-995954f5b816/2-degenerative-cultures.jpg Essays - Lauren Siry on Cesar and Lois - Make it stand out Degenerative Cultures, Geo-engineering edition, iterations 2018-2021, AI digital microbiological network on monitor, plexiglass dome with Physarum polycephalum growing over book, thermal printer with readout of the slime mold’s tweets, 79 x 39 x 39 in. [Image description: A digital tablet, a receipt printer, and a transparent dome sit on a white surface. The tablet’s screen displays a green background with yellow lines. A long receipt hangs from the printer. The glowing red dome covers an open book.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/99b8ee6b-5db2-4e45-93fe-2f3ef05fb372/5_Cicero_DeNaturaDeorumSubstrate.jpg Essays - Lauren Siry on Cesar and Lois - Make it stand out Degenerative Cultures, Disappearing Islands edition (detail), 2020-2021, Physarum polycephalum growing over the book De Natura Deorum (On the Nature of the Gods) by Marcus Tullius Cicero [Image description: A copy of the book De Natura Deorum spread open against a black background. Yellow, organic tendrils grow across the text.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5fde4c92-e168-4f09-992a-5a3012b6ac01/07-CL-DC-Brazil.jpg Essays - Lauren Siry on Cesar and Lois - Make it stand out Degenerative Cultures, Floresta Amazônica edition (installation view), 2020-2021, AI digital microbiological network on monitor, plexiglass dome, Physarum polycephalum growing on book, thermal printer with readout of the slime mold’s tweets, 79 x 39 x 39 in. [Image description: An installation in a dark space. On the left, a screen shows a digital image of yellow pathways against a green background, adjacent to which is a black column with white text. On the right is a transparent dome, glowing red, covered in condensation. Underneath the dome lays an open book.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8a3dc949-90e9-462f-a19a-18fac52d89fa/4_DigitalFungus.png Essays - Lauren Siry on Cesar and Lois - Make it stand out Degenerative Cultures, Geo-engineering edition (detail), 2020-2021, AI digital microbiological network on monitor [Image description: A circle, made up of small green and yellow squares, against a black background. The yellow squares connect to create a branching form across the circe.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f341176b-5b80-4968-8e1e-c33fc39efa5a/1_01-thinking-like-a-mushroom.jpg Essays - Lauren Siry on Cesar and Lois - Make it stand out Thinking Like a Mushroom, 2019, fungus growing on the book Great Dialogues of Plato [Image description: A pinkish-orange mushroom that looks like a flower grows on top of a weathered copy of the book Great Dialogues of Plato.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/72d7bc4d-5f34-4b7f-a025-02c869c9d8f7/3-Degeneration-Cultures-Descartes.jpg Essays - Lauren Siry on Cesar and Lois - Make it stand out Degenerative Cultures, Cloud seeding edition (detail), 2020-2021, Physarum polycephalum growing over book by Rene Descartes [Image description: A closeup of the corner of a page of a book by Descartes. A complex web of yellow lines covers the left side, overlapping with part of the text.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0f446a7a-3df9-48e5-b9b5-c7bc0e403cd0/6_Cicero_HELLOFUNGUS_Tweet.png Essays - Lauren Siry on Cesar and Lois - Make it stand out Degenerative Cultures, Disappearing Islands edition (detail), 2020-2021, receipt print-out tweet of Cicero’s text before the slime mold’s degeneration [Image description: A receipt printout that reads, “@HelloFungus. We alone have the power of controlling the most violent of nature’s offspring, the sea and the winds. Cicero.”] https://www.hereinjournal.org/essays/dillon-chapman-on-maria-antonia-eguiarte-souza monthly 0.5 2022-05-31 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b072cfff-4dbb-42d5-83cc-661fcf4deaae/Toni-Thesis-18.jpg Essays - Dillon Chapman on Maria Antonia Eguiarte Souza - Make it stand out Detail shot of Tomándome mi tiempo, conversaciones trascendentales en la morada interior - Nuestros cuerpos son símbolos más que un hogar, 2022 [Image description: A detail shot of the vanity in front of a black backdrop. We see the table itself, a lamp, three candles, and the felt backing of a mirror.The dim light provides high contrast, giving the image an intense chiaroscuro effect.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9185c601-0644-40d8-a4fb-7ad5f9c67c74/Toni-Thesis-21.jpg Essays - Dillon Chapman on Maria Antonia Eguiarte Souza - Make it stand out Detail shot of Tomándome mi tiempo, conversaciones trascendentales en la morada interior - Nuestros cuerpos son símbolos más que un hogar, 2022 [Image description: A detail shot of the side table in front of a black backdrop. We see the table itself, a lamp, seven candles, a hand mirror with a felt handle, a nail polish vial, a copper cup, and other small felt items. The dim light provides a high contrast effect] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c28ed081-a828-4804-b540-e1e79fbac0b5/Toni-Thesis-30.jpg Essays - Dillon Chapman on Maria Antonia Eguiarte Souza - Make it stand out Installation view of Tomándome mi tiempo, conversaciones trascendentales en la morada interior - Nuestros cuerpos son símbolos más que un hogar, 2022, University of California, San Diego. All photos by Arlene Mejorado. [Image description: A wide shot of two sets that sit on a draped fabric separating them in a black box room. On the left is a vanity with a mirror, lamp, other implements, and various orange candles in metal candle holders. On the right is a bedroom set complete with a side table with another lamp, various implements, and more candles. The artist is lying in the bed. Everything aside from the candles and mirror surfaces is covered in a cream colored felt fabric. The image glows from the ambient light.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7bd4f3f8-cf90-462e-9456-6d15125bdc13/Toni-Thesis-3.jpg Essays - Dillon Chapman on Maria Antonia Eguiarte Souza - Make it stand out Installation view of Tomándome mi tiempo, conversaciones trascendentales en la morada interior - Nuestros cuerpos son símbolos más que un hogar, 2022 [Image description: A mid-shot of the bedroom set in front of the large cream fabric hanging from the ceiling. We see the bed itself (complete with sheets and pillows), the side table with the lamp and various implements, several candles, and a pile of books.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a8c7649b-0502-4081-833b-3df3b3e43645/Toni-Thesis-6.jpg Essays - Dillon Chapman on Maria Antonia Eguiarte Souza - Make it stand out Detail shot of Tomándome mi tiempo, conversaciones trascendentales en la morada interior - Nuestros cuerpos son símbolos más que un hogar, 2022 [Image description: A detail shot of the vanity in front of a black backdrop. We see the table itself, a lamp, four candles, a trifold mirror with felt edges, a copper cup, a glass box, and felt and copper binders, barely illuminated.The reflection in the central panel of the mirror is jet black.] https://www.hereinjournal.org/essays/dillon-chapman-on-beck-haberstroh monthly 0.5 2022-05-05 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/84a97816-4ad3-497d-9b78-ceab48c3c506/untitled+4.jpg Essays - Dillon Chapman on beck haberstroh - Make it stand out Our Body is the Limit of Our Image (loop62192092heart), 2022, human sweat, silver nitrate, muslin, ceramic, and light, 9 x 5 x 3 in. [Image description: A single rectangular ceramic box, beige flecked with black specks, with an illuminated fabric center sits obliquely in the picture frame.The fabric bears stains the color of rust. The shape of the box and the fabric resemble a pancreas or other bodily organ.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0137c88e-fc39-44d5-b780-e11177daafcc/sweatie+detail+3.jpg Essays - Dillon Chapman on beck haberstroh - Make it stand out Our Body is the Limit of Our Image (with]1-72192092, me9-112192102, multipleunknown1242192102) (detail), 2022, human sweat, silver nitrate, bed sheets, box spring, bed frame, and light [Image description: A close up detail shot of one of the large fabric pieces. It is slightly illuminated, enhancing the contrast between the darker rust colored sections of the fabric and the off-white sections. They resemble the impressions of prehistoric flora in rock formations.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/040096c0-773f-4b14-9d10-a5aca3820ca3/untitled+1%2C+2%2C+3.jpg Essays - Dillon Chapman on beck haberstroh - Make it stand out Our Body is the Limit of Our Image (loop52192092pit), Our Body is the Limit of Our Image (loop52192092breastl), and Our Body is the Limit of Our Image (loop52192092breastr), all 2022, human sweat, silver nitrate, muslin, ceramic, and light, 6 x 4 x 2.5 in. each [Image description: Three rectangular ceramic boxes, beige in color with sepia toned fabrics in the middle like an old fashioned television set, hang in a row in the middle of the image. The leftmost is the darkest brown, the middle the lightest, and the furthest to the left a middleground. The boxes look more organic than geometric.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/bf5d440f-6ef8-4af5-b7f8-34a371777719/sweatie+install.jpg Essays - Dillon Chapman on beck haberstroh - Make it stand out Our Body is the Limit of Our Image (with]1-72192092, me9-112192102, multipleunknown1242192102), 2022, human sweat, silver nitrate, bed sheets, box spring, bed frame, and light, 100 x 100 x 130 in. [Image description: Three bedsheet-sized pieces of fabric— with rust colored stains in various organic and creased patterns— are presented in the corner of a room with white walls and concrete floors. One of the pieces of fabric hangs vertically on the wall, another horizontally on a metal bed frame turned on its side so the legs face the wall, and the last on a wooden bed frame, lying oblique to the corner of the room. A spotlight shines on this one and reflects onto the fabric on the metal bed frame as well.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0414dc36-f583-4599-8cc1-7235c76aac17/untitled+6.jpg Essays - Dillon Chapman on beck haberstroh - Make it stand out Our Body is the Limit of Our Image (loop52192092ribsl), 2022, human sweat, silver nitrate, muslin, ceramic, and light, 6 x 4 x 3 in. [Image description: A single rectangular ceramic box, beige flecked with black specks, with a small, illuminated fabric center sits obliquely in the picture frame. Folds are barely visible on the fabric through the light. The planes and edges of the box are more organic than perfectly geometric.] https://www.hereinjournal.org/essays/jordan-karney-chaim-on-katie-ruiz monthly 0.5 2022-02-24 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8c8f43ab-d018-468c-a131-13e38560c075/Untitled+design+%284%29.png Essays - Jordan Karney Chaim on Katie Ruiz - Make it stand out Left: Finders, Keepers, 2020, mixed media, 8 x 10 x 5 in.; Right: Tejido Play, 2018, mixed fiber media, 46 x 22 x 2 in. [Image descriptions: Left: A skein of bright orange yarn, a thick piece of driftwood, a pink and white crocheted doily, and a blond braid are arranged in a stack, held in place by a copper-colored metal frame. Right: A fiber sculpture hangs on a wall. At the top is a brownish knit rectangle with an opening in the middle. It connects to rows of patterns in pink, red, yellow, orange, blue and black. The bottom portion of the sculpture consists of three horizontally winding ropes in pink, yellow and white, that are interwoven with two swathes of synthetic hair--one platinum blond and one dark brown.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f20fadf2-2c54-46a7-852e-8518fce463c3/moonportal.jpeg Essays - Jordan Karney Chaim on Katie Ruiz - Make it stand out Moon Portal, 2021, oil on canvas with Mylar, 38 x 24 in. [Image description: A silhouetted border fence is set against a dusky sky that fades from pink to indigo. At the center of the image is a portal revealing a desert landscape and a blazing sun. The portal is surrounded by a light green halo. The phases of the moon, rendered in black and silver Mylar, cycle around the portal and through the fence.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4477dc4d-73ae-456d-a20f-ba4ed2a90589/communication.jpeg Essays - Jordan Karney Chaim on Katie Ruiz - Make it stand out Communication, 2015, oil on wood board, 60 x 60 x 2 in. [Image description: Two figures face each other against a backdrop in blue-grays and purple. The figures both wear blue pants, while one is barefoot and the other wears one purple sock. Their heads and upper bodies are draped in a peach blanket that is printed with rows of graphic animal patterns in white, black, green, blue, and yellow.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8380e106-d542-43c7-a33b-14731ea34fd4/Thetideiscoming.jpg Essays - Jordan Karney Chaim on Katie Ruiz - Make it stand out The Tide is Coming In, 2016, oil on canvas, 60 x 48 in. [Image description: Two figures stand next to each other in shin-deep water, holding hands. One wears a red bikini bottom, the other, blue swimming trunks with yellow polka dots. Their faces and upper bodies are shrouded in a white blanket printed with animals, insects, and plants in colorful striped designs. The sky behind them turns black as a yellow sunset appears to fade.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/36802f7f-a9d6-4dee-bc7c-b7ea24015ebb/Chicana.jpeg Essays - Jordan Karney Chaim on Katie Ruiz - Make it stand out Chicana, 2018, oil on canvas, 60 x 48 in. [Image description: A figure stands in a room with blue walls and a brown wooden floor, a potted snake plant sits to their right. They have warm tan skin and wear blue socks with turquoise polka dots. Their head and upper body are covered by a white blanket printed with the image of MIckey Mouse. A cloud of colorful objects including tacos, flowers, snakes, and chili peppers swirls above their head.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1b2684a5-10d4-4698-93a8-30d8101785a1/migrationisnatural.jpeg Essays - Jordan Karney Chaim on Katie Ruiz - Make it stand out Migration is Natural, 2021, oil on canvas with Mylar, 38 x 24 in. [Image description: A slatted border fence is silhouetted against the sunrise, which fades from orange to yellow, to pink. A swarm of monarch butterflies fly around the fence. At the center, a portal reveals clouds moving across a blue sky. The fence casts long purple shadows onto the pink foreground, where a young child, rendered in dark muted tones, stands in the lower left corner, looking up at three oversized butterflies.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c24b8e02-6bff-4f68-b078-20e50510c62a/seekingasylum.jpeg Essays - Jordan Karney Chaim on Katie Ruiz - Make it stand out Seeking Asylum, 2021, oil on canvas with silver leaf, 60 x 96 x 2 in. [Image description: Four girls with brown skin and eyes lay in a row. Each wears a blue surgical face mask. The first three look out at the viewer while the fourth turns away. Their bodies are covered by a shared silver blanket. The cloudy night sky is behind them. The reflective silver of the blanket spreads across the rest of the canvas, except for a small portal in the upper right corner that opens onto a blue sky.] https://www.hereinjournal.org/essays/anthony-graham-on-christian-garcia-olivo monthly 0.5 2021-10-14 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1634227260373-EQPQ6C1OAP1NN25KO6HH/Untitled+design+%284%29.png Essays - Anthony Graham on Christian Garcia-Olivo - Make it stand out Left: Untitled Mustard, 2018, acrylic paint on wood panel, 12 x 12 x 3/4 in. Right: Untitled White and Portrait Weaving, 2019, acrylic paint on paper, 5 x 5 in. [Image descriptions: Left: A square painting with a mustard-colored background. In the center is a circle of woven white strands, which are tangled in the middle. Right: A woven grid of thick pink and white strands on a white background. The strands— which reach to the edge of the work— bulge off the painting in some places.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1634226837232-WVTBFAJ4E9M6NNLU8SF6/CGO_004.jpg Essays - Anthony Graham on Christian Garcia-Olivo - Make it stand out Untitled White on Pearlescent Green, 2020, acrylic paint on wood panel, 48 x 48 in. [Image description: A painting with background that is silvery green at the top and light pink toward the bottom. Positioned in the center is a circle of white woven strands, which sag loosely.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1634228228662-9WXNCHZ5UGMR8DR701OC/CGO_003.jpg Essays - Anthony Graham on Christian Garcia-Olivo - Make it stand out Untitled White on Nacreous, 2019, acrylic paint on wood panel, 48 x 48 x 1.5 in. [Image description: A slightly pearlescent white painting inset with a smaller square of woven white strips, which sag downward.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1634227519918-E1V3O052U5V98UDENWUF/dsc01357_orig.jpg Essays - Anthony Graham on Christian Garcia-Olivo - Make it stand out Untitled Blue Gray, 2020, enamel paint on wood panel, 28 x 18 x 5 in. [Image description: What looks like a blue-gray piece of fabric draped sculpturally on a white wall. Its surface is slick and reflective.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1634227645776-1WWUPZN3FBD7XAIJF1YW/c98a356c-8fa5-4059-a437-ffefb3e6175c-2_orig.jpg Essays - Anthony Graham on Christian Garcia-Olivo - Make it stand out Untitled Olive Skin, 2020, acrylic paint stuffed with polyethylene film, on wood panel, 21 x 20 x 12 in. [Image description: What looks like a piece of olive-colored fabric draped sculpturally on a white wall. Its surface is matte.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1634227921257-OGY6YJNZXNVTR69DSDOR/cgo-10.jpg Essays - Anthony Graham on Christian Garcia-Olivo - Make it stand out Untitled Night Navy and Melon Sorbet, 2020, acrylic paint stuffed with hollow fiber and polyethylene, on wood panel, 60 x 48 x 8 in. [Image description: A light wood panel with what look like two pieces of matte fabric resting sculpturally on its surface. The one on the upper left portion of the panel is a peach color, and the one that extends vertically on the right side is a navy blue.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1634227765325-5EFTEHRGK3K8ZF7MAZ6M/dsc00817-5_orig.jpg Essays - Anthony Graham on Christian Garcia-Olivo - Make it stand out Untitled White Skin, 2020, acrylic paint over polyethylene and polyurethane, on wood panel, 48 x 48 x 10 in. [Image description: A monochromatic white painting, its upper portion covered in what looks like a piece of white fabric, which comes out sculpturally from the painting’s surface and spreads out onto the wall behind it. https://www.hereinjournal.org/essays/john-p-murphy-on-j-noland monthly 0.5 2021-08-23 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626810517826-4LZIKT1T7SBCSY3S5JZL/noland_thank_you.jpg Essays - John P. Murphy on J Noland - Make it stand out Thank You For Being A Friend..., 2011, La-Z-Boy loveseat, 7 seasons of The Golden Girls, Television [Image description: A photo of the corner of a gallery space with white walls and a gray floor. In the center of the image is a television, sitting atop a wooden cabinet, with a still from the sitcom Golden Girls on the screen. In the still, four women clutch each other while looking to the right with apprehensive expressions. Red beer cans are strewn around the gallery floor. Extending into the frame from the bottom of the image are two pairs of legs laying on a recliner footrest. The figure on the right wears blue jeans and brown shoes, and their light-skinned left hand is pointing toward the beer cans. The figure on the left wears brown house slippers and has a bright orange and yellow blanket on their legs.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626810606981-YXXBBWQ2EZ94030XZS39/noland_mayanne_ginger.jpg Essays - John P. Murphy on J Noland - Make it stand out Suburb, 2014, snake terrariums, southern pacific rattlesnake, red diamondback rattlesnake [Image description: A white wall with two square, glass-covered recesses within it. Both interior spaces are approximately two feet deep. In the recess on the right, the walls are peach stucco and a green garden hose is coiled on top of a bed of red rocks. In the recess on the left, the walls are paneled wood. A house plant and a white lamp in the shape of hands praying both sit on a small wood coffee table. A snake is barely visible on the floor underneath the table.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626810877079-JP3JJNYI1X3UCK8XZFCT/Untitled+design+%284%29.png Essays - John P. Murphy on J Noland - Make it stand out Suburb (details), 2014, snake terrariums, southern pacific rattlesnake, red diamondback rattlesnake [Image description: Left: A view of the left recess in Suburb. It has wood paneled walls and a small wood coffee table, on which sit a leafy house plant and a white lamp in the shape of hands praying, which is plugged into an outlet on the wall. A small brown snake is curled on the pink carpet under the table. Right: : A close-up view of the right recess in Suburb, which includes a rattlesnake curled on a coiled green hose, all on top of jagged brown rocks. The snake’s scales bear a geometric pattern in brown, pink, and white.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626810925744-ANKYSHELR12J8TMWLZFS/saturnalia_1.jpg Essays - John P. Murphy on J Noland - Make it stand out A Kind of Saturnalia, 2019, installation [Image description: An installation in a gallery with white walls and a gray floor. Various-sized TV monitors are stacked in a pyramid in the right corner. Most show an aqua screen, but one shows a person at the beach. A large conch shell sits on top of that monitor. Two more stacked monitors, also showing aqua screens, sit in the gallery’s left corner. In the middle of the back wall hang two navy blue squares of a fabric, which have large and small white circles on them. Below the fabric, a row of small white vases sits on the floor against the wall. In the center of the gallery floor is a set of concentric white circles, most painted but one formed with remnants of crushed white ceramic.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626810552808-H4DMXMGY2YTXHLT83WP2/noland_flea_bar1.jpg Essays - John P. Murphy on J Noland - Make it stand out Flea Bar, 2014, wood, hardware, framed poster, Caliphone 420K, John Mellencamp records, Budweiser, bar stools, industrial pendant lights [Image description: The photograph is divided into two halves, an elevated upper room lit by bright lamps and a basement level below filled with green light. A ladder on the left side connects the two floors. On the upper level, a crowd of people fill the space, some figures standing around a table covered in beer cans. In the basement, one figure stands next to the ladder, another lifts a beer can upward, and two figures run out of the frame towards the right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626814190187-UDVFS5336RBSDA52KCD4/noland_two_whiskey.jpg Essays - John P. Murphy on J Noland - Make it stand out What do a rattlesnake and a limp dick have in common? 2014, moonshine, etched glass bottles, western diamondback rattlesnake heart [Image description: Two clear glass bottles sit on a round wooden surface. The taller bottle on the left has a gold screw top and narrows at the neck. The faint outline of etched letters is barely visible on its surface. The smaller bottle on the right is flask-shaped, with a plastic red screw top. Both are filled with a clear liquid and have a fleshy, brown object resting at the bottom.] https://www.hereinjournal.org/essays/sister-chapman-on-arlene-mejorado monthly 0.5 2021-07-19 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625681588478-OJ9M8X3LDI90X90H13G1/AMejorado-Banner-02+copy+2.jpg Essays - Dillon Chapman on Arlene Mejorado - Make it stand out Children’s Party, 2021, Reseda, CA, inkjet print, 21 x 32 in. [Image description: An image of an alley with various fences: chain link, wooden, cement block. In the center of the image is a vinyl banner of an analog photograph of a children’s birthday party, in which the children are gathered beneath a piñata while one child swings at it. Houses and telephone lines are visible around the alley.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625681728846-9UEHDC5CYG3NYU3V8BS7/AMejorado-Banner-03+copy+2.jpg Essays - Dillon Chapman on Arlene Mejorado - Make it stand out Ana’s Apartment, 2021, Winnetka, CA, inkjet print, 21 x 32 in. [Image description: An image of the outside of a stucco and cement building . In the center of the image is a vinyl banner of an analog photograph of a woman with dark hair and a black shirt in a bedroom with a dresser with various odds and ends atop it. The banner is hung on a blue rod iron fence that has razor wire strung along the top.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625682013033-BCZQXWJPW6V4S9XCX1WS/FYR-Gallery-14+copy.jpg Essays - Dillon Chapman on Arlene Mejorado - Make it stand out Breathing Exteriors: re-Placements of Memory, 2021, installation view [Image description: An image of the inside of an art gallery with cement floors, white walls, and exposed pipes. Several photographs are hung at eye level by silver pins, each of them depicting a different location with a corresponding vinyl banner of an analog photograph hanging in the middle.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625681855938-ZA8UGWBBG1L24LGOWDWX/AMejorado-Banner-07+copy.jpg Essays - Dillon Chapman on Arlene Mejorado - Make it stand out Swimming Pool, 2021, North Hills, CA, inkjet print, 21 x 32 in. [Image description: An image of an empty community swimming pool. In the center of the image is a vinyl banner of an analog photograph of a young girl with dark hair swimming in a pool. A chain link fence and palm trees are visible around the pool.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625681391291-IMILW24NMURO1WEKZN8I/AMejorado-Banner-01+copy.jpg Essays - Dillon Chapman on Arlene Mejorado - Make it stand out Mother Madonna, 2020, Reseda, CA, inkjet print, 21 x 32 in. [Image description: An image of a dilapidated building with white criss crossing wood detail. In the center of the image is a vinyl banner of an analog photograph of a woman with dark curly hair in black shorts, a black shirt, and a white jacket. A telephone pole and line is visible behind the house.] https://www.hereinjournal.org/essays/jordan-karney-chaim-on-sasha-koozel-reibstein monthly 0.5 2021-07-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625543166999-GC8L9WDKMSLGJR9US6C8/IfOnlyMyLife%28forMary%29.jpeg Essays - Jordan Karney Chaim on Sasha Koozel Reibstein - Make it stand out If Only My Life Was Enough (For Mary), 2015, porcelain, gold leaf, mixed media, 18 x 16 x 6 in. [Image description: Organs and flowers arranged together, with a human skull resting on top.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625518142426-C4W8QDMXGJGK36UH4VME/YouHadMeAtRainbowGlitterSM.jpeg Essays - Jordan Karney Chaim on Sasha Koozel Reibstein - Make it stand out You Had Me At Rainbow Glitter, 2012, ceramic and mixed media, 24 x 26 x 34 in. [Image description: A gold, geological form sits on a pile of human organs, all on a white pedestal.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625543361622-9FLYUFWU9ZM9JID34N1W/AndThenTheShinySea%28med%29.jpeg Essays - Jordan Karney Chaim on Sasha Koozel Reibstein - Make it stand out And Then We Fell Into the Shiny Sea, 2019, ceramic, cultivated crystal, concrete, and mixed media, 16 x 10 x 17 in. [Image description: A pooled shape in iridescent blue, purple, and green forms a base, on which sits a tripod-shape form covered in drips and leaves in gray, purple, and gold. Two bright blue crystals protrude from the tripod, one on the left side and one on top.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625676793607-E7685CPCQVZ3U6567PE0/Untitled+design+%284%29.png Essays - Jordan Karney Chaim on Sasha Koozel Reibstein - Make it stand out Simultaneous Dimensionality, 2021, ceramic, 22k gold, pyrite, mica, and mixed media, 13 x 9 x 22 in. [Image description: Left: An elongated rock with a three dimensional lattice structure— covered in gold and silver minerals— on top. A mass of iridescent bronze and green drips spill out where the two meet. Right: A closeup detail of the work’s drips and lattice structure,] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625518029696-CVVV8H1LEV8DAI5DY6KS/PersistentSwellingSM.jpeg Essays - Jordan Karney Chaim on Sasha Koozel Reibstein - Make it stand out Persistent Swelling, 2008, ceramic and rubber tourniquets, 10 x 7.5 x 12 in. [Image description: A white bodily form that looks vaguely like a limb, sitting on one end and arcing to the left. It is encircled with five white tourniquets, which squeeze its bulbous form. Pink and white drips emerge from the tip.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625599071900-SIJKB6A8ZCP6GUZRCZDA/Timeslip.jpeg Essays - Jordan Karney Chaim on Sasha Koozel Reibstein - Make it stand out Timeslip, 2020, porcelain, pyrite, mica, and mixed media, 14 x 8 x 15 in. [Image description: A three dimensional lattice structure. The upper portion of the form is encrusted with gold and silver minerals, while the bottom bears pink and yellow drips.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625517877645-1QA5HXU8M69WEHMKJYXI/TheSkysGoneOut_SM.jpeg Essays - Jordan Karney Chaim on Sasha Koozel Reibstein - Make it stand out The Sky’s Gone Out, 2021, ceramic, 22k gold, and flock, 17 x 12 x 23 in. [Image description: An organically-shaped gray circle, resting on its edge, with a hole in the middle. The top and left side are covered with gold drips, and three black spikes protrude from the top.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625543139643-UBMJOTEU1Q5WML3L5L7S/WithorWithoutYou%28forJim%26James%29SM.jpeg Essays - Jordan Karney Chaim on Sasha Koozel Reibstein - Make it stand out With or Without You (for Jim and James), 2016, porcelain, gold leaf, and mixed media, 4 x 11 x 14 in. [Image description: A mix of human organs, plants, and dead animals formed into the shape of a heart.] https://www.hereinjournal.org/essays/guusje-sanders-on-claudia-cano monthly 0.5 2021-06-18 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623356057206-IFLO53YRR6G4UXO6IVFZ/A+tus+Ordenes%2C+2018.JPG Essays - Guusje Sanders on Claudia Cano - Make it stand out A sus órdenes, 2019, silk screen printing, embroidery, and beads on upholstery fabric and footstool [Image description: An upholstered footstool, seen from above. The legs and frame are painted neon pink. The fabric on its top is in an abstracted, floral pattern of gray and pink, with small bits of blue and yellow. The phrase “a tus órdenes” is written in black letters on the fabric.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623356386648-R0351XUG141HIZTSRQX3/20210506_171957.jpg Essays - Guusje Sanders on Claudia Cano - Make it stand out Tareas de Limpieza (Cleaning Tasks) installation at The Front Arte Cultura, 2021, silk screens on 14 x 14 in. panels and silk-screened wallpaper, 60 x 90 in. [Image description: A rectangular area of pastel-colored, patterned wallpaper on a white wall. On top of the wallpaper hang two rows of four panels. Each panel bears a print of a cleaning product bottle over a different colored patterned background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623355749235-CP5HGWNWRBI3CZO5UWUV/Retrato+de+Familia%2C+2010.JPG Essays - Guusje Sanders on Claudia Cano - Make it stand out Retrato de Familia (Family's Portrait), 2010, woven photography, 30 x 22 in. [Image description: An image of a Latina woman from the shoulder’s up. She has brown eyes and cropped brown hair. Upon first glance, the image is made up of small rectangles that look like large pixels. Some of them are out of place, giving the image a glitchy air. Looking closely, it becomes apparent that it is made of woven strips of photographs.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623355839626-8MWHB4C66YGKWS6NC4MS/Rosa+Hernandez%2C+the+cleaning+lady.JPG Essays - Guusje Sanders on Claudia Cano - Make it stand out Rosa Hernandez— the Cleaning Lady, 2013, photograph, 30 x 24 in. [Image description: A Latina woman stands in front of the oven range in an upscale kitchen. She has a black pageboy haircut and wears a pink and white maid’s uniform, and has a mop beside her. She looks sternly at the viewer.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623355903494-679RUXMP4IKA86H1KYW6/Rosa+trabajando.jpg Essays - Guusje Sanders on Claudia Cano - Make it stand out Rosa Sweeping the Port of San Diego, June 2019, performance documentation [Image description: A woman in a pink and white maid’s uniform stands in a public space, in front of a trash can and turned away from the viewer. Part of a ship and a building covered in scaffolding are visible in the background. On the right of the image, four figures with long hair stand together jauntily, as if having just posed for a picture.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623356298638-WBJLZQFWJBFQ0L0EE3XD/Cepillos+de+limpieza.jpg Essays - Guusje Sanders on Claudia Cano - Make it stand out Los cepillos de limpieza de Rosa #5, 2020, silkscreen on paper, 30 x 20 in. [Image description: Black silhouettes of a dish brush and a scrub brush are repeated across the image. Each has a neon pink shadow. The background is a neon green, blue, and pink pattern with a repeated, faint shape that looks like a figure in a dress.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623356214860-FXQMBRFV13AG1GR4YQFV/IMG_1317.jpg Essays - Guusje Sanders on Claudia Cano - Make it stand out Las Memorias del Mantel (Memories of the Tablecloth), 2017, silk screen printing, embroidery and beads on upholstery fabric, 48 x 92 in. [Image description: Twelve rectangles are arranged in a grid against a gray and black background. Each rectangle has a different colorful illustration on it. A pattern of gray dots lays across the images entire surface.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623435473827-QZET4943CEZQI9TLADEL/Rosa+Hernandez+at+The+Gildless+Age.+Torrance+Art+Museum.+Torrance%2C+California.+September+3%2C+2016.jpg Essays - Guusje Sanders on Claudia Cano - Make it stand out Rosa Hernandez at The Gildless Age, Torrance Art Museum, Torrance, CA, September 3, 2016, performance documentation [Image description: A scene in an art gallery, with a group of people standing together on the left. On the right, turned away from the group, is a woman in a pink and white maid’s uniform, dragging a mop across the floor.] https://www.hereinjournal.org/essays/chelsea-behle-fralick-on-chantal-penalosa monthly 0.5 2021-06-09 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1622937100409-B15AE2ZLDUMHQEY9JPFV/Untitled+right.jpg Essays - Chelsea Behle Fralick on Chantal Peñalosa - Make it stand out Untitled (detail), 2017, diptych of inkjet prints on photographic paper, maple frame, 21 x 25 in. each [Image description: A color photograph of clouds in a blue sky. Below the photo, text reads, “Tecate, California, EUA / 27.12.17 / 1:25p.m.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1622936566304-H7K41K3RWHZ5S3VJ7WAE/Untitled+left.jpg Essays - Chelsea Behle Fralick on Chantal Peñalosa - Make it stand out Untitled (detail), 2017, diptych of inkjet prints on photographic paper, maple frame, 21 x 25 in. each [Image description: A color photograph of clouds in a blue sky. Below the photo, text reads, “Tecate, Baja California, Mexico / 27.12.17 / 12:55p.m.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1622989025317-UG4OM9MFGV47EIE6DBEN/Untitled+design+%283%29+copy.png Essays - Chelsea Behle Fralick on Chantal Peñalosa - Make it stand out Untitled, 2017, diptych of inkjet prints on photographic paper, maple frame, 21 x 25 in. each [Image description: Two color photographs in white frames, side by side. Each photo captures clouds in a blue sky. Below the photo on the left, text reads, “Tecate, Baja California, Mexico / 27.12.17 / 12:55p.m.” Below the photo on the right, text reads, “Tecate, California, EUA / 27.12.17 / 1:25p.m.”] https://www.hereinjournal.org/essays/elizabeth-rooklidge-on-victoria-fu-and-matt-rich monthly 0.5 2025-04-11 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620350183531-VWC2GE9ZT2TWQUT8K4D4/Monster+A.jpg Essays - Elizabeth Rooklidge on Victoria Fu and Matt Rich Installation in Monster A. exhibition, 2019, Orange County Museum of Art, Santa Ana, CA. Photo: Michael Underwood [Image description: Two pieces of fabric, with loops at the top and strings on the sides, hang on a multicolored background affixed to a white wall. The colorful fabric pieces resemble aprons, but the one on the left has a triangular top and the one on the right has two bulbous forms at its bottom. On the floor, a low white and pink pedestal stands against the wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620350801625-D0PMPY68QFEK9P8SJRRJ/ocma6.jpg Essays - Elizabeth Rooklidge on Victoria Fu and Matt Rich Monster A., 2019, installation view, Orange County Museum of Art. Photo: Michael Underwood [Image description: Three of Fu and Rich’s aprons, placed closely together, hang loosely from hooks on a white wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620350428496-LFZHVXP2MEOR5LRADO6M/Untitled+design+%283%29.png Essays - Elizabeth Rooklidge on Victoria Fu and Matt Rich Left: Glare (Stella's), 2017, dye-printed fabric, 53 x 30 in. Right: Queen Peekabo, 2017, dye-printed fabric, 72 x 27 in. Photos: Michael Underwood [Image descriptions: Left: A standard apron shape pinned flat to a white wall. The form is made up of different patches of bright colors, many layered over each other. A white ring is in the apron’s bottom left corner. Right: A long, irregularly shaped apron pinned flat to a white wall. The apron has two distinct sections. The upper one is in bright colors, while the bottom one is light pink with holes in it.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620350677728-7AKSD9Y6G68DX6PM7940/Rainbow.jpg Essays - Elizabeth Rooklidge on Victoria Fu and Matt Rich Rainbow, 2018, dye-printed fabric, 47 x 27 in., installation in Monster A., 2019, Orange County Museum of Art, Santa Ana, CA. Photo: Michael Underwood [Image description: An apron pinned to a wall against an organically shaped background. The background looks like a photo of crumpled white fabric with a gridded pattern on it. The apron has three distinct sections: the top is purple, the middle is yellow with shards of color, and the bottom is burgundy with shapes in prismatic colors on it.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620350340524-HPQF9P8FPDLUXLH6CB4O/install%2B4%2BAmpersand%2B%26%2BBackward%2BAmpersand.jpg Essays - Elizabeth Rooklidge on Victoria Fu and Matt Rich Left: Matt Rich, Ampersand, 2020, acrylic and canvas on jute, 45 x 39 in. Right: Matt Rich, Backward Ampersand, 2020, acrylic on canvas, 45 x 43 in. [Image description: An installation of two multicolored paintings side by side on a white wall. The one on the left is in the shape of a blocky ampersand, while the one on the right is the same shape, but reversed.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620351057475-VJLFP767M9CCGHDM69PE/Boston.jpg Essays - Elizabeth Rooklidge on Victoria Fu and Matt Rich Monster A., 2018, installation view, University Hall Gallery, University of Massachusetts, Boston, MA. Photo: Stewart Clements [Image descriptions: Four of Fu and Rich’s aprons pinned flat in a row on a white wall. The two on the right are connected by their strings.] https://www.hereinjournal.org/essays/akiko-surai-on-amanda-kachadoorian monthly 0.5 2021-06-04 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1618849199414-5PN6HDLERE54SQ8YJN95/Central+San+Diego.jpg Essays - Akiko Surai on Amanda Kachadoorian Central San Diego, 2020, oil on canvas, 36 x 120 in. [Image description: A landscape with dark clouds. In the background, a peninsula stretches across an ocean horizon. In the foreground are two smaller land masses, separated by water moving out into the wider sea. The land is populated by curious-looking plants, with different types of branches, stalks, and flowers grafted onto one another. Visible behind the plants in the center of the painting is an anatomical heart floating in a red sphere. To its left sits the head of a fish with a flower tucked in its mouth. The painting is rendered with precise realism, yet projects a hyperreal, dreamlike mood.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1618876989240-JJI77L6CQPP3CP73MXBS/34448_02+2.jpg Essays - Akiko Surai on Amanda Kachadoorian Central San Diego (detail), 2020, oil on canvas, 36 x 120 in. [Image description: A closeup of the left side of the painting, focused on an organ pipe cactus and a large Cala lily, surrounded by other flora.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1618934661815-09S4ZTL9UDCNK6TD6S5J/Center+1.png Essays - Akiko Surai on Amanda Kachadoorian Central San Diego (detail), 2020, oil on canvas, 36 x 120 in. [Image description: A closeup of the center of the painting, focused on an agave with bamboo growing from it and a fish head with a yellow flower in its mouth, surrounded by other flora.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1618876127989-WBYMDXXJ33ZA6TMKSS15/34448_01+2.jpg Essays - Akiko Surai on Amanda Kachadoorian Central San Diego (detail), 2020, oil on canvas, 36 x 120 in. [Image description: A closeup of the right side of the painting, focused on a palm tree, lavender plant, and spindle berry, surrounded by other flora.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1618934593588-KF9MKXUQKIJG3TY2XR3H/Center+2.png Essays - Akiko Surai on Amanda Kachadoorian Central San Diego (detail), 2020, oil on canvas, 36 x 120 in. [Image description: A closeup of the center of the painting, focused on a heart and a king protea flower, surrounded by other flora.] https://www.hereinjournal.org/essays/cris-scorza-on-las-hermanas-iglesias monthly 0.5 2021-04-23 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613933487196-2IX42QBOJCTPJSLQ4CZG/Commiserates+I+2012+Globe.jpg Essays - Cris Scorza on Las Hermanas Iglesias Commiserates I (globe), 2012, digital photograph [Image description: Two women sit in identical positions next to each other on a white couch. They look directly at the viewer. Their facial features are very similar. They have brown hair pulled back from their faces and wear only white tank tops. The woman on the left holds her bare, pregnant belly, while the woman on the right cradles a globe in front of her stomach.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613933716012-YGAVASHR579CBST9NNXL/Commiserates+I+2012+Watermelon.jpg Essays - Cris Scorza on Las Hermanas Iglesias Commiserates I (watermelon), 2012, digital photograph [Image description: Again the same scene, with the woman on the right holding a whole watermelon.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613933803039-V88YCRIAAA9JHPRFIT1X/Commiserates+II+2019+Beachball.jpg Essays - Cris Scorza on Las Hermanas Iglesias Commiserates II (beach ball), 2019, digital photograph [Image description: The same two women sit next to each other in a domestic interior and look straight at the viewer. The woman on the left has dark hair streaked with silver and holds her bare, pregnant belly from beneath. The woman on the right has dark hair cut in a bob and holds a beach ball on her lap.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613933992866-8BLODT1DV9YICRF24RRF/Commiserates+IV+2020.jpg Essays - Cris Scorza on Las Hermanas Iglesias Left: Commiserates IV (Lisa, December 2020), 2020, digital photograph Right: Commiserates IV (Janelle, November 2020), 2020, digital photograph [Image description: Two photographs, side by side, of the same women. They sit on similar blue couches in domestic interior spaces. In the image on the left, the woman’s hair is cropped short and she holds her bare, pregnant belly. On the right, the second woman’s dark hair is in a braid. She cradles her own bare, pregnant belly. Both look directly at the viewer.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613933574900-CDKMYLCJ6XQLMI24XQLL/Commiserates+I+2012+Disco+Ball.jpg Essays - Cris Scorza on Las Hermanas Iglesias Commiserates I (disco ball), 2012, digital photograph [Image description: This image features the same scene as Commiserates I (globe), but now the woman on the right holds a disco ball in front of her stomach.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613933893650-YZLIDPEOYABKNN27YOMY/Commiserates+III+2019+Cabbage.jpg Essays - Cris Scorza on Las Hermanas Iglesias Commiserates III (cabbage), 2019, digital photograph [Image description: The same two women sit on a teal couch in a domestic interior. The woman on the left wears two halves of a cabbage inserted into her white sports bra. We see the top of a white undergarment around her waist. She does not appear visibly pregnant, as in the previous images. The woman on the right wears a white tank top, while a whole cabbage sits on her lap. Both women rest their hands, turned upward, on either side of them.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613934050894-29QC6ANUNFI70LD2GAPO/Birth+Announcements+2012+%26+2020.jpg Essays - Cris Scorza on Las Hermanas Iglesias Birth Announcements 2012 & 2020, 2020, digital photograph [Image description: Photographs, side by side, of two newborn babies resting on white blankets. They have light skin and dark hair. Next to the baby on the left is a large seashell, while next to the baby on the right is a ukulele. The babies are turned to face each other.] https://www.hereinjournal.org/essays/nick-riggle-on-eva-struble monthly 0.5 2021-04-10 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610735434335-0OE2OI69RAPJEFDVHBBI/Ocotillo+Sunset.png Essays - Nick Riggle on Eva Struble Ocotillo Sunset, 2019, digital print on vinyl, 15 x 82 ft. New Children’s Museum, San Diego. [Image description: A mural on the wall of an outdoor parking area underneath a gray building. The mural is an abstracted, mountainous landscape in burnt orange, mustard yellow, ochre, and green, featuring transparent plant forms.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610734625283-F99KVOGZTQV0FNTW7YPV/Heavy+Grass.jpg Essays - Nick Riggle on Eva Struble Heavy Grass, 2017, bamboo, acrylic, flocking, dimensions variable. Installation photograph, San Diego Art Institute. [Image description: A sculpture hangs from the ceiling of a white gallery space. The sculpture is composed of two lengths of shaggy, woven material in red, orange, white, and deep purple, which are suspended at each end.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610734790797-AXRO3R59KY8L8NNIOG81/Between+Highways.jpg Essays - Nick Riggle on Eva Struble Between Highways, 2018, mixed materials, 192 x 40 in. Installation photograph, Museum of Contemporary Art San Diego. [Image description: A banner-like artwork hangs from the tall ceiling of a gallery space. The gallery has white walls, a green door on the left, and a window high up on the right. The artwork appears as if part painting and part collage, with a mix of geometric shapes and organic marks in vibrant colors.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610735960966-9OJUYG1SWH4GKFG1L1YL/Distance+Signals.jpg Essays - Nick Riggle on Eva Struble Distance Signals, 2020, acrylic on panel, 43 x 216 in. [Image description: A landscape rendered with a turquoise sky, pink rocks, and plants in bright, surreal colors. The foreground is covered in chaparral, succulents, and castor bean, among other plants.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610735213361-Y0JDU6THP6XD073KLL72/Earthlab.jpg Essays - Nick Riggle on Eva Struble Earthlab, 2017, oil and acrylic on canvas, 47 x 33 in. [Image description: An abstracted landscape with farm buildings in the background. The scene is rendered in a combination of flat planes of color and bold brushstrokes in mint green, reddish orange, pink, mustard yellow, and blue. Dense marks extend from the bottom and top of the painting, creating a perspective as if the viewer is looking through dense vegetation.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610734404077-OFPSP5V4CS1BJFIPW6QM/Lemondrop+and+Mellano.png Essays - Nick Riggle on Eva Struble Left: Lemondrop, 2014, acrylic, paper, and screen print on panel, 65 x 40 in. Right: Mellano, 2014, acrylic, paper, and screen print on panel, 54 x 40 in. [Left image description: A close-up of abstracted plant life in a mix of earth tones with bright red, blue, and green. There is a faint geometric pattern underlying the image. A length of barbed wire stretches across the painting’s top left corner. Right image description: A highly abstracted landscape with a foreground in deep purples and grays underneath an orange sky. At the top left of the image is a mass of multi-colored marks suggesting foliage. Geometric patterning is visible in some of these passages of color.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610735155490-BU15TEJJHTD6UFBGZWON/WW.jpg Essays - Nick Riggle on Eva Struble WW, 2017, oil on canvas, 36 x 43 in. [Image description: A scene of vegetation and rocks in riotous color. In the background stands a small building in pink against a mint green sky. On the right are two high tunnels, which are fabric covered structures used to cover plants and extend the growing season.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610732439436-HR429LV7T9SH8MX62TFR/Soar+Shift+Shelter.jpg Essays - Nick Riggle on Eva Struble Soar/Shift/Shelter, 2018, digital print on vinyl, 6 x 96 ft. Admiral Boland Way, San Diego Airport. Photo by Pablo Mason. [Image description: A photograph of a road passing in front of a gray industrial building with a fence in front of it. On the fence hangs a long mural that stretches into the distance. The mural is covered in a dreamlike, abstracted rendering of California plants, painted in a vivid Fauvist color palette. The piece is clearly designed for public viewers driving or walking by.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610733898317-TFJF9JO1ZUD0W4S2QTBV/Distance+Signals+detail.jpg Essays - Nick Riggle on Eva Struble Distance Signals (detail), 2020, acrylic on panel [Image descriptions: A closeup of a landscape, with green brush and pink rocks in the background. In the foreground is a castor bean plant, with pink-red leaves. The forms are all slightly abstracted and have delicate variations in each color.] https://www.hereinjournal.org/essays/elizabeth-rooklidge-on-flavia-durso monthly 0.5 2021-01-19 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1606241092852-D5G4ROVABZAWL2O2QQTG/SDAI+install.png Essays - Elizabeth Rooklidge on Flavia D’Urso Installation view, to reach for another (Touch Points), 2018, San Diego Art Institute, San Diego, CA [Image description: A gallery space with a white wall and gray floor. On the wall toward the left is a narrow, vertically-oriented work on paper. On the wall to the right is a video monitor installed vertically. Four sculptures rest on the ground.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1606069990269-OT8ZZHTT0EQGICZ28XXG/Untitled+design+%281%29.png Essays - Elizabeth Rooklidge on Flavia D’Urso Left: her sweat, my remnants, the sea, 2019, salt, iodine, resin, plaster, horse hair, rug pad, wood, and cement, 34 x 16 x 18 in.; Right: her sweat, my remnants, the sea (detail) [Left image description: A sculpture mounted on a dark wooden stand on a square cement base. The sculpture consists of angular, organic striations of crusted white material. Some areas are stained with a rust color. The segments touch in places and collectively are mounted upon a gray textile, the surface of which is sewn with coarse dark hair. Right image description: A close-up view of the sculpture.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1606070166416-KKOXJOAVD058S3O62681/DUrso-01.jpg Essays - Elizabeth Rooklidge on Flavia D’Urso I Will Not Carry You, 2020, terracotta, salt, and plaster [Image description: A set of eight black stands of different heights are arranged in a gallery space. On top of the stand in the center is a terra cotta vessel with two handles. On the other stands are white forms that echo the terra cotta vessel, but are broken and have holes in them. Two broken vessels sit on the ground.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1606239075026-4QWIRNWXH7SSZFALWMZC/mapdetail.jpg Essays - Elizabeth Rooklidge on Flavia D’Urso Pain Map (detail), 2018, Kozo paper, iodine, and horse hair [Image description: Rust-colored stains on a white surface. Long gray and white hairs appear to grow from the stains.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1606239025276-DOV652960YN4WWWTIWTX/weedling-install.jpg Essays - Elizabeth Rooklidge on Flavia D’Urso weedling, soft horizon line, 2020, Kozo paper, iodine, and horse hair, 38 x 96 in. [Image description: A long, horizontally-oriented piece of white paper with rust-colored stains running across the middle. Strands of hair protrude from the stains and bend toward the bottom of the work.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1606239785033-GABEZW6SXFURCMY3MYN2/Pain+Map.png Essays - Elizabeth Rooklidge on Flavia D’Urso Pain Map, 2018, Kozo paper, iodine, and horse hair, 65 x 24 in. [Image description: A narrow, vertically-oriented piece of white paper with rust-colored stains: one at the top, two at the middle, and two at the bottom. Sparse hair protrudes from the stains.] https://www.hereinjournal.org/essays/alana-hernandez-on-cognate-collective monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601401079513-BMV4TZ4TF30MOB6ZQ2WW/09%E2%80%93%C2%A9%C2%A9%E2%80%93In+Plain+Sight+Colab.jpg Essays - Alana Hernandez on Cog•nate Collective Devon Tsuno with traci kato-kiriyama and Cog•nate Collective, #XMAP: In Plain Sight, 2020, AR rendering of Sky Typed phone number above the U.S. Customs and Border Protection at the Laredo Juarez-Lincoln Port of Entry. AR image via 4th Wall App. [Image description: The port of entry with three lanes and one car. Sky typed in the sky above the check point is the telephone number 956-701-0149.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601400850074-DW2UTDYML0IFM17DZY9S/04%E2%80%93%C2%A9%C2%A9%E2%80%93Es+Mejor+Encender.jpg Essays - Alana Hernandez on Cog•nate Collective Es mejor encender una luz que maldecir la oscuridad, 2012, embroidery floss on canvas, public installation at the San Ysidro Port of Entry, Tijuana, B.C. [Image description: Tapestry with floral decals and text is stretched on a wooded structure on the side of a street. Next to the tapestry, a vendor is selling hats and tchotchkes. The Mexican flag and Club Tijuana flags are attached to the vendor’s stand] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601400905380-1DRZQTL0273RPN4QD5EU/05%E2%80%93%C2%A9%C2%A9%E2%80%93Es+Mejor+Encender.jpg Essays - Alana Hernandez on Cog•nate Collective Es mejor encender una luz que maldecir la oscuridad, 2012, audio installation and embroidery floss on canvas, MexiCali Biennial Calafia: Manifesting the Terrestrial Paradise at the Armory Center for the Arts, 2019–2020. Photo by Abe Ahn for Hyperallergic [Image description: A cream-colored tapestry with floral decals hangs from the ceiling of the gallery space. Black text is in both Mixtec and Spanish is embroidered directly on the canvas, separated by flowers.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601400684924-3LAC05BJJQHT8K1XPA60/02%E2%80%93%C2%A9%C2%A9%E2%80%93Regresa+A+Mi.jpg Essays - Alana Hernandez on Cog•nate Collective Regresa a mí / Come Back to Me, 2018 (detail). Photo: Pablo Mason [Image description: Detail of white candles within wooden structure. Printed in blue on the glass of the candles are hands divided by a bar, framed by the phrase “Regresa a mi / Return to me.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601400467933-6CLK7L26MWGUADRYMZ03/03%E2%80%93%C2%A9%C2%A9%E2%80%93Regresa+A+Mi.jpg Essays - Alana Hernandez on Cog•nate Collective Regresa a Mi / Come Back to Me, 2018, installation and performance in Being Here with You/Estando aquí contigo: 42 Artists from San Diego and Tijuana at the Museum of Contemporary Art San Diego, downtown, 2018. Photo: Angie Ollman [Image description: Two women light white candles with a wick on either side of a wooden structure.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601401050398-ZG0JY6D4O2W0WBYGYIZY/08%E2%80%93%C2%A9%C2%A9%E2%80%93Future+Echoes.jpg Essays - Alana Hernandez on Cog•nate Collective Future Echoes, 2019, site-specific audio installation, +Lab Artist-in-Residence Program in Little Tokyo. Photo by Mike Dennis courtesy of Little Tokyo Service Center [Image description: Several people with blue headphones sit on wooden benches around a wooden dome. Tied to the dome are blue flags. On the ground, five radios are placed on top of wooded boxes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601400947422-E9JKGK1UG8LP2AWZO4SS/06%E2%80%93%C2%A9%C2%A9%E2%80%93BorderBlaster+SD_TJ.jpg Essays - Alana Hernandez on Cog•nate Collective BorderBlaster (SD/TJ), 2012, cart, Talavera piggy bank, wood, rope, and radio transmitter, San Ysidro Port of Entry, Tijuana, B.C. [Image description: A red cart with the words “Radio Flyer” is in the middle of a one-way, crowded street. Inside the card, several wooden crates are stacked and tied with rope. A white ceramic pig with a painted flower is placed on one of the wooded crates.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601401020448-ZK8G4A1T1O92D7ZC0LIF/07%E2%80%93%C2%A9%C2%A9%E2%80%93Future+Echoes.jpg Essays - Alana Hernandez on Cog•nate Collective Poster for Future Echoes, 2019, site-specific audio installation for +Lab Artist-in-Residence Program in Little Tokyo, Los Angeles, CA [Image description: Blue poster with white text that reads on the left “Future Echoes August 17 – 31, 2019. First St North Block. Listen. Eschuca.” On the right side, a rendering of a dome and “87.9 FM” are contained within a white rectangle.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601400589458-623QLUG2D74YMPFGYGZH/01%E2%80%93%C2%A9%C2%A9%E2%80%93Regresa+A+Mi.jpg Essays - Alana Hernandez on Cog•nate Collective Regresa a mí / Come Back to Me, 2018, 130 votive candles, 1 large votive candle, beaker with sand and wicks, and wooden frame, Collection Museum of Contemporary Art San Diego. Photo: Pablo Mason [Image description: White candles neatly placed within wooden structure. Printed in blue on the glass of the candles are hands divided by a bar, framed by the phrase “Regresa a mi / Return to me.” Another candle and a beaker filled with sand and wicks placed on either side of the wooden structure] https://www.hereinjournal.org/essays/chantel-paul-on-farrah-karapetian monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599770084613-PTGNNTQY3S8DOH8C95ZR/016A0494a.jpg Essays - Chantel Paul on Farrah Karapetian Cinderblock negatives, 2017, rebar, resin, and paint, dimensions variable [Image description: A gallery with white walls and a gray floor. On the right is a sculpture composed of rectangular cuboids made of rebar, many stacked on top of each other. While the sides of most of the structures are open, seven have a sky blue-colored panel, which faces the viewer. The sculpture’s shadow is cast on the wall behind it. On the left wall hang two vertical works of art, which feature the silhouettes of structures in the sculpture.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599768076915-67990ZOD9PWLZKPP1DDT/Karapetian_2014_Stagecraft_GottotheMystic.jpg Essays - Chantel Paul on Farrah Karapetian Got to the Mystic, 2014, unique chromogenic photogram, 97 x 82 in. [Image description: The silhouette of a drum kit spread across two vertical, rectangular images. The silhouette is bright white against a variegated orange background. The figure of a person is partially obscured behind the drums on the far right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599768022087-DVNZ01D2WDWJDC7NE8MN/CantFind.jpg Essays - Chantel Paul on Farrah Karapetian Yes You Can (Blind Faith), 2020, unique chromogenic photograph, 24 x 64 in., courtesy of the artist and Diane Rosenstein Gallery [Image description: A wash of deep purple, with splatters and drips at its edges, spreads along the left side and bottom of the image, while a span of translucent yellow occupies the top center and right. Where the purple and yellow meet is the dark silhouette of a city skyline. Yellow script across the image reads, “I can’t find my way home.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599770528843-9GX9B5EKS7S1LU2JK9D8/20200208_DianeRosenstein3359.jpg Essays - Chantel Paul on Farrah Karapetian the Longest Prayer, aka Child’s Pose (detail), 2020, plaster, MDF, organza, and unique chromogenic photograph, 420 x 30 x 1 ½ in., courtesy of the artist and Diane Rosenstein Gallery [Image description: A long, narrow photographic print on shiny paper rests on a gray floor. The print runs horizontally and extends to the furthest edges of the image. It features a nude figure’s silhouette in yellow and brown. Their legs are underneath them and they are bent forward to stretch their arms out, palms placed down. The figure is repeated four times and each overlaps another.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599770603554-DOW2P95R95TJRNTG4J5G/image-asset.jpeg Essays - Chantel Paul on Farrah Karapetian Station 8, from the series Via Dolorosa, 2019, unique gelatin silver photograph, 24 x 20 in., courtesy of the artist and Diane Rosenstein Gallery [Image description: A splatter on a white page. In the splatter is a black and white photograph of two people’s arms extending toward each other, clasping hands, which are in front of a window looking out onto a parking lot.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599768491155-DBHX8WQARG84AV53FNJU/Karapetian_2015_Relief_Lifesaver.jpg Essays - Chantel Paul on Farrah Karapetian Lifesaver, 2015, unique chromogenic photogram, 56 ¼ x 40 in. [Image description: The white silhouette of a circular life preserver against a green, yellow, and brown background. Below the life preserver are forms suggesting bubbles in water.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599768184134-28UT0FB3ZINN176N75SS/In_the_Wake.jpg Essays - Chantel Paul on Farrah Karapetian In the Wake of Time, In the Break of Time, 2015, glass and steel, dimensions variable [Image description: A drum kit stands in the corner of a room with white walls and a gray floor. The drumheads and cymbals are clear, and one of the cymbals is a transparent red. The drum kit’s shadow falls on the wall behind it.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599770259237-PP4U2ND0O9DJCJM9213R/Install_ThePhotographisAlwaysNow_09.jpg Essays - Chantel Paul on Farrah Karapetian The Photograph is Always Now, 2020, installation view, Diane Rosenstein Gallery, Los Angeles, CA, courtesy of the artist and Diane Rosenstein Gallery [Image description: A gallery with white walls and a gray floor. Three artworks hang on the walls, while a long, narrow work runs along the floor, receding into the distance of the space. Over this piece hang eight silver rods, of different lengths and each with a light on the end, from the ceiling.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599768291702-TACJBYNF7K9PD2QWTWLZ/_30x20_Slip_43.jpg Essays - Chantel Paul on Farrah Karapetian Slip 43, 2013, unique chromogenic photogram, 30 x 20 in. [Image description: A mass of soft blue lines, both sketchy and fluid, are centered on the image’s mauve background. Small crystalline forms— rectangles with rounded edges and uneven circles, blue and edged with bright white— are scattered across the lines.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599770157575-GYDV2B85UHQJJOH1OHB6/Karapetian_2017_BDT_Change.jpg Essays - Chantel Paul on Farrah Karapetian Change, 2017, unique chromogenic photogram, 40 x 49 ½ in. [Image description: Bright orange, blue, and red lines, structured in a manner suggesting stacked rectangular cuboids, overlap each other on a white background. White lines, also suggestive of cuboid structures, are arranged haphazardly over the colored lines, disrupting their order.] https://www.hereinjournal.org/essays/dillon-chapman-on-allison-olivia-evans monthly 0.5 2022-03-02 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598724212675-3T2UJZGDYQJC9VIJND8K/Untitled+Interior+No.+1_2013.jpg Essays - Dillon Chapman on Allison Olivia Evans Untitled Interior No. 1, 2013, inkjet Print, 24 x 32 in. [Image description: An abstract image with variegated shades of tan, black, and gray. A dark band runs through the image vertically, while another runs horizontally, which gives the effect of a set of four window panes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598724472396-V9SI9OB42W1G65KJBGAI/Untitled-1.jpg Essays - Dillon Chapman on Allison Olivia Evans Film & Light Piece, (2019 - ongoing), installation documentation; light-tight room, 16mm projector, KODAK 200T Color Negative Film [Image description: A grid of eight rectangles, arranged in two columns on a dark background. The rectangles on the left side of the image are a warm brown, while those on the right are a brighter cream color. Small dots and scratches are visible on each of them.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598724513709-LSPCMJ85Z1SHU94EUQWS/view+from+a+door_2020.jpg Essays - Dillon Chapman on Allison Olivia Evans (view) through a door, 2020, installation documentation; sunlight, closed door, mirror, vellum, optical lens [Image description: A color image with an intense vignette on all sides. It is out of focus and depicts what appears to be an architectural structure, with three white and gray columns in the center. The image is soft and hazy, with muted colors.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598724256050-NLP8E4LQDWDWIJA4WDKW/Preliminary+Light+Study_2017.jpg Essays - Dillon Chapman on Allison Olivia Evans Preliminary Light Study, 2017, inkjet Print, 42 x 30 in. [Image description: A largely black image, with wavering lines of warm light spreading from right to left in the lower two-thirds of the image. They have a faint horizontal pattern that suggests light passing through window blinds.] https://www.hereinjournal.org/essays/anthony-graham-on-angie-jennings monthly 0.5 2021-01-13 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590514418988-9BA4CNSZJGBK4TH75HS5/3.jpg Essays - Anthony Graham on Angie Jennings Extinct Paradise, 2018, Abode Gallery, Los Angeles, CA [Image description: In a living room, two paintings hang on a wall, with a fire place in the middle. The left painting depicts a spider, and the right painting has a mirror in the center and is covered with fabric. The room is lit with a glowing orange light.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590514517609-2JVVGBLVVB3ML854191O/4.jpg Essays - Anthony Graham on Angie Jennings Familiar Spirit, 2019, Best Practice, San Diego, CA [Image description: In a room with white walls and gray floors, there are four figural sculptures and two drawings. On the left, a sculpture hands on the wall, while three other sculpture are on the floor in the room. The two drawings, depicting a rabbit and a hawk, are hung from the ceiling with chains. Three lit candles are placed along the walls.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590514307514-MOGIS9Y7FH0RWDJRDECS/2.jpg Essays - Anthony Graham on Angie Jennings STIGMA FOG, 2016, University of California, San Diego [Image description: On the left, a round, red painting with a figure hangs in a dark room. A sheet of plastic hangs to the right of the painting.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590513745723-FCTAKSSCUSQGPAL30NP3/8.jpg Essays - Anthony Graham on Angie Jennings THE STIGMA FOG SAINT at Incarnata Social Club hosted by Kembra Pfahler in collaboration with Matt Savitsky's Breathing Exercises, documentation by Alisha Funkhouser, 2016, The Holland Project, Reno, NV. [Image description: The artist sits on the ground in a smoke-filled room. The left side of her body is bare, including her arm, shoulder, torso, and upper thigh. The light makes her skin look golden brown, her face is painted white, and her hair is covered by a white lace veil. She has a computer and karaoke machine beside her. A crowd of people can be seen sitting behind the smoke.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590514821963-W4D991EHB7DL8LSKV07M/5.jpg Essays - Anthony Graham on Angie Jennings Familiar Spirit, 2019, Best Practice, San Diego, CA [Image description: In a room with white walls and gray floors, three figural sculptures are placed on the floor. Two drawings, one depicting a hawk and one depicting a snake, hang from the ceiling with chains. Four lit candles are placed along the walls.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590513897423-0HM4XIIYQ3READL14RSN/1.jpg Essays - Anthony Graham on Angie Jennings STIGMA FOG, 2016, University of California, San Diego [Image description: In the foreground of a dark room, an orange and green painting with abstract shapes hangs at an angle. In the background is a square painting with a figure. Sheets of plastic hang within the space, and a blue light glows from the back left of the room.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590514602024-FVSZ7H97V6139X6UYATB/6.jpg Essays - Anthony Graham on Angie Jennings The Sea is Coming, 2019, chalk pastel on paper, 18 x 24 in. [Image description: A snake is coiled along the shore of the beach. The snake is wrapped around a red apple. A cloudy sky and cliffs are in the background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590514733155-WBVUZI2ZB8GNTFHPE4RM/7.jpg Essays - Anthony Graham on Angie Jennings Angel, 2019, papier-mâché, acrylic, latex paint, spray paint, pvc pipe, chicken wire, cardboard, found, clothes, shoes, feathers, fake Mohawk, purse, live peace lily, 27 x 19 x 50 in. [Image description: A figural sculpture is hung on the wall. The figure has angel wings and wears a blue top, red pants, and high heel sandals. A purse hangs from the figure’s right hand, with a plant inside it.] https://www.hereinjournal.org/essays/clinton-tolley-on-chantal-wnuk monthly 0.5 2020-11-02 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1592156731477-5TIJK1E385Q5LCXSJD41/live+by+ocean+and+end+of+error.png Essays - Clinton Tolley on Chantal Wnuk Left: I Live by the Ocean Now, Again, 2013, oil on paper, 11 x 14 in. [Image description: A woman stands in front of an abstracted ocean, facing away from the viewer. She wears a green striped sweater and has long hair streaked with black and white. Her right arm bends up and over so that her elbow is resting on top of her head. A mauve and blue sky stretches out over the horizon line.] Right: End of an Error, 2013, oil on canvas, 20 x 26 in. [Image description: A light-skinned woman wearing a magenta and white striped shirt sits at a table. She bends over and rests her head face-down, her long brown hair spreading out over the table. A red Solo cup sits close to the woman’s right. Behind her is the beige interior of the room with a white rectangle suggesting a window.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1592158267381-Z5LNYJRZ0FL1NO25XVDA/alone+and+beach.png Essays - Clinton Tolley on Chantal Wnuk Left: Alone and Looking Down, 2019, oil on canvas, 36 x 48 in. [Image description: An abstracted blue-gray figure on a background that is thickly painted in a range of sandy colors. The figure holds up a small vertical rectangle in their left hand. At the top right corner of the image is a blue, green, and purple area of paint, lined in white. The effect is that of the viewer looking down from the subject’s perspective as they snap a cell phone picture of their shadow on the sand and beach blanket.] Right: The Beach Closest to My House 2pm, 2019, oil on canvas, 36 x 48 in. [Image description: A light-skinned woman sitting on the beach, with a view of her left hand, legs, and feet, the sand and ocean outstretched before them. She holds in her hand a cellphone, and on the screen is a view of the scene in front of her. She has bright pink nail polish on her fingers and toes, and her feet are covered in sand. The effect is that of the viewer looking out from the subject’s perspective.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1592158931476-CFROFZGZDXAJCTW2B8OL/drawing+about+touching.jpg Essays - Clinton Tolley on Chantal Wnuk Drawing About Touching, 2013, mixed media on paper, 22 x 30 in. [Image description: In the center of the image, a man and a woman tightly embrace. The man has dark hair and buries his face in the woman’s neck. She has shoulder length hair in white and gray, and her face is abstracted with gray chalk. Around the figures, staccato strokes of white suggest raindrops. The entire drawing is rendered in tones of black and gray, with only faint traces of orange in the woman’s hair and in some of the raindrops. ] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591984567121-3B6N49DZ2GM5OT5WFYUL/cell+phones.jpg Essays - Clinton Tolley on Chantal Wnuk From Sea Foam and Cell Phones, 2019, oil on canvas, 30 x 40 in. [Image description: Three women, whose skin is rendered in peach and pink tones, at the beach. In the foreground, two of the women sit at a table, facing the viewer but looking to the left. The table’s top is scattered with objects, including scraps of food, a fork, a comb, and two cell phones with their screens lit up. A cup of water tips over, about to spill. The woman on the left is cut off by the edge of the painting, and only her right side is visible. She is wearing a blue bikini top and a straw hat. Next to her sits a woman in a blue and brown polka dot tank top. She holds her brown hair as if to tie it up with the red hairband on her wrist. In the upper left of the image, a third woman in a blue swimsuit sits behind the two at the table. In the background, two palm trees on the beach are visible. The painting is rendered in both brushy strokes and delicate lines.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1592156992168-UMG0UWRH665OJRHUM6R7/steuben.png Essays - Clinton Tolley on Chantal Wnuk Left: Steuben, Wisconsin 2pm, 2018, oil on paper on panel, 24 x 30 in. [Image description: A view from behind of a person with pink skin and brown hair, sitting in a lounge chair. Through the chair’s green webbing, the figure’s head, green shirt, and knees are visible. There is a brushy wash of various shades of green and a blue sky in the background.] Right: Steuben, Wisconsin 2am, 2018, oil on paper on panel, 24 x 30 in. [Image description: A view from behind of a woman in a red tank top sitting in a lounge chair. Through the chair’s yellow horizontal bands, her head, back, and knees are visible. A cell phone with a glowing screen rests on her right leg. Her skin tone and hair are a surreal mix of pink, purple, and blue. In the background, a dark hill rises in the violet sky under a sliver of yellow moon.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1592158709441-0PVLAQ4DFIOI6FIPY0OG/very+close.jpg Essays - Clinton Tolley on Chantal Wnuk Very Close and Four Inches Taller, 2013, oil on canvas, 24 x 30 in. [Image description: A light-skinned man with short black hair in a blue shirt faces away from the viewer and toward a woman standing behind him. The woman’s face is obscured from the viewer by the man’s head. She has long brown hair and skin that is a surreal mix of taupe and blue, and the thin red line of a tank top over her right shoulder. The figures stand in front of a purple wall, with a blue rectangle suggesting a window at the image’s top left corner.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1592157877084-HST83VH84GTBPLWT5K1P/ignoring+ocean+and+salt+water.png Essays - Clinton Tolley on Chantal Wnuk Left: Ignoring the Ocean, 2014, oil on canvas, 24 x 30 in. [Image description: A light-skinned woman, her face largely obscured by her long dark hair, holds a cup to her mouth with her left hand. Her right hand holds a pink cellphone with a glowing screen. She faces toward the left edge of the painting. Behind her is an abstracted depiction of the beach and sky. The woman’s clothing and the landscape are rendered in dark purples and blues, giving the work a distinctly moody effect.] Right: Salt Water, 2019, oil on canvas, 30 x 40 in. [Image description: Two women sit on the ground, with an ocean horizon line, purple sky, and setting sun behind them. The image is tightly cropped, with only portions of each figure in the painting’s frame. The figure on the right’s arm extends toward the viewer, with her hand looming in the painting’s foreground. The figure on the left of the image lays behind the one on the right, with her face partially obscured. She is wearing an orange and blue patterned shirt, looking at a cell phone with a glowing screen in her hand. Both women’s skin tone is a surreal mix of peach, blue, green, and purple.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1592157328853-QT929X1AJM0N2QTFWT6N/Sorry+and+kind+of+floating.png Essays - Clinton Tolley on Chantal Wnuk Left: Sorry for Being Sad, 2017, oil on paper, 9 x 12 in. [Image description: A loose, brushy rendering of a light-skinned woman sitting at a table, facing the viewer. Deep purple paint spreads across the maroon tabletop, as if some liquid has spilled. The woman is wearing a blue sweater with gray dots and pulls its neck up to obscure her face. The interior of the room is visible behind her. Above her right shoulder is a window with a view of a palm tree, and on the windowsill sit a pencil and other objects.] Right: Kind of Floating (Coronado with Pool Noodle), 2016, oil on canvas, 36 x 48 in. [Image description: A woman with white and blue skin and dark hair floats in the ocean. An abstracted view of her body is visible beneath the water’s surface, while her shoulders and head emerge. Her hands are raised to cover her eyes. The ends of an orange pool noodle are visible on either side of the figure’s shoulders. In the background, a brown landmass extends from the right edge of the image.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591984152186-URETVXAOJJKA20FSCU7G/3-phones-mcasd.jpg Essays - Clinton Tolley on Chantal Wnuk 3 Phones, 2018, oil on canvas, 30 x 40 in. [Image description: In the painting’s darkened foreground, the abstracted figures of two women sit on a couch. Their skin and clothing are rendered in deep blues, greens, purples, and browns. They both hold cell phones up to their faces. The figure on the left holds her forearm over her face, as if to shield her eyes from the phone’s glowing screen. The face of the figure on the right is indistinguishable, except for her white eyes. Behind them, the brightly lit interior of the room is visible. In it are two houseplants, two doorways on the back wall, and the red outline of a piece of art on the wall. In one of the doorways sits a highly-abstracted figure, with faint lines suggesting they are holding a cell phone.] https://www.hereinjournal.org/essays/elizabeth-rooklidge-on-yasmine-kasem monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590594870568-T446GC5FX59ROWAEVSRM/03_Kasem+.jpg Essays - Elizabeth Rooklidge on Yasmine Kasem Jihad of Bitter Petals, 2019, unraveled cotton piping, cotton thread, natural dye of arugula, yellow clover, grapefruit blossoms, and celery. Installation at the University of California, San Diego. [Image description: An installation view of a darkened gallery with spotlights illuminating six pieces of torn, golden-colored fabric hanging from the ceiling by rope.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590594917079-OCAMS35F6YK3IT0I8QYI/02_Kasem.jpg Essays - Elizabeth Rooklidge on Yasmine Kasem Jihad of Bitter Petals, 2019, unraveled cotton piping, cotton thread, natural dye of arugula, yellow clover, grapefruit blossoms, and celery. Installation at the University of California, San Diego. [Image description: An installation view of a darkened gallery with spotlights illuminating a section of torn, golden-colored fabric hanging from the ceiling by rope.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590594940246-RO61GSGO64KDAEO9XQ7S/01_Kasem.jpg Essays - Elizabeth Rooklidge on Yasmine Kasem Detail from Jihad of Bitter Petals, 2019, unraveled cotton piping, cotton thread, natural dye of arugula, yellow clover, grapefruit blossoms, and celery. [Image description: A piece of golden-colored fabric hanging from the ceiling by five white ropes. The fabric looks soft. It has holes in it and its edges are frayed. It is spotlit in front of a black wall.] https://www.hereinjournal.org/conversations daily 0.75 2026-01-06 https://www.hereinjournal.org/conversations/maddie-butler-with-herein monthly 0.5 2025-03-21 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b8135687-2a84-4f8f-ac82-8c943cc55e17/TR_BT_014.jpg Conversations - Maddie Butler with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/60dc8dcb-816d-4ed4-a702-e75b2adc4f48/TR_BT_037.jpg Conversations - Maddie Butler with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/cc6a42cf-ce57-4b00-a52f-f26f2b967cd3/TR_BT_024.jpg Conversations - Maddie Butler with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/67bf1011-3fd0-4d2f-adc8-5ca46aaefb62/Untitled+design+%284%29.png Conversations - Maddie Butler with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3f78dc53-34fb-4c9f-ad64-3d0f444d0602/P1088643.jpg Conversations - Maddie Butler with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1e828eb8-6485-44a4-9ba6-59cc28c53dbb/TR_BT_007.jpg Conversations - Maddie Butler with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e7f809ca-ecac-4df2-8fa1-76bbba06242f/TR_BT_022.jpg Conversations - Maddie Butler with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/conversations/christina-valenzuela-with-herein monthly 0.5 2025-01-30 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1ed29448-b12b-4325-8409-d1e0b9f47efc/IMG_8164.jpeg Conversations - Christina Valenzuela with HereIn - Make it stand out A brushy, orange and brown depiction of a figure laying face-first on a pillow. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d1119fda-7e93-495d-898b-5dba3f42c8a2/Untitled+design+%284%29+copy.png Conversations - Christina Valenzuela with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e044294a-19ac-4211-8b74-9ba8e334e559/Untitled+design+%284%29+copy+2.png Conversations - Christina Valenzuela with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/58c784af-77f9-4826-9d44-79796ac8ed7b/ae59040c-7bba-466b-90fa-85e4bee1050e_rw_1920.jpg Conversations - Christina Valenzuela with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4add4a00-2ef7-4d23-8dc0-422102a2aab0/843af212-bac6-441a-bae4-8cd970a2b4d4_rw_1920.jpg Conversations - Christina Valenzuela with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f7dc11c1-2601-47d8-98d1-a8e86ffe699e/Untitled+design+%284%29.png Conversations - Christina Valenzuela with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2ecc15b2-d321-41fb-a8b0-a9f0fbaca304/4614cbdd-ce95-4183-bee3-a117b2e7a135_rw_1920.jpg Conversations - Christina Valenzuela with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/conversations/amy-pachowicz-with-herein monthly 0.5 2024-10-13 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/101ff29f-71b8-4ca0-a74d-12571909da9b/Brown+Sage.jpg Conversations - Amy Pachowicz with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d15be06e-5d53-4d7c-9fba-1dd5a7cdd962/Spanish+Castle.jpg Conversations - Amy Pachowicz with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/790c80fe-eb8e-4d18-a23b-2fcf160ce80a/Girljpg.jpg Conversations - Amy Pachowicz with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/719be8f8-6fef-423b-b615-b45f12652787/Aurora+Consurgens.jpg Conversations - Amy Pachowicz with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a1370ff1-cc14-4764-b85b-747265db3c06/Macedonian+Empire.jpg Conversations - Amy Pachowicz with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2c61882a-9fd5-49b6-a1f0-f8fac475fe4a/La+Corona.jpg Conversations - Amy Pachowicz with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/conversations/dave-eassa-with-herein monthly 0.5 2024-09-08 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b4ee5ef5-b868-4a87-9bc3-e7b838e493b1/Eassa+2.jpg Conversations - Dave Eassa with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/01038772-d9cf-4f49-885c-1bbe7cbcc8f0/Eassa+4.jpg Conversations - Dave Eassa with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7c4f7ffa-ee1b-49b6-90f0-100ca9bbd14c/Eassa+6.jpg Conversations - Dave Eassa with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0f4f4010-7277-4cca-b11f-ea6e89d38658/Eassa+1.jpg Conversations - Dave Eassa with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/488cd90e-8132-45b9-917a-c88ee7500006/Eassa+8.jpg Conversations - Dave Eassa with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/033f9136-d828-4ba2-b431-fa3ee162f045/Eassa+3.jpg Conversations - Dave Eassa with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/98efefe1-baeb-48e0-afa4-e01537bb284b/Eassa+5.jpg Conversations - Dave Eassa with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7300eb47-b5d2-4e3f-bd1f-6cef0f3aa7e5/Eassa+7.jpg Conversations - Dave Eassa with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/conversations/marisa-deluca-with-herein monthly 0.5 2024-08-23 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8fbc212e-b6b2-4fa2-b486-a03dc6125c72/Brooks-St-The-Place-that-Burned--charcoal-on-paper--2021.jpg Conversations - Marisa DeLuca with HereIn - Make it stand out Brooks Street (The Place that Burned) , 2021, charcoal on paper, 24 x 18 in [Image description: A stark, black-and-white drawing of a chain link fence, through which the side of an industrial building is visible. Shadows demarcate what may be a door or a set of stairs in the center of the image.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5ff8beed-ef83-4cf5-aac3-77e62201875e/DeLuca_M_H-M-Military-Supplies--oil-on-canvas--16x20--2021.jpg Conversations - Marisa DeLuca with HereIn - Make it stand out H&M Military Supplies, 2021, oil on canvas, 16 x 20 in. [Image description: A photorealistic closeup of sky blue tile with dirty grout. To the left of center, there is a four-pointed diamond design in the tile, and a series of cracks appear in the lower right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/35eb4033-a20d-402a-b149-9c1fccfe6a21/DeLuca_M_The-Dress--oil-on-canvas--30x28--2021.jpg Conversations - Marisa DeLuca with HereIn - Make it stand out The Dress, 2021, oil on canvas, 30 x 28 in. [Image description: A view of the side of a pale green house with an iron fence stretching across the foreground. A white string on the fence holds up a white dress to dry. The stark whiteness of the dress is contrasted with the cast iron gate and dirty wood planks in the unkempt yard.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/87746bbf-1617-4c68-8b98-ce05dc591f1e/DeLuca_M_Eleven-Eleven--oil-on-canvas--30x24--2022.jpg Conversations - Marisa DeLuca with HereIn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/88043611-c083-4913-8198-512c2a0d66e7/Screenshot+2024-08-22+at+8.50.09%E2%80%AFAM.png Conversations - Marisa DeLuca with HereIn - Make it stand out Works, 2023, oil and pyrolyzed remains of 608 Minnesota Avenue, Oceanside CA on canvas, 8 x 12 in. [Image description: An ethereal image that looks like multiple photographs layered on top of each other. One appears to be an adobe-style archway, while another is a line of men in early-20th century work clothing.] https://www.hereinjournal.org/conversations/ava-aviva-avnisan-with-herein monthly 0.5 2024-07-15 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5c566ae2-4b06-4749-a892-b92e14a2b0b1/LidarScan.jpg Conversations - Ava Aviva Avnisan with HereIn - Make it stand out Specters of Home—Prologue, 2024, film still [Image description: A haunting point cloud rendering of the Palestinian village of Lifta, created from 3D lidar scan data. Two dilapidated buildings are visible in the foreground, the one on the left overgrown with vegetation. The bright points comprising the image are set against a dark background, creating the illusion that the scene was captured at night, with the buildings brightly lit as if by spotlight.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e1466082-4731-49f5-8b14-fbbf9099380e/Specters+of+Home+-+Prologue+-+Poster+Image.jpg Conversations - Ava Aviva Avnisan with HereIn - Make it stand out Ava Aviva Avnisan, Specters of Home—Prologue, 2024, film still [Image description: A beautiful image, seemingly hand-rendered, of two dilapidated buildings overgrown with lush vegetation.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/72297a99-931c-4768-b83f-8070d933ae5c/SpectersOfHome-FilmStill_5.png Conversations - Ava Aviva Avnisan with HereIn - Make it stand out Specters of Home—Prologue, 2024, film still [Image description: A view looking down on a book spread open to reveal two map-like images. Someone’s hands hold the book open. The film still appears hand-illustrated in ethereal tones of gray, brown, and blue. Yellow text at the bottom of the frame reads, “as vital to the project of colonization.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7f4b7209-24cc-4998-9151-14aef5f13445/SpectersOfHome-FilmStill_3.png Conversations - Ava Aviva Avnisan with HereIn - Make it stand out Specters of Home—Prologue, 2024, film still [Image description: A gauzy image of a child running against an indistinct background. At the bottom of the frame, yellow text reads, “It was as much a lie.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c1075b3c-d0c9-427c-b2f6-ad106cae5f02/SpectersOfHome-FilmStill_8.png Conversations - Ava Aviva Avnisan with HereIn - Make it stand out Specters of Home—Prologue, 2024, film still [Image description: A small child picks food up from a kitchen counter. The image appears hand-rendered in soft browns, oranges, and blues. Yellow text at the bottom of the frame reads, “It was a double bind—the archives.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/cebdeccb-83cc-4637-a16d-e91dcd2bd2b8/SpectersOfHome-FilmStill_4.png Conversations - Ava Aviva Avnisan with HereIn - Make it stand out Specters of Home—Prologue, 2024, film still [Image description: An abstracted body, wearing purple, lays on a sandy ground. Yellow text at the bottom of the frame reads, “a land without a people, for a people.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7a87e868-1e29-4b7e-96d6-28eaf22147b3/SpectersOfHome-FilmStill_1.png Conversations - Ava Aviva Avnisan with HereIn - Make it stand out Specters of Home—Prologue, 2024, film still [Image description: An abstracted depiction of the two buildings in previous images. Here they are painted in rich colors, while their shapes seeem to disappear into the air. Yellow text at the bottom of the frame reads, “all that had been repressed.”] https://www.hereinjournal.org/conversations/lorain-khalil-rihan-with-herein monthly 0.5 2024-04-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/928f3c26-7ec0-4b12-8ca8-ae0d2a1a59ca/1973_Website%2360a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Two men, who have brown and olive skin, sit at looms in a weaving workshop. Rugs are spread on the floor and are stacked, folded, on shelves against the back wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a3a26403-fed7-4716-90a5-5649205357ba/Arroub%2BCamp_Website%23100b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Faint text on a white background includes the description, “Arroub refugee camp (population 6000) is one of 61 camps for Palestine refugees in Jordan. Syrian Arab Republic Lebanon end the Israeli occupied West Bank and Gaza Strip. In 1949 the UN establishment UNRWA to provide welfare health and education services to the refugees. Today, 1/2 of the 2.5 million registered refugees live in camps, while the rest of the refugees live on their own in towns and villages of the Middle East.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/cd9fa066-85bd-4580-bbf9-d6a988e8a1f3/1958_Website%2377b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Text on a white background includes the description, “Palestinian folk dance. Aida camp, Bethlehem, West Bank.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3f34342f-d524-4e2d-b111-30a193e0b22c/1948-1967%2BMention_Website%2321b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Text on a white background includes the description, “From the 1948 until 1967, Gaza Strip was administered by Egypt. The residents there were linked with the outside world by one narrow road through the 200 miles of Sinai desert to Cairo. Another exit was the Mediterranean Sea. This photo shows Palestinians leaving Gaza Strip on small fishing boats.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/012d8f28-fd13-4b42-88e3-62bf6b7577ef/Ramallah_Website%2399a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: A woman with brown skin and dark hair wears an intricately embroidered headscarf. She sits on a rock wall, behind which stretches a landscape dotted with building and trees.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7c287007-5871-4ed0-b923-e7c4856fed94/1976_Website%23116a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Children, most of whom have dark hair and brown and olive skin, sit on a hill overlooking a landscape of fields, trees, and dwellings. Many of the children face the camera and look at each other with expressions of joy.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4e7a4912-60f0-4f45-968c-742d1f5f5b00/1976_Website%23116b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Very faint text on a white background includes the description, “Youngsters of Arroub Camp for Palestine Refugees […] near Hebron in the Israeli occupied West Bank.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5cc7305e-a7f3-4415-8b4e-b6231c759ab7/1989_Deir%2Bel%2BBalah_Website%2330b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Handwritten text on a white background includes the description, “UNRWA photo, 1989.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8e8db568-c673-4e70-a6d6-581163dfb315/1971_Website%2387b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Text on a white background includes the description, “Gaza Town on the Gaza Strip; 1971.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2a6fdfc6-e6ea-48ef-8241-db81d0ae956b/1971_Website%2387a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: A cityscape of stone buildings interspersed with palm trees. People walk down the road at the left of the images.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ea94a4a7-6066-4a95-bf49-580ec2dd8bb2/1958_Website%2377a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: A group of men dance in a circle. They all have dark hair and brown and olive skin, and wear keffiyehs. One of them plays a flute-like instrument.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b4e7572e-aae8-4e32-8c11-04c102be2241/1948-1967%2BMention_Website%2321a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Dense groups of men, who have brown and olive skin, board fishing boats. In the foreground, a man is being pulled up onto the boat, while others reach their hands up for a lift.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a8a76651-2720-44a1-865d-a34ba58ff932/1971_Website%23103b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Text on a white background includes the description, “Bureij Refugee Camp, Gaza Strip, 1961. A number of Arab homes in the Israeli-occupied Gaza Strip were demolished following the June 1967 hostilities. Because the families were homeless, UNRWA provided them with shelter. Agency rations were also issued on a temporary basis […] to those not previously registered with UNRWA, as an emergency measure.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f2a35f8f-86a7-477c-81c7-cc5263d1cb76/1996_Website%2383a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Sheep graze in a vast field. Palm trees line the horizon, while dramatic clouds fill the sky.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/39db2ffd-089c-4a1e-9a09-70ba6a4fdff7/1976_Website%2310a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Three people ride camels, trailed by a person on a cart, across a line of train tracks.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4c682225-0ebd-4425-9cbc-6da304b766f6/1950s%2BProbably_Website%2337a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: A black and white image of three people’s hands, with brown and olive skin, reaching toward a wall. On the wall hang many keys on hooks and a sheet of paper tacked up to the left. One person grasps a key, while another holds a pen, as if about to write their name on the paper.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/66ceaeab-9e4d-4222-ba7b-c55917e54b7d/1956_Website%2384a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: A group of women and children, who have dark hair and brown and olive skin, shop in an outdoor market. On the right, a woman bends over a bin of vegetables, while on the left a child looks over her shoulder at the camera.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/af7f6a3d-6c7d-49dc-be23-de95d897a913/1971_Website%23103a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: A pile of rubble, with the remains of a dwelling on the right. A line hung with laundry stretches across the horizon, and a tree juts up into the sky on the right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/969c4d69-0872-45cb-9445-517db6e7ee39/Arroub%2BCamp_Website%23100a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: A man, who has dark hair and brown skin, sits on a rock on top of a hill. He looks out over a landscape of fields and dwellings, all framed by trees on either side of the photograph.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0be80896-044a-49d4-872d-20d31e82e022/Untitled+design+%284%29.png Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: On the left is a brown paper envelope from the United Nations Relief and Works Agency for Palestine Refugees. On the right is a document for “Loan and Use of UNRWA Archive Still Photographs,” signed by Jess Ghannam.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c5f1a709-217f-4de0-9deb-4604df8012af/1976_Website%2310b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Text on a white background includes the description, “A scene from Khan Younis, Gaza Strip.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0df3d6ac-44bd-4385-82f6-8d2344e24bd8/Ramallah_Website%2399b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Text on a white background includes the description, “Ramallah a city north of Jerusalem, West Bank.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/be77f318-677c-4ca1-ab26-7a4768fec976/1989_Deir%2Bel%2BBalah_Website%2330a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: A portrait of a man, who has dark hair and brown skin, standing in the foreground with a hoe over his shoulder. In the background, a planted field stretches back to the horizon, which is lined with palm trees. The man’s brow is furrowed as he appears to look out across a far distance.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0d653102-5997-405d-a86f-9f4b688bc516/1973_Website%2360b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Text on a white background includes the description, “Traditional Gaza rugs being woven in a workshop in Gaza Town.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4c92eb6b-d712-4c49-8efa-943745080534/1950s%2BProbably_Website%2337a_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: A black and white image of three people’s hands, with brown and olive skin, reaching toward a wall. On the wall hang many keys on hooks and a sheet of paper tacked up to the left. One person grasps a key, while another holds a pen, as if about to write their name on the paper.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f5ddab82-d2b9-4350-8dab-47207f253e20/1956_Website%2384b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Text on a white background includes the description, “This photo shows a view of the vegetable market of Aqabat Jabr refugee camp in Jericho, West Bank.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d15c8e19-a7d7-46e2-98c5-b3e1ffd0d2e1/1950s%2BProbably_Website%2337b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Text on a white background includes the description, “The last of the tenst, Aida camp, Bethlehem, Jordan. After nine years of living in tents, since their exodus from Palestine, the 1050 refugees of Aida camp were summoned to the Distribution Center, where they go usually to collect their monthly rations, to be given something different—the keys to their new concrete block shelters. Although the rooms are small (average 9 x 10.5 ft.) and there are an average of 5 people to a room, the new units afford much better shelter from the violent winter storms of this region than the tents.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/74bd2551-c8c5-4d0f-83a6-c04c35e04bd7/1996_Website%2383b_300.jpg Conversations - Lorain Khalil Rihan with HereIn - Make it stand out [Image description: Text on a cream-colored background includes the description, “Sheep grazing in a field in the Gaza Strip, 1996.”] https://www.hereinjournal.org/conversations/lizzie-zelter-with-herein monthly 0.5 2024-03-28 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c9fdb64c-56f1-4faf-b469-c8225ac403ea/unnamed-1.jpg Conversations - Lizzie Zelter with HereIn - Make it stand out La Sala de Todos, 2020, oil on canvas, 48 x 36 in. [Image description: A narrow living room with a tall ceiling and large, paned windows to the left. The peeling white and blue paint, many potted plants, and soft-looking sofa give the space a romantic air.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e8f9265a-98ca-4362-b7d7-400862676375/unnamed.jpg Conversations - Lizzie Zelter with HereIn - Make it stand out Funk Americana, 2023, oil on canvas, 72 x 60 in. Photo: Daniel Lang [Image description: A pleasantly jumbled amalgamation of architectural forms, which together give the sense of a two-story building surrounded by wooden and wire fencing. We see utility boxes, hanging laundry, and a potted plant.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a6918ef4-4aa1-4bfb-82bd-3bb733d772ff/Burning%2BBush.jpg Conversations - Lizzie Zelter with HereIn - Make it stand out Burning Bush, 2023, oil on canvas, 50 x 30 in. Photo: Lile Kvantaliani [Image description: A skinny, bare tree stands on an urban sidewalk. It is encircled by chicken wire, from which hangs many small, colorful flags.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7d9a4ba6-37c5-45c2-a94e-4ed013df4019/Accessories%2Bfor%2BModern%2BLiving.jpg Conversations - Lizzie Zelter with HereIn - Make it stand out Specimens of Modern Times, 2023, oil on canvas, 72 x 60 in. Photo: Lile Kvantaliani [Image description: A close-up view of a glass storefront. Rendered in many rich colors, the topsy-turvy image exerts a destabilizing force on the viewer.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/81f0cebb-893f-4685-af13-e6eb6154f037/Zelter_The%2BTwister.jpg Conversations - Lizzie Zelter with HereIn - Make it stand out The Twister, 2023, oil on canvas, 72 x 60 in. Photo: Lile Kvantaliani [Image description: A view from below of many objects—brightly colored flags, chandeliers, and all manner of bric-a-brac—hanging from a grid on a white ceiling. One banner stands out—it features two feet in blue socks and red shoes, and says “…no place like home.”] https://www.hereinjournal.org/conversations/elizabeth-rooklidge-and-dillon-chapman monthly 0.5 2024-03-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/6406d187-9464-40c4-ba32-117826013dd9/Angelic.png Conversations - Elizabeth Rooklidge and Dillon Chapman - Make it stand out Sick Women (angelic), 2023, inkjet print, 10 x 8 in. [Image description: Three images arranged in a column against a white background. Each depicts a closeup of a different woman. All three women have light skin and dark hair, and look ethereal and dreamy in white clothing under the camera’s soft focus.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/054df855-162a-4af5-a988-3eb04bcbe60e/Pain+Face+2.png Conversations - Elizabeth Rooklidge and Dillon Chapman - Make it stand out Sick Women (pain face), 2023, inkjet print, 10 x 8 in. [Image description: Eight images arranged in a grid. Each features a closeup view of a woman whose face bears an expression of pain, fear, or exhaustion. All the women have light skin, with the exception of the actress Rosario Dawson (at the top right), who has medium-light skin. They also all have delicate, traditionally feminine features. The collective effect of their facial expressions is one of melodrama.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5a5f5e41-7824-40af-b3ad-dd292e6cc053/In+Bed.png Conversations - Elizabeth Rooklidge and Dillon Chapman - Make it stand out Sick Women (in bed), 2023, inkjet print, 10 x 8 in. [Image description: Three images arranged in a column against a white background. Each depicts a woman in bed. In the first, a white woman wears a hospital gown, while her skin looks mottled and her eyes are ringed with red. In the center image a woman with smooth, white skin and perfectly coiffed hair looks sorrowfully at the visitor next to her. In the bottom image, a woman with light skin and brown hair lays on the bed, her head thrown back in agony or ecstasy.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a4fcaf8a-14b4-4d36-8d62-b5be110afa0b/Hooked+Up.png Conversations - Elizabeth Rooklidge and Dillon Chapman - Make it stand out Sick Women (hooked up), 2023, inkjet print, 10 x 8 in. [Image description: Two closeup images of women’s faces, each hooked up to a blue breathing tube. Both women have light skin and blonde hair.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/28f98360-578d-4022-a847-e1e69f1721e8/Foreshortened+2.png Conversations - Elizabeth Rooklidge and Dillon Chapman - Make it stand out Sick Women (foreshortened), 2023, inkjet print, 10 x 8 in. [Image description: Three images arranged in a column against a white background. Each depicts a foreshortened view of a woman in bed. In the top and bottom images, the women have breathing apparatuses affixed to their faces. In the bottom image, a visitor sits in the foreground, outside the woman’s hospital room, with her head bowed.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7662f07e-bf20-4f0c-9997-d675bbb3ebd4/Sick+Room.png Conversations - Elizabeth Rooklidge and Dillon Chapman - Make it stand out Sick Women (sick room), 2023, inkjet print, 8 x 10 in. [Image description: Four images, arranged in a grid, each showing a different woman in her sick room. At the top left, a black and white photo captures a woman with 1940s hair, dressed in white, reading a book in a neatly made bed. At the top right, a woman sits on a cot in a dark, sparely furnished room, holding an oxygen mast to her face. On the bottom left a woman lies hooked up to medical equipment in an expensive-looking hospital room. On the bottom right, a woman lies slumped in an ornate, mahogany bed.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/dc5e0a78-12a7-46c3-beca-34b680698e14/Hands.png Conversations - Elizabeth Rooklidge and Dillon Chapman - Make it stand out Sick Women (hands), 2023, inkjet print [Image description: Three images of hands arranged on a white background. The top photo centers on a hand with a hospital bracelet on the wrist and a pulse oximeter on a finger. The hand in the middle photo holds a cluster of pills. In the bottom photo, two hands clasp one other against a hospital blanket. All hands in the images are light-skinned and delicate.] https://www.hereinjournal.org/conversations/josh-tonies-with-herein monthly 0.5 2024-01-26 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d1433d40-6d27-41a1-b442-9f8ee35cc0d9/Kringla+Heimsins.jpg Conversations - Josh Tonies with HereIn - Make it stand out Kringla Heimsins (detail), 2013, digital interactive work with motion depth sensor [Image description: An illustration of yaks and deer in a landscape, rendered in subtle tones of blue, pink, orange, and red.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d5f0b346-908a-44a2-9298-10e68058060e/Untitled+design+%284%29.png Conversations - Josh Tonies with HereIn - Make it stand out Left: Bancroft exterior rear, 2023, mezzotint 22 x 16 in.; Right: Bancroft roofline, 2023, mezzotint 22 x 16 in. [Image description: Two closeup views of a house covered in plant growth, all rendered in shades of gray.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/27de8e3b-8c27-49a9-b6b0-cee52c679e70/print-3documentation+2.png Conversations - Josh Tonies with HereIn - Make it stand out Bancroft veranda enclosed, 2023, mezzotint, 22 x 16 in. [Image description: A corner view of a house covered in plant growth, all rendered in shades of gray.] https://www.hereinjournal.org/conversations/kanthy-peng-with-herein monthly 0.5 2024-01-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/fe44e489-564f-4b3d-8d3b-78bb9fdf67b7/11.jpeg Conversations - Kanthy Peng with HereIn - Make it stand out Sunset Watchers, 2023, archival inkjet print on Moab Metallic Pearl with aluminum floating frame, 8 x 10 in. [Image description: A framed, black-and-white photograph of a woman standing with her hand on a rock, looking longingly out to her left.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d7bfb881-c321-43c7-b5f2-cb8dd4158b70/01.jpeg Conversations - Kanthy Peng with HereIn - Make it stand out They Won’t Go, 2023, archival inkjet print, Moab Metallic Pearl, and gelatin silver print, 44 x 44 in. [Image description: Three images of boulders hung on a black wall, arranged as if they are tumbling down to the ground.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/779659b3-5f87-4e80-97e3-d836adc49cfb/13.jpeg Conversations - Kanthy Peng with HereIn - Make it stand out Surf Cam, 2023, livestream video and aluminum sheet, 34 x 40 in. [Image description: An image—in the shape of a car side mirror—of two people watching the sun set over the ocean. It hangs in a darkened gallery space.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/af80aaa6-8df9-4c4c-bc8b-fab3f6ec3752/13+2.jpeg Conversations - Kanthy Peng with HereIn - Make it stand out Surf Cam, 2023, livestream video and aluminum sheet, 34 x 40 in. [Image description: An image—in the shape of a car side mirror—of two people watching the sun set over the ocean.] https://www.hereinjournal.org/conversations/scott-b-davis-with-herein monthly 0.5 2023-07-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e4de3920-8390-4d76-88a9-594d33699d3a/unnamed-4.jpg Conversations - scott b. davis with HereIn - Make it stand out Two Nearly Identical Ridgelines (Canyon Sin Nombre), 2019, two unique platinum/palladium prints, 10 x 8 in. each [Image description: Two images side by side, the one on the left in black and dark gray, the one on the right in white and light gray. Each depicts the ridgeline of a mountain, so minimalist as to be nearly abstract.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f8461bad-9415-4461-95f4-ed19b68d29ef/unnamed-2.jpg Conversations - scott b. davis with HereIn - Make it stand out Albuquerque, New Mexico, 1999, platinum/palladium print, 8 x 10 in. [Image description: A stark nighttime landscape with a black foreground and gray clouds streaking across the dark sky. A thin line of lights glows at the horizon.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5b2704f7-7621-4ebd-9f4d-ff43762ac4fe/unnamed-3.jpg Conversations - scott b. davis with HereIn - Make it stand out Ocotillo, Santa Rosa Mountains, 2013, unique platinum/palladium print diptych, 20 x 32 in. [Image description: An image of a spiky ocotillo, divided down the center. On the left, the plant and the ground are in white, while on the right they are in gray.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/790f8250-7549-4000-92d3-f93a77378519/unnamed.jpg Conversations - scott b. davis with HereIn - Make it stand out Stonehenge, Wiltshire, England, 2002, platinum/palladium print, 8 x 10 in. [Image description: A nighttime landscape, with the prehistoric monument Stonehenge standing at the horizon.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9fa4de5f-7b4d-4a20-856c-8eb0cd7e982e/unnamed-1.jpg Conversations - scott b. davis with HereIn - Make it stand out Building, Sunset Strip, 2005, platinum/palladium print, 16 x 20 in. [Image description: A nighttime shot of a nondescript white building. In the left corner of the image is the side of an illuminated billboard, while a shining lamppost stands to the right of the building] https://www.hereinjournal.org/conversations/wren-gardiner-with-herein monthly 0.5 2023-06-28 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/042e5c11-3451-428b-ba86-a7134e4bd9a0/wren_thesis_2023_select17.jpg Conversations - Wren Gardiner with HereIn - Make it stand out Installation view of By the Sweat of My Browser, 2023, University of California San Diego [Image description: Three video monitors installed on pedestals in a gallery. The center monitor features an image of Wren, a white person with longish blonde hair. The monitors on either side show white screens. A curved bench sits in the foreground of the photo.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/757339d5-ffed-4e5a-b49d-647633154924/wren_thesis_2023_select24.jpg Conversations - Wren Gardiner with HereIn - Make it stand out Installation view of By the Sweat of My Browser, 2023, University of California San Diego [Image description: A video monitor on top of a pedestal collaged with blue paper, which has black text printed on it. The video screen shows an image of Wren, wearing a black wig, pink feather boa, and fluffy pink eye mask. They hold a cigarette and look at the camera.] https://www.hereinjournal.org/conversations/evan-apodaca-with-herein monthly 0.5 2023-05-25 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b02b9ca3-0a9d-45c7-89fb-7ceb165bd2c1/unnamed-3+copy.jpg Conversations - Evan Apodaca with HereIn - Make it stand out Reruns, 2023, cyanotype on stucco, 48 x 36 x 2.5 in. each [Image description: On the edge of a sidewalk, before a wall of shrubbery, three large blue artworks are staked into the dirt.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4d9c742b-3923-4b06-9882-b758152ada19/unnamed-2.jpg Conversations - Evan Apodaca with HereIn - Make it stand out Reruns, 2023, cyanotype on stucco, 48 x 36 x 2.5 in. [Image description: Against the rough texture of stucco, a cyanotype of a newspaper is smoothly printed in a hazy blue. The headline reads, “Defense Strike Spread Threatens.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a417566f-a7b2-4870-8fbd-785d53da00c7/unnamed.jpg Conversations - Evan Apodaca with HereIn - Make it stand out Installation view of Monumental Interventions, 2023, video, 13 min., San Diego International Airport [Image description: Against a wall of earthen tiles, a screen displaying a film hangs before a large, colorful graphic, which superimposes the faces of military busts onto a camouflage pattern. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/46cf8f90-ea9e-412e-942d-17ac89e00d48/Development+%28small%29.jpg Conversations - Evan Apodaca with HereIn - Make it stand out Still from Monumental Interventions, 2023, video, 13 min. [Image description: With a decorated naval ship docked in the background, the toppled bust of a military memorial appears to be mid-sentence, its eyes wide and its mouth slightly open.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e7701a68-7202-42d0-9f68-0f8424b2668f/unnamed-4.jpg Conversations - Evan Apodaca with HereIn - Make it stand out Reruns (detail), 2023, cyanotype on stucco [Image description: In a detailed shot of a cyanotype newspaper print on stucco, the surface of the print appears to be slowly chipping away, revealing the rough gray beneath.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c6d54369-223b-4a25-b262-8a3283235e69/Commemoration+%28small%29.jpg Conversations - Evan Apodaca with HereIn - Make it stand out Still from Monumental Interventions, 2023, video, 13 min. [Image description: Before the towering cityscape of San Diego’s downtown area, the mouth of a toppled memorial for a navy pilot—its shimmering silver bust on its side, separated from its pedestal—lies agape.] https://www.hereinjournal.org/conversations/hugo-crosthwaite-with-herein monthly 0.5 2023-03-27 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c0e52d3d-bca6-4625-bf63-076c83deeebf/unnamed-2.jpg Conversations - Hugo Crosthwaite with HereIn - Make it stand out Shattered Mural, 2015, installation, acrylic on wood, dimensions variable [Image description: On a concrete surface, shards of sketched images are arranged haphazardly, with each image focused on a one or two faces. In one, a person holds their hand to their mouth while they think. In another, a person’s face is brightly illuminated, their eyes wide with fear.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/627bfb42-6213-469c-9377-08b692ce6265/unnamed-7.jpg Conversations - Hugo Crosthwaite with HereIn - Make it stand out Ensueño No. 1, 2020, ink and acrylic on paper, 14 x 18 in. [Image description: Before a faded black-and-white facade depicting cartoon characters, a person’s body emerges from a box, below which dangle two exposed legs.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/599a6ba9-9f27-42a2-8894-12dd238cef4f/unnamed-1.jpg Conversations - Hugo Crosthwaite with HereIn - Make it stand out Tijuana Bible, 2010, charcoal on wall, 15 x 25 ft. [Image description: In a black-and-white photograph, a man in a fedora paints a mural on a white wall, which depicts a collage of images of individuals—some wearing the armor of warriors, others huddled together before a black backdrop, their faces expressive and detailed.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c33cbcb3-30d8-4544-a6f3-93b1871cc7e4/unnamed-6.jpg Conversations - Hugo Crosthwaite with HereIn - Make it stand out Ensueño No. 8, 2020, ink and acrylic on paper, 14 x 18 in. [Image description: In a black-and-white artwork, elements of several images appear collaged together. On one side, a cartoonish animal face is grafted onto a more realistically sketched torso. In another, a woman carries what seems to be a tool over her shoulder.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2c7724d6-35ab-4987-b73d-5c3f318c5af1/unnamed.jpg Conversations - Hugo Crosthwaite with HereIn - Make it stand out In Memoriam Mural Performance: Cuenca Ecuador, 2017, acrylic on wall, 8 x 34 ft. [Image description: A photograph depicts a man bent over, listening to music while he paints the details of a face on a white wall. To his right, a completed half of the completed mural looms over him.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d57858bd-b94d-40ce-abdd-0da0ed3b5127/unnamed-5.jpg Conversations - Hugo Crosthwaite with HereIn - Make it stand out CARAVAN, 2023, installation with ceramic and wood bases, dimensions variable [Image description: On tall wooden pedestals, cylindrical ceramic figures are arranged like people in a crowd, the faces of individuals young and old sketched directly onto them in pencil.] https://www.hereinjournal.org/conversations/cat-gunn-with-herein monthly 0.5 2023-03-14 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/47baabc5-a26a-4a6a-b0f6-090a94190a63/I%2Bfeel%2Bsafer%2Bwhen%2Byou%2Bspeak%2Bfor%2Bme%2C%2Bit%27s%2Bnice%2Bto%2Bhave%2Byou%2Bon%2Bmy%2Bside.jpg Conversations - Cat Gunn with HereIn - Make it stand out I feel safer when you speak for me, it’s nice to have you on my side, 2019, spray paint, oil, alkyd, and glitter on canvas on panel, 48 x 40 in. [Image description: A composition combining day-glo and pastel colors in swatches of plain paint and intricate patters. The left side of the painting features a polka dot pattern while the right side is made up of flat pink. Two rainbows beam in from the left side, meeting under a graffiti-like scrumble of blue in the center. Various patterns and abstract forms overlay the upper section of the painting.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c9ebc875-a29a-4ab9-93af-75373996be95/wild+orchid.jpg Conversations - Cat Gunn with HereIn - Make it stand out wild orchid vessel, 2021-23, ceramic and glaze, approx. 8 x 9 x 10 in. [Image description: A chunky vessel with a white and light pink matte surface. Crumbly purple and green glaze dots its sides, while wet-looking brown, green, black and blue glaze spills out from the vessel’s opening and drips down its outer surface.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0989444a-746f-4389-93ea-53dc491e29ca/Untitled+design+%284%29.png Conversations - Cat Gunn with HereIn - Make it stand out magician vessels, 2021-23, ceramic and glaze, approx. 7 x 4 x 4 in. each [Image description: Two vessels side by side. The one on the left is shaped like a traditional vase, with a long neck and flared rim. Its matte red surface is dotted with glossy drips and patches of red, yellow, and blue glaze. It sits on a craggy lump of dark blue clay. The one on the right is a similar shape, but is covered entirely in molten-like glaze in black, blue, green, and red.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8ce42475-e277-40b4-bf24-3e9562047bbd/tigmamanukan.jpg Conversations - Cat Gunn with HereIn - Make it stand out tigmamanukan vessel, 2021-23, ceramic and glaze, approx. 10 x 9 x 9 in. [Image description: An organic, triangle-shaped vessel with a bulbous, matte-blue surface. Blobs and patches of pink, yellow, orange, and black glaze encrust most of the object.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4f5ebd5f-d869-4b0e-b4d1-e7c22a4bc72b/jackfruit.jpg Conversations - Cat Gunn with HereIn - Make it stand out jackfruit vessel, 2021-23, ceramic and glaze, approx. 8 x 8 x 10 in. [Image description: A craggy, yellow vessel with a thick rim of built-up, dollopy glaze in black, white, pink, and yellow.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a59c5e27-1d86-4a92-a2bb-6883e897dd3c/baracy.jpg Conversations - Cat Gunn with HereIn - Make it stand out boracay vessel, 2021-23, ceramic and glaze, approx. 12 x 14 x 14 in. [Image description: A chunky vessel with a matte yellow and green surface. Glossy and crackled glaze— in white, yellow, blue, purple, and pink— spills out from the mouth of the vessel and drips thickly down the sides.] https://www.hereinjournal.org/conversations/sabrina-piersol-with-herein monthly 0.5 2023-01-14 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/dbad7218-310f-4c74-a1ea-4869008f7787/dc029c4d-2265-409b-8d0f-7f13ff0d2c2f_rw_1920.png Conversations - Sabrina Piersol with HereIn - Make it stand out copse, briefly whole, 2022, oil on canvas, 20 x 16 in. [Image description: A vibrantly colored landscape, seen as if looking through a tangle of leaves. A blue river runs underneath the horizon line, while a full moon peeks out from between the leaves.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/03c5ef3f-d47c-457f-b4ce-92b4019f3b09/hearthswept.jpeg Conversations - Sabrina Piersol with HereIn - Make it stand out hearth swept, 2023, oil on canvas, 59 x 49 in. [Image description: A mountain landscape consumed by a wildfire. Sprays of flowers are visible in the foreground, and a mountain and blue sky in the background. Billowing flames consume the middle ground.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d764f515-7881-4969-8342-2b5589b2f88a/valleyblossom.jpeg Conversations - Sabrina Piersol with HereIn - Make it stand out valley blossom, 2022, oil on canvas, 24 x 30 in. [Image description: A painting reminiscent of a highly abstracted landscape. Magenta and green grass sways in the foreground, while dark blue, mountain-like forms stand at the horizon. Undulating magenta and orange lines move across the sky. A lavender orb emerges on the right of the painting.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/624a7d67-07b1-4f22-8120-f614b23f55d2/halcyonpour.jpeg Conversations - Sabrina Piersol with HereIn - Make it stand out halcyon pour, 2023, oil on canvas, 49 x59 in. [Image description: A landscape with a deep blue river flowing from the foreground to the horizon line. Flowers and grasses grow along the river’s banks. An orange, rocklike form arches over the river, above which hangs an orange moon.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/14380c67-b00b-44d4-bf96-15e4e20d70f6/d09dd243-ff04-44aa-beb6-ba3953a83f52_rw_1200.jpg Conversations - Sabrina Piersol with HereIn - Make it stand out interior epoch, 2022, flashe an oil on canvas, 50 x 40 in. [Image description: A reddish-orange, rocklike form extends from the top left of the canvas down toward the bottom corners. This form is set against a blue and green background. Seven light green patches of paint, which look like crystals, appear to project from the upper right of the canvas, through the cavern of the main red form.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ced23c84-f6f9-433d-af87-62129fe33088/6cf5a25e-6446-443d-9122-1964240eafcc_rw_1920.png Conversations - Sabrina Piersol with HereIn - Make it stand out twin, sky, anywhere, 2022, flashe and oil on canvas, 30 x 24 in. [Image description: Smooth red, orange, purple, and blue forms move from the edges of the painting toward the center, creating a sense of depth. In the upper left corner of the paining, brushy strokes in green and red suggest foliage against a blue sky.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/bdd2a43f-abb9-4a13-b013-3f47af0216b7/77d129f0-6ca1-44d1-a283-37b2d4159575_rw_1200.jpg Conversations - Sabrina Piersol with HereIn - Make it stand out oracular sink, 2022, oil and flashe on canvas, 50 x 40 in. [Image description: A thick, purple stripe of paint, which looks like a log or a river, projects from the lower right of the canvas to the left. Brushy flame-like forms alight a swirling background of green, blue, red, and orange.] https://www.hereinjournal.org/conversations/nikko-mueller-with-herein monthly 0.5 2022-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f2bfbfc0-2c51-443c-a520-61b1221705e8/Between+Parentheses.JPG Conversations - Nikko Mueller with HereIn - Make it stand out Between Parentheses, 2022, friends’ clothing and polyfil, dimensions variable [Image description: An image of a gallery space with white walls and a red terracotta tile floor. On the back wall hangs a painting depicting four dark ovals. In the foreground on the floor is a soft snakey sculpture made of clothing, sewn together and stuffed. Blue, gray, and black jeans are visible, along with a plaid workshirt, and variously colored t-shirts.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2b7306eb-bc59-4706-b6c8-dd869a14af26/TheCircularRuin.jpg Conversations - Nikko Mueller with HereIn - Make it stand out The Circular Ruin (Manila City Jail), 2009, acrylic on canvas over panel, 40 x 30 in. [Image description: An aerial view of a complex of buildings reduced to squares and rectangles of varying sizes rendered is a range of purples, rusty pinks, and blue-grays. A circular structure sits at the center of the composition surrounded by long rectangles radiating outward. Tighter grids occupy the top right and bottom register of the painting.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/99a34b66-cde1-4f9c-a805-b9dbe220c01b/Port+of+LA.jpg Conversations - Nikko Mueller with HereIn - Make it stand out Port of LA, 2018, acrylic on canvas over panel, 63 x 80 in. [Image description: An aerial view of gray, concrete-like formation set against a dark blue background. A network of sweeping lines, clusters of circles and carefully organized groups of rectangles cover the surface, resembling roads, buildings, and shipping containers.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d99ea714-7465-4161-bc4d-ad806b435e94/Substance+is+Incidental.JPG Conversations - Nikko Mueller with HereIn - Make it stand out Substance is Incidental, 2022, acrylic on folded canvas, 80 x 66 in. [Image description: A large raw canvas with a horizontal band of gathered, pleated canvas covering the top third of the composition. The pleated canvas is painted with a pattern of alternating triangles in a color palette of greens, grays, and blue with pops of purple and orange. On the right side, a single thin brown triangle extends the vertical length of the canvas.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/971c7012-a4a9-45fe-b84c-96f28cf78eac/Mutually+Inconsistent.jpg Conversations - Nikko Mueller with HereIn - Make it stand out Mutually Inconsistent, 2022, acrylic on folded canvas, 48 x 48 in. [Image description: A roughly pleated rectangle extends across the middle of an otherwise unpainted canvas. The rectangle is painted with precise diagonal bands of color that are predominantly in shades of red, brown, and orange, with accents of blue, green, and fuchsia.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/66d76078-7632-48f1-8d57-c621aa9ed0a9/Fallen+capitol.jpg Conversations - Nikko Mueller with HereIn - Make it stand out Fallen Capitol, 2022, acrylic on folded canvas, 24 x 80 in. [Image description: An unstretched canvas cut and painted to resemble a neoclassical column lays on its side, with its broken pediment positioned slightly to the right. The column is painted in stripes of blues, mauves, and beiges in varying tones, and then folded to convey a sense of damage or destruction.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ee165064-85f5-4040-b8f1-fec0129f6a74/Cracked+column.jpg Conversations - Nikko Mueller with HereIn - Make it stand out Cracked Column, 2022, acrylic on folded canvas, 60 x 20 in. [Image description: A vertically-oriented unstretched canvas cut and painted to resemble a neoclassical column. The column is painted in stripes of white, grays, pinks, and blues in varying tones with a pop of green in the center, and then folded to convey a sense of damage.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a4716204-a69d-4afa-902f-c6b7c953a386/Self+critical+to+self+congratulatory.jpg Conversations - Nikko Mueller with HereIn - Make it stand out Self-Critical to Self-congratulatory, 2022, acrylic on folded canvas, 26 x 14 in. [Image description: A vertical band of roughly pleated canvas painted with an interlocking triangle pattern is slightly off center on an otherwise raw canvas. The triangles on the right side of the central form range from light pink and purple to blue and orange. On the left side, the triangles are dark browns, blues, and greens.] https://www.hereinjournal.org/conversations/matthew-bacher-with-herein monthly 0.5 2022-09-21 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d2eba880-5493-4205-8909-712944a19187/Falling+Up.jpg Conversations - Matthew Bacher with HereIn - Make it stand out Falling Up, 2022, oil on canvas, 84 x 68 in. [Image description: Gestural, fluid brushstrokes create a U-shape that fills the canvas with a strong sense of upward motion. The beige, pink, and yellow forms suggests a toothy smile, multiple eyes, and a nose.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1f0d40a3-ea17-460b-9190-fa00b956b0e3/Lecure.jpg Conversations - Matthew Bacher with HereIn - Make it stand out Lecture, 2021, oil on canvas, 84 x 68 in. [Image description: An abstracted portrait of a person with glassy eyes behind spectacles, a large nose, and menacing mouth. Painted in a discordant combination of blue, orange, dark purple, and brown, the portrait projects a sense of pomposity.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/83e2add6-01df-4185-9b29-4e6df387fcfb/Uprooted.jpg Conversations - Matthew Bacher with HereIn - Make it stand out Uprooted, 2019, oil on canvas, 55.5 x 31.5 in. [Image description: A swirling, exploding landscape in purple, blue, yellow, and black, with forms like tree roots across the canvas.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/6acc02da-8150-4ee1-9427-e086d24285bf/Heavy+Metal+Rules.jpg Conversations - Matthew Bacher with HereIn - Make it stand out Heavy Metal Rules, 2021, oil on canvas, 60 x 47 in. [Image description: A person’s cartoonish head fills the frame. They have pink and yellow skin, neon green hair, and many facial piercings. Horseshoe magnets in the upper left and lower right of the image violently attract tongue and eyebrow piercings away from the face. ] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9a7a15e2-3db1-4480-8a67-394bb89ffc0e/contact+reduced.jpg Conversations - Matthew Bacher with HereIn - Make it stand out Contact, 2022, oil on canvas, 100 x 76 in. [Image description: Frenetic, swirling brushstrokes fill the frame. The colorful image coheres, just barely, into a figure with light skin, blonde hair, and a purple shirt. They are struggling to put a contact lens in their eye.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/880dc526-f4a4-46e1-9014-ee1531dc249d/exfoliate+reduced+x2.jpg Conversations - Matthew Bacher with HereIn - Make it stand out Exfoliate, 2022, oil on canvas, 100 x 72 in. [Images description: A highly abstracted image that suggests a person vigorously washing their face at a sink.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d004b603-7eec-4632-8fe8-b6855da39df0/Infestation.jpg Conversations - Matthew Bacher with HereIn - Make it stand out Infestation, 2020, oil on canvas, 46 x 51 in. [Image description: A chaotic, colorful mass of abstracted figures against a yellow background.] https://www.hereinjournal.org/conversations/kirstyn-hom-with-herein monthly 0.5 2022-09-12 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/174387f9-e7f5-46c9-bdf6-a06198ff0f00/Passages%2B2.jpg Conversations - Kirstyn Hom with HereIn - Make it stand out Passages, 2019, 9-hour durational performance and installation [Image description: A Chinese-American woman sits at a sewing table in a gallery. She wears a red shirt and white apron, and appears in the middle of running a very long, white column of fabric through the sewing machine.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/11bf6d5e-107d-4bc2-b672-02925413c18f/Untitled+design+%284%29.png Conversations - Kirstyn Hom with HereIn - Make it stand out sau pin glow, 2021, lac, linen, home video, wax dressmaking paper, wooden box, 78 x 15 x 18 in. [Image descriptions: Left: A wooden box covered in red dressmaking paper sits on a shelf at eye level, which is covered by a reddish-purple textile draped down to the floor. A vertical column of white embroidery extends the length of the fabric. Right: A closeup of the fabric. The embroidery reads, “Stretching slow a blossom of resistance grows,” repeated from top to bottom.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/99ff3502-efac-4a3d-9693-b02777c0b759/20210519_153834%2Bcopy.jpeg Conversations - Kirstyn Hom with HereIn - Make it stand out rootless yet, 2021, combed cotton voile, pomegranate dye, thread [Image description: Seventeen tall, narrow fabric panels hang from the gallery ceiling in a line. There is red embroidery in the center of each yellow panel, with text faintly emerging on seven of the panels. Together, they read, “uprooted but flowering, rootless yet...”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/763b3151-5407-47a5-a675-c77e65759c6a/poh.jpg Conversations - Kirstyn Hom with HereIn - Make it stand out Video still from sau pin glow, 2021 [Image description: An elderly Chinese woman sits at a kitchen table, reading a document on a cream-colored piece of paper. She wears a purple and red floral-patterned top, and a Disney Snow White coffee mug sits on the table in front of her. The image has a blurred black frame around the edges.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e0db9685-21cf-49e1-a09e-9e787dca915e/Hom_05%2Bcopy.jpg Conversations - Kirstyn Hom with HereIn - Make it stand out I Sau (绣) Her Name (detail), 2020, linen, thread, wood shelf, 8 1/2 x 2 x 1 ft. [Image description: A closeup of red patterned lines on white fabric. Loose threads hang from the fabric’s edges.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b94e1b10-f1de-40f4-8a67-934a21b33a0c/Hom_01%2Bcopy.jpg Conversations - Kirstyn Hom with HereIn - Make it stand out I Sau (绣) Her Name, 2020, linen, thread, wood shelf, 8 1/2 x 2 x 1 ft. [Image description: A long, narrow textile hangs on a white gallery wall. The scroll-like length of fabric bears dense, horizontal lines of red embroidery, with Chinese characters appearing from top to bottom.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2a1eafc6-566b-4ec2-8093-35f6eb445175/4.jpg Conversations - Kirstyn Hom with HereIn - Make it stand out rootless yet (detail), 2021, combed cotton voile, pomegranate dye, thread [Image description: A closeup of three of the fabric panels. Amidst embroidered, horizontal red lines, text reads, “Rootless.” Loose threads hang down from many of the embroidered lines and letters.] https://www.hereinjournal.org/conversations/amir-saadiq-with-herein monthly 0.5 2022-07-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0fdc3927-afa1-44c2-9546-8bd641a6a4d2/ASaadiq-1.jpg Conversations - Amir Saadiq with HereIn - Make it stand out Untitled, from the series The Beacon of Light, 2018, digital photograph [Image description: A black and white photograph of two hands, both with melanated skin, reaching toward each other. The hand on the right offers the other hand an apple.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8b35a782-5636-4dae-af35-4d3d0850d3b0/ASaadiq-7.jpg Conversations - Amir Saadiq with HereIn - Make it stand out Untitled, from the series Without Transgression, 2021, photograph with Ilford HP5 film [Image description: A grainy black and white photograph of a landscape. The foreground is a grassy dark ground, with a Spanish moss tree growing on the right side of the image. The camera looks further out over a body of water and a gray sky.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/06be657e-5a7e-4d86-aede-cbdb41def7ff/ASaadiq-4.jpg Conversations - Amir Saadiq with HereIn - Make it stand out P.G. (Peter Gordon), 2021, digital photograph [Image description: An abstract photograph of what looks like the silhouetted back of a human head and shoulders in front of a circular light source.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3b7b1f82-f041-42a1-a828-20a62a020e45/ASaadiq-5.jpg Conversations - Amir Saadiq with HereIn - Make it stand out Untitled, from the series P.G. (Peter Gordon), 2021, digital photograph [Image description: An abstract photograph of what looks like the silhouetted back of a human head and shoulders in front of a circular light source.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8859f4f2-25fa-4976-88c0-bb2fdb9ef8eb/ASaadiq-10.jpg Conversations - Amir Saadiq with HereIn - Make it stand out Untitled, from the series Without Transgression, 2021, photograph with BWXX film [Image description: A black and white photograph of a man seen from behind. He has melanated skin and short locs, and wears a black tank top. He looks out over a horizon with a grassy ground and cloudy sky.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/35a30e0d-3c68-4f8b-8245-b3430295a186/ASaadiq-9.jpg Conversations - Amir Saadiq with HereIn - Make it stand out Untitled, from the series Without Transgression, 2021, photograph with Ilford HP5 film [Image description: A black and white photograph of a small graveyard. Five blank headstones stand crookedly in front of Spanish moss trees.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d29379fb-1ea6-4c1c-9308-f35327619c27/ASaadiq-11.jpg Conversations - Amir Saadiq with HereIn - Make it stand out Untitled, from the series Without Transgression, 2021, photograph with BWXX film [Image description: A black and white image of a man sitting in a landscape. He has melanated skin, short locs, and a beard. He looks out from behind long grasses that grow between the viewer and him. A beach is visible in the background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/107a3b91-2207-4282-a323-25013f94172d/ASaadiq-2.jpg Conversations - Amir Saadiq with HereIn - Make it stand out Untitled, from the series The Beacon of Light, 2018, digital photograph [Image description: A black and white photograph of two figures looking out through a window screen. On the right, an adult with melanated skin bears a slightly surprised look on their face. On the left, a child with non-melanated skin and wearing a dark shirt beams at the camera with a huge smile.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/6641f937-76ce-4004-a00d-5a6171be9066/ASaadiq-8.jpg Conversations - Amir Saadiq with HereIn - Make it stand out Untitled, from the series Without Transgression, 2021, photograph with Ilford HP5 film [Image description: An overexposed, grainy photograph of a grassy clearing surrounded by Spanish moss and other trees. The center of the clearing glows a bright white.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2d0f9e38-cffc-4e0a-b249-f7b31994d7ac/ASaadiq-6.jpg Conversations - Amir Saadiq with HereIn - Make it stand out Untitled, from the series P.G. (Peter Gordon), 2021, digital photograph [Image description: A black and white photograph of a hand with melanated skin reaching out toward light that pours in from a source at the top of the image.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c5a37286-8853-4910-9394-9a5012c392e0/ASaadiq-12.jpg Conversations - Amir Saadiq with HereIn - Make it stand out Untitled, from the series Without Transgression, 2021, photograph with Ilford HP5 film [Image description: An ethereal, double-exposed photograph of two landscapes. The strongest exposure pictures a small dock stretching out into a body of water. Fainter images of trees and clouds appear in the original image’s water and sky.] https://www.hereinjournal.org/conversations/aaron-glasson-with-herein monthly 0.5 2022-06-27 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ebc10554-dbfd-48e7-b56f-bff507e152e1/Screen-Shot-2018-11-13-at-12.03.52-PM_1750.png Conversations - Aaron Glasson with HereIn - Make it stand out The Innocence between Fire and Flood, 2018, oil and acrylic on linen, 42 x 68 in. [Image description: A hyperrealist painting of a group of people and animals on a wide-open plain, with a body of water on the left side. One figure, wrapped in a patterned blanket, looks off toward the water. Another is curled up on a Persian rug, their face obscured by a leafy plant. A pig, dog, rooster, snake, and tiger lounge with the figures. A monkey, holding a baby, sits on the reclined figure. Metal industrial objects and an animal skull are hidden among the grasses.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9a3eed44-f3de-4833-a691-24d1a85a0fa5/Library_2500_c.jpeg Conversations - Aaron Glasson with HereIn - Make it stand out Sumbiology Archive, 2022, reclaimed wood, stone, tile, and used books, installation at the Institute of Contemporary Art San Diego [Image description: A wooden structure installed in a white gallery space. The room-like structure is largely open, its geometric parts creating shelves, on which books, paper, and pencils are visible. To the right are four wooden benches and chairs. A person in a white dress sits on one of the benches.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1acdbeac-3188-4ed6-bcc4-188ae2dd9176/aaro718-064.jpg Conversations - Aaron Glasson with HereIn - Make it stand out Aaron Glasson with MH-1 (Migration Home 1), 2022, wood, repurposed ballistic nylon, steel, paper, Peugeot Bicycle [Image description: Aaron, who has light skin and wears white clothing, stands on a sandy road. There is a range of mountains behind him and trees to the right. He holds the handles and seat of a blue bicycle, hitched to a white pod-like structure that has wheels on the back end.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/349caf60-ac80-4a0b-9a96-244e9757bfe9/aaro718-018.jpg Conversations - Aaron Glasson with HereIn - Make it stand out MH-1 (Migration Home 1), 2022, wood, repurposed ballistic nylon, steel, paper, Peugeot Bicycle [Image description: A boat, seen from the front end, installed in a gallery space. A white, pod-like dome covers the boat’s back half, and pieces of the dome open up in the front like wings so a person can enter. Two oars are attached to each side of the boat and they have decorative geometric shapes on the blades. The whole structure sits on a wheeled frame.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/80705a15-2a47-4644-b145-21387a36abac/Untitled+design+%284%29.png Conversations - Aaron Glasson with HereIn - Make it stand out Left: Chime Chair, 2022, reclaimed wood, paint, and Japanese bell; Right: Dowel Sandwich Stool, 2022, reclaimed wood and granite [Image descriptions: Left: A chair made from different kinds of wood. A small chime hangs from underneath the seat. Right: A wooden stool made of boards, dowels, and logs.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a5ad3948-1a61-4222-9b61-279e58697e5b/002659420017_1545.jpg Conversations - Aaron Glasson with HereIn - Make it stand out Bricolage sculpture arrangement and mud paintings at the Rural America Art Residency, Monroe, Utah [Image description: A group of sculptures and a painting are arranged on a gray wood floor, in front of a gray brick wall. The sculptures are made of pieces of wood and stone, stacked together like totems. One rock on the left has a face carved into it. On the right, a geometric painting in rust and white hangs on the wall. A similar, unstretched painting is draped over a sculpture in the center.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/30dfabb3-d091-4ad2-b384-9c8aae10bd07/paintings.jpg Conversations - Aaron Glasson with HereIn - Make it stand out Left: Post-Natural Conditions, 2022, coffee, rust and rock pigments, and oil on organic cotton canvas, 48 x 48 in. Right: Ambient Geography, 2022, coffee, rust and rock pigments, and oil on organic cotton canvas, 48 x 48 in. [Image description: Two paintings hang side by side on a white wall. They both feature interlocking geometric forms in washes of earth tones.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5eaf5ebc-b658-4e41-8a4e-2899af965cef/_DSF7270.jpg Conversations - Aaron Glasson with HereIn - Make it stand out MH-1 (Migration Home 1), 2022, wood, repurposed ballistic nylon, steel, paper [Image description: A glowing yellow pod-like boat floats on a body of water at night. Trees growing up from the water frame the boat, while mountains line the horizon.] https://www.hereinjournal.org/conversations/alida-cervantes-with-herein monthly 0.5 2022-04-25 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c8ebb278-e35c-4faf-b9b2-af6be5aeb6d9/unnamed.jpg Conversations - Alida Cervantes with HereIn - Make it stand out Installation view of Alida Cervantes: La Nueva Pastelera, Galería Internacional CEART Tijuana, 2022 [Image description: Eight portraits arranged in two rows. The paintings feature light-skinned men in colonial dress, with powdered wigs, sashes, and other embellishments. Several paintings have images of nude female torsos painted on top of them. There are three paintings hanging in the top row and five on the bottom, where they are stacked on cinderblocks or leaning against the wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/824046e9-9cd4-44c7-b4c9-6f6a40ece0c8/unnamed-3.jpg Conversations - Alida Cervantes with HereIn - Make it stand out Untitled (from La Reina Quiere Coco), 2019, oil on aluminum, 12 x 16 in. [Image description: A background of gray-mauve is covered in heavily textured flowers and leaves in a range of reds, greens, and turquoise. There is a gold armature behind them and several letters and word fragments scattered throughout. The word "Benito" is visible at the bottom right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/77a35bcf-1f02-45c3-88a1-6679c009f9f6/unnamed-4.jpg Conversations - Alida Cervantes with HereIn - Make it stand out QUE HUBIERA SIDO DE MI SI TU ESTUVIERAS AQUI, 2017, oil on wood and found spray-painted wood, 96 x 96 in. [Image description: A loosely painted image of two elegantly dressed women, one with very black skin and one with white skin, walking through a wooded landscape. The painting is propped up on a wooden box and set against two wood panels covered with graffiti.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d46e587d-1f9a-49a9-b06d-991f15244bb6/unnamed-1.jpg Conversations - Alida Cervantes with HereIn - Make it stand out Untitled (from La Reina Quiere Coco), 2019, oil on aluminum, 12 x 16 in. [Image description: A heavily painted abstract image depicting a nude pink-skinned male figure lying across the bottom right. Colorful swirls of mixed paint in blues and greens surround a sandy-colored pyramid shape. Heavy black lines are layered on top, and the word "fina" appears in gold at the upper left.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e09a99a6-3266-47a2-b33a-dfeec2ed0b5b/unnamed-3.jpg Conversations - Alida Cervantes with HereIn - Make it stand out MATADORA, 2012, oil on wood, 5 x 7 ft. [Image description: A very dark-skinned woman with the face of a Barbie doll raises a knife over the body of a pale-skinned man. He is nude except for black boots and a black matador's hat. He holds a red cape. They are set against a wooded landscape with a stream and blue skies.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c96b0dd2-4b4d-4e46-b985-df3142ce20fa/unnamed-2.jpg Conversations - Alida Cervantes with HereIn - Make it stand out Untitled (from La Reina Quiere Coco), 2019, oil on aluminum, 12 x 16 in. [Image description: A colorful surface covered in thick paint ranging from yellows, blues, and greens, to pinks and shades of lavender. A light pink abstract female form sits at the center of the images, next to a gold table. A peach-colored bird is perched above her head.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/abef139d-15ae-4b75-99c8-ced84212c2db/unnamed-2.jpg Conversations - Alida Cervantes with HereIn - Make it stand out EL RECHAZO DEL NEGRO, 2012, oil on wood, 5 x 7 ft. [Image description: A nude pale-skinned woman stands in a loosely painted landscape with trees. A dark-skinned man in colonial dress stands with his back towards her and looks back over his shoulder. A light-skinned man's head watches the scene from behind.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f68a3e34-a39d-4625-9f73-b02611b12eed/unnamed.jpg Conversations - Alida Cervantes with HereIn - Make it stand out SENSENSIBILIDAD, 2013, oil on wood, 6 x 7 ft. [Image description: A painting of a nude light-skinned woman and a man in colonial dress seated on an ornate red sofa. They are set against a gray background and a black and white checkered floor. A gray cat sits between the woman's splayed legs and the man reaches down towards it.] https://www.hereinjournal.org/conversations/amy-adler-with-herein monthly 0.5 2022-03-09 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e1f04e09-c6d4-4db4-adaf-8c298aba56b3/Adler_Location_Acme_Los+Angeles..jpg Conversations - Amy Adler with HereIn - Make it stand out Installation view of the exhibition Location at Acme, Los Angeles, 2014. [Image description: A white-walled gallery interior is bisected by a perpendicular wall. On the left side of the wall, a woman stands next to a monumental picture of a playground at night. The play structure, drawn in turquoise and rust, is set against a background of leafless trees and a full moon. On the right side of the wall is another large-scale image of a children's play structure, in royal blue, orange, turquoise, and beige. The scene is bright with a chain link fence and palm trees in the background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9e43d443-294c-4048-b7c3-1064f74cd45a/Adler_AfterSherrieLevine.jpg Conversations - Amy Adler with HereIn - Make it stand out After Sherrie Levine, 1994, unique silver gelatin print, 24 x 17 in. [Image description: A closely cropped black and white drawing of a preteen boy's torso.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3497ecfc-b3bf-4314-8c7c-71d5814cb7cc/Adler_Location2.jpg Conversations - Amy Adler with HereIn - Make it stand out Location (no.2), 2014, oil pastel on canvas, 132 x 108 in. [Image description: A dramatically-lit children's play structure stands against a leafy green hedge. Twisted red climbing bars and a curved blue slide attach to a central element comprised of yellow posts and a green roof.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b23bafb0-6568-4c0b-8c79-96c7c6df6cf8/Adler_Phantom+Instrument.jpg Conversations - Amy Adler with HereIn - Make it stand out Phantom Instrument (from suite of 7), 2007, pastel on canvas, 40 x 40 in. [Image description: A drawing of the head and torso of a woman with blond hair, pale skin, and blue eyes set against a red background. She wears a black shirt with white polka dots. She holds her hands up by her face, as if to play an invisible wind instrument.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/330f7e1e-796e-4d63-b6c5-3ff5d2c3a5dd/AdlerOnceInLoveWithAmy1.jpg Conversations - Amy Adler with HereIn - Make it stand out Once in Love with Amy (no.1), 1997, unique Cibachrome print, 48 x 74 in. [Image description: A nude young woman with blond hair and pale skin reclines in front of a fireplace flanked by sculptural objects and plants. She looks off into the distance, away from the viewer. Her right knee is bent and her left leg outstretched.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/50cc4a9e-6b19-4a38-a1ad-2bbeb249239a/Adler_HotelNo4_.jpg Conversations - Amy Adler with HereIn - Make it stand out Hotel (no. 4), 2018, oil pastel on canvas, 56 x 80 in. [Image description: A woman with shoulder-length blond hair and pale skin sits in a chair in a darkened room. She is wrapped in a bath towel and looks off to the side, toward a window. Her right leg is crossed over her left, and her left hand rests on her forehead. An unmade bed is visible in the foreground. The image is rendered in a range of brown and yellow tones.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0c32dc5c-1115-4bb4-b95d-82fb112c1a81/Adler_Director+MCASD.jpg Conversations - Amy Adler with HereIn - Make it stand out Installation view of the exhibition Director, at the Museum of Contemporary Art San Diego, 2007 [Image description: Seven canvases hang on two adjoining white walls in a gallery. The images on the canvases are rendered in gray against a white background, making them difficult to decipher.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0fc02f69-d441-457d-8650-05e2649cb2f2/Adler_DirectorDetail.jpg Conversations - Amy Adler with HereIn - Make it stand out Director (from suite of 12), 2006, pastel on canvas, 50 x 60 in. [Image description: A side view of a young woman with light hair and pale skin crouched next to a film camera. She covers her left eye with one hand and holds the camera with the other. The image is rendered in gray on a white background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2232028c-e966-45a1-94fb-b7879fdddad7/Adler_WhatHappened+to+Amy4.jpg Conversations - Amy Adler with HereIn - Make it stand out What Happened to Amy? (from suite of 5), 1996, unique C-print, 16 x 20 in. [Image description: A preteen girl with long hair and pale skin sits in a children's wagon, looking out at the viewer. She is barefoot and holds a small toy in her lap. The image is rendered in a range of oranges and yellows, giving it a sepia-toned effect.] https://www.hereinjournal.org/conversations/jean-lowe-with-herein monthly 0.5 2022-01-13 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d35a2725-e499-4e5e-a07d-dcc1f6cffb97/Closeout+Priced.jpg Conversations - Jean Lowe with HereIn - Make it stand out Closeout Priced from the series Love for Sale, 2009, enamel on panel, 47.5 x 47.5 in. [Image description: A brightly colored painting that merges the interior of an American supermarket with the architecture of a lavishly decorated European palace. Aisles of colorful cleaning products are framed by marble columns, an undulating mezzanine, and a frescoed ceiling.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1aa91d0b-7cf0-438b-86a2-18c3cb473aaf/Master+Bedroom+at+Gracie+Mansion+copy.jpg Conversations - Jean Lowe with HereIn - Make it stand out Master Bedroom, 1990, mixed media installation using repurposed found furniture [Image description: An installation in a room with off-white walls and a hardwood floor. Three fabricated, painted rugs lay on the floor, two of which anchor furniture groupings on the right and left walls. Against the back wall is a large bed with an intricate headboard and red bedspread with floral design elements. Each wall contains a large red mural with inset vignettes of pastoral scenes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a28034f4-b88b-4290-8a30-9fead071dd5c/Bookcase+%231-B+copy.jpg Conversations - Jean Lowe with HereIn - Make it stand out Achieve and Maintain a More Powerful Delusion (detail), 2007, enamel on papier mache. Photo: Grant Mudford [Image description: A photograph of two shelves of a wooden bookshelf. They each contain three colorful papier mâché books with titles such as, "Anxiety: the unexploited weight loss tool” and “Just Ask God: washboard abs for life.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4a30b9ae-36c2-4830-baac-c8aea3207b15/Accomplishments+of+man+copy.jpg Conversations - Jean Lowe with HereIn - Make it stand out Accomplishments of Man, 1992, mixed media installation [Image description: A room-sized installation of a rococo salon. Patterned red walls, ornate period furniture, a carpet, and large paintings in gilded frames contain imagery showing humankind's "triumphs" over nature.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b19b63ff-1580-4d95-ab4e-b2bd9a9de391/Empire+Style6+copy.jpg Conversations - Jean Lowe with HereIn - Make it stand out Empire Style, 2003, mixed media installation. Photo: Grant Mudford [Image description: A room-sized installation with early 19th-century Empire style decor. Gilded chairs flank a decorated wooden cabinet, and above them is a wall mural depicting a sprawling Southern California strip mall. The mall’s parking lot is lined by businesses like Bed, Bath, & Beyond and Burger King, which are set against a landscape dominated by snow-capped mountains.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9d79d0d8-01af-4ddd-9c49-1a0cb95752a6/Roll+Back.jpg Conversations - Jean Lowe with HereIn - Make it stand out Roll Back from the series Love for Sale, 2009, enamel on panel, 36 x 36 in. [Image description: Three American supermarket aisles stocked with vividly colored foods and home supplies are arranged within an ornamented rococo interior. A heavenly scene is painted on the ceiling.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5d367e1a-34c6-470e-80d5-6601f166b276/Auction+Page+%28Lost+Time%29.jpg Conversations - Jean Lowe with HereIn - Make it stand out Auction Page (Lost Time), 2013, inkjet print on poly-metal, 33 x 21 in. Photo: Grant Mudford [Image description: An auction catalogue page for a fictional 19th-century broadside printed with text offering a reward for the return of "lost time." Below the broadside is a description of the item, a condition report, and price estimate.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f4210591-4529-449e-b773-7063bbac2d1c/Carpet+Showroom+%28det%29.jpg Conversations - Jean Lowe with HereIn - Make it stand out Carpet Showroom, 2019, casein on cloth mache, enamel housepaint on canvas. Photo: Brian Lockhart [Image description: A room containing twelve Persian-style carpets. They are vividly colored and patterned. A large carpet covers the floor, some hang on the wall, several are crumpled at the base of the walls, and three are rolled and leaning in the corner.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/05b11253-8216-40de-9915-b97a82069182/Loneliness+Clinic_Install.1+copy.jpg Conversations - Jean Lowe with HereIn - Make it stand out The Loneliness Clinic, 2004, mixed media installation. Photo: Grant Mudford [Image description: A room-sized installation made to look like a psychiatrist's office and waiting room. One wall is lined with bookshelves containing decorative objects, books, and large bottles of pills. The adjoining wall is covered in diplomas and certificates. The center of the room contains mid-century furniture (chair, ottoman, sofa, and desk), a wastebasket, tissue box, and an ornate rug.] https://www.hereinjournal.org/conversations/pinar-yoldas-with-herein monthly 0.5 2021-12-06 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8c71ae85-b60e-4edb-9b11-918f31c61c84/29926871652_dde2fe8ffb_k.jpg Conversations - Pinar Yoldas with HereIn - Make it stand out Global Warming Hot Yoga Studio (detail), 2016, installation view of exhibition at Röda Sten Konsthall, Göteborg, Sweden [Image description: A woman stands on a yoga mat on the platform in the Global Warming installation. She faces the mirrored wall and stretches her arms above her head. She has blond hair and light skin and wears a denim shirt, black pants, and oxford shoes. To her right is a man with dark brown skin and short black hair, wearing a green and white striped shirt, jeans, and black sneakers. He lays on another yoga mat with his feet crossed and reads a pamphlet while facing the mirrored wall. Both people are reflected in the mirrors.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b27ca74e-347c-4be3-ac22-8c96451590a7/pacificballoonturtle_1600_c.jpg Conversations - Pinar Yoldas with HereIn - Make it stand out Ecosystem of Excess, 2014, water, glass vessels, pneumatic elements, polyclay, various types of found plastic, custom plinths [Image description: An overhead view of a backlit sea turtle surrounded by tiny white pebble-like beads. Its head, flippers and the outer edge of its shell are various shades of off-white. The turtle's shell segments are colored dark red, blue, green, and off-white, and are punctuated by four smaller white protuberances.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/daf8419e-42de-4627-a100-4cbd3e90c419/30040625895_a665e2d1b2_o.jpg Conversations - Pinar Yoldas with HereIn - Make it stand out Global Warming Hot Yoga Studio, 2016, 300 infrared lamps, mirrored panels, custom stage design, yoga mats, and yoga instructor, installation view of exhibition at Röda Sten Konsthall, Göteborg, Sweden [Image description: A brightly lit white platform is set up within an industrial warehouse. The platform stands up against a mirrored wall on which the words "GLOBAL WARMING" are spelled out in red heat-emitting lightbulbs. Orange yoga mats are laid out in a neat checkerboard pattern on the white platform, and face the mirrors.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e267c2aa-7902-41b9-afc9-577db24e967c/kittyAi_galaxy_1600_c.jpg Conversations - Pinar Yoldas with HereIn - Make it stand out Video still from The Kitty AI: Artificial Intelligence for Governance, 2016, animated film. See an excerpt from the film here. [Image description: An illustration of a white kitten with large eyes surrounded by light pink, mask-like fur. The cat is framed by a dark blue-black circular background that contains galactic imagery of stars and constellations. That circle is set against a gaseous celestial background in a range of browns, yellows, and blue.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8d2578f8-4269-497a-befd-63383c71cccd/12_yoldas_alterevolution_neolabiumxs_1600_c.jpg Conversations - Pinar Yoldas with HereIn - Make it stand out NeoLabium™, 2008-present, glass container, fake eyelashes, water, air pump, tubing, polyclay, silicone sheets, latex [Image description: An off-white sculpture in the shape of vulva is set against a dark background. The labia of the vulva form appear soft and fabric-like, and are lined with a feathery trim and surrounded in off-white, ruffled material. The sculpture appears to be floating in water, much like a specimen in a jar.] https://www.hereinjournal.org/conversations/omar-pimienta-with-herein monthly 0.5 2021-09-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628032022724-YMFGIUTBB6RZEXK7JISD/Timeisforeign12x8-300-1860x1280.jpg Conversations - Omar Pimienta with HereIn - Make it stand out Time is Foreign from the series Sediment/o, 2021, concrete text on digital photo print, 23 x 33 in. [Image descriptions: A brightly colored photo of a landscape with a blue sky above an estuary. White birds dot the landscape. Overlaid on the photo is text that reads “Time is foreign,” printed in a crusty gray material.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628030679925-DRTNJKZ1DKB465DJB6UH/SL34.jpg Conversations - Omar Pimienta with HereIn - Make it stand out Hernandez Hernan, 2013, beaurocrartistic participatory document, paper, ink, embossing, and polaroid passport photo, 5.5 x 8.5 in. [Image description: An orange and cream-colored passport page. It says Solicitud De Pasaporte Libre, among other text, with lines for the name Hernandez Hernan Eduardo and U.S.A. It is dated Sep 06 2013. It features a headshot of a person with light skin wearing a black fedora, looking neutrally at the camera. A red Colonia Libertad logo is stamped on the right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628030630491-BG2MN9LROBBS2B492A9D/2-ConsuladoMovil-copy-1792x1280.jpg Conversations - Omar Pimienta with HereIn - Make it stand out Cosulado Movil/Mobile Consulate, 2015, BureaucrArtists Marcella & Omar performing as Colonia Libertad Consuls granting the Pasaporte Libre [Image description: Two people behind a desk. One person, who has light skin, a dark beard, and pulled-back hair, stands. Their left hand rests on the shoulder of a seated person, who has light skin and shoulder-length dark hair. Both look at the camera with a neutral expression. To their left is a video camera on a tripod. On the table are various office supplies, a polaroid camera, and a red passport.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628031670834-H71FPY9KGR3Z6GU8VRED/libertinoo-1920x1280.jpg Conversations - Omar Pimienta with HereIn - Make it stand out Hijo de Carmen from the series Libertinos, 2009 (project ongoing), digital photograph [Image description: A child on a city sidewalk, with an orange fence behind them. They have light brown skin and short dark hair, and wear a blue shirt and green pants. They are smiling widely and holding a fake torch.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628031881524-BM1YLVMX3LPMVC4M3G6Y/20170104-untitled-363-of-592.jpg Conversations - Omar Pimienta with HereIn - Make it stand out Pasaporte Libre, 2012 (project ongoing), mixed media artist book, 5 x 3.5 in. [Image description: Three passports on a gray background. One stands on the left, its red cover reading “Libre Pasaporte” with the Colonia Libertad logo, all in gold. The one in the middle is propped open. Its white pages have a crisscrossing yellow pattern on them, overlaid with stamps that say “Visas,” “Translation,” and “Original,” as well as the Colonia Libertad logo. The one on the right lays flat, open to the first page.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628031924651-S6QX75RUW8UYJHK8H3CX/landscapeisasocialcon12x8-300-1860x1280.jpg Conversations - Omar Pimienta with HereIn - Make it stand out Landscape is a social construct from the series Sediment/o, 2021, concrete text on digital photo print, 23 x 33 in. [Image description: A brightly colored photo of a landscape with a blue sky, brushy foreground, and trees on the horizon. Overlaid on the photo is text that reads, “Landscape is a social construct,” printed in a crusty gray material.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628031979898-QQGKHO9PKZIZJHJ31EQG/llv1.jpg Conversations - Omar Pimienta with HereIn - Make it stand out Lady Libertad V1, 2007-2009, plaster sculpture and digital photograph [Image description: A figurine of the Statue of Liberty in the foreground of a landscape. The figure is a terra cotta color and stands on a gray pyramid. The landscape is a patchy field below a blue sky with white clouds. A flock of birds flies through the air behind the figurine.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628032060224-5OPKYFXVU7GFK69HYNQE/Untitled+design+%284%29.png Conversations - Omar Pimienta with HereIn - Make it stand out Lady Libertad V2, 2009, metal, wood, and vinyl, 15 x 15 x 25 ft. as a pyramid and 18 x 18 x 25 ft. as an agora [Image descriptions: Left: A bearded figure with light brown skin rides a tall bicycle through a town square. Behind them stands a replica of the Statue of Liberty, on top of an orange pyramidal structure. Right: A nighttime scene with a group of people in front of a warehouse. They are clustered around a replica of the Statue of Liberty on top of an orange pyramidal structure. One side of the structure is open and some people stand inside it.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628031686524-0VRKFFDHGIP812HIQVYT/llv2-1920x1280-1.jpg Conversations - Omar Pimienta with HereIn - Make it stand out llantero from the series Libertinos, 2009 (project ongoing), digital photograph [Image description: A person stands in front of the entrance to a dilapidated building. They have light brown skin and dark facial hair. They are wearing a black baseball cap, a red shirt, and jeans with dirt on the knees. Squinting in the sun, they raise a fake torch with their left hand, like the Statue of Liberty. To the left of the image is a bright orange traffic cone.] https://www.hereinjournal.org/conversations/nassem-navab-with-herein monthly 0.5 2021-08-08 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627758611233-AYER3J97ARPQ4NSVMJSE/navab_05.jpg Conversations - Nassem Navab with HereIn - Make it stand out Transparent, 2018, digital photograph [Image description: A photo of a smiling Iranian American woman standing against a white wall. She has dark hair and wears a sleeveless, close-fitting black-and-white striped dress. She has a sheet of transparent plastic draped over her head and around her face.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627757999889-D5LXD5J6CGP047IT3VO2/navab_07.jpg Conversations - Nassem Navab with HereIn - Make it stand out Cover Protect Decorate, installation view, 2018, vinyl and digital print, 38 ft. x 36 in. [Image description: The corner of a gallery space with white walls and a brown floor. On the left, a long white scroll with black graphics on it hangs from the ceiling and reaches the floor. On the right, a shelf holds a cluster of small white figurines.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627757905135-2GOUCHYJGXU4Y6YFPVHQ/navab_04.jpg Conversations - Nassem Navab with HereIn - Make it stand out Refuge (detail), 2019, transparent vinyl and found objects [Image description: A front view of a plastic-covered rug, coffee table, and sofa. On top of the coffee table are two cups, an ashtray, and Kleenex box, each covered in plastic.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627757944597-0RMI3H2NYXO8I1MRY0IA/navab_09.jpg Conversations - Nassem Navab with HereIn - Make it stand out Design for Cover Protect Decorate, 2018, vinyl and digital print, 38 ft. x 36 in. [Image description: A graphic drawn in thin black lines on a white background. Squares and rectangles are laid out in a grid. Inside some of the squares are women wearing chadors, and in others are furniture and objects in Middle Eastern and European styles. Text in some rectangles reads, “Clear Polished Cover. Multi-purpose use. Cover, Protect, Decorate. Textile, Los Angeles,” and in others the same text is written in Farsi.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627757816107-SGKPV9WQG0MJDP086PRQ/navab_02.jpg Conversations - Nassem Navab with HereIn - Make it stand out Zanan, 2017, 3D-print, 6 x 4 x 4 in. [Image description: A white figurine stands on a Persian rug. The bottom half of the sculpture features the lower part of a figure wearing a short dress and combat boots, with fabric draped down their sides. The top half is an abstract tangle of stringy plastic.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627757849649-BE1OAWOHGRR7S5U3T0TB/navab_01.jpg Conversations - Nassem Navab with HereIn - Make it stand out Zanan, 2017, 3D-prints, 6 x 4 x 4 in. each [Image description: A closeup of a set of nine white figurines placed next to each other in three rows. They all feature a woman wearing a chador, short dress, and combat boots.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627757879121-Z24BC55ZA4Y371IITM6V/navab_03.jpg Conversations - Nassem Navab with HereIn - Make it stand out Refuge, 2019, transparent vinyl and found objects [Image description: A set of European-style living room furniture on a Persian rug, arranged in a gallery space. The rug, coffee table, sofa, chair, and cabinet are covered in transparent plastic. https://www.hereinjournal.org/conversations/sofia-gonzalez-with-herein monthly 0.5 2021-06-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1624316231334-NNU0AHJZUC4HX406JYR8/Gonzalez_MFA_large_01.jpg Conversations - Sofia Gonzalez with HereIn - Make it stand out A Field Guide to a Sense of Place, 2014, exhibition at California College of the Arts, Oakland, CA [Image description: A gallery space with white walls and a gray floor. In the foreground are two sculptures with earthy-colored fabrics draped over structures built of poles. On the back wall, piece of fabric are layered and draped from pins.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623520211452-F7HITR7A69CMYY4XXXME/Coloring-Place-XL-2_1340_c.jpg Conversations - Sofia Gonzalez with HereIn - Make it stand out Coloring Place, XL, 2020, loquat leaves, passion vine, black walnut, pomegranate, sumac, lavender, basil flower, rosemary, and cochineal dye with alum and iron on raw silk sewed to vinyl, 5 x 3 ft. [Image desrciption: A textile made up of multiple, earthy-colored pieces of fabric sewn together, like a quilt, in an abstract design.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623521007240-W9RITPVK0XZPPPR2PULV/SofiaGonzalez_01_1340_c.jpg Conversations - Sofia Gonzalez with HereIn - Make it stand out Coloring Place, #8, Hillcrest, AR, 5/19/16, 2016, onion skin, rosemary, avocado pits, ornamental pomegranate flower dye on raw silk, silk, and cotton, 10 x 8 in. [Image description: A framed piece of art on a white wall. The work is made of five scraps of fabric— dyed yellow, orange, pink, and gray— sewn together.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623521105221-6QZTYJ4KJCMDILN6Z53X/MFAShow_3.jpg Conversations - Sofia Gonzalez with HereIn - Make it stand out Turn Left Down Lucas Valley Road (Placescape #1), 2013, madder root, lac, mint, rosemary, oak gall dye on raw silk and yarn with steel and walnut frame, 48 x 30 in. [Image description: A piece of white fabric draped on a frame. The fabric is dyed with gentle orange, green, and pink, and is embroidered with fine yarn.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623520512428-XV8X0UMSEARLAT7UDN2E/planketoutside3_o.jpg Conversations - Sofia Gonzalez with HereIn - Make it stand out Persephone and Demeter Shroud the Meyer Lemon Tree, 2014, pomegranate dye and cotton [Image descriptionL A piece of fabric, dyed light yellow and pink, is draped over a lemon tree in a garden.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623520911550-E0ALECBW0DU2FBBGFT75/Gonzalez+2.png Conversations - Sofia Gonzalez with HereIn - Make it stand out You Ask Me Why I Dwell in the Mountain, 2017, silk, cotton, thread, white glue, natural dye, and branches, 6 x 8 x 8 ft. [Image description: Left: A large textile, made up of smaller pieces of multi-colored fabrics sewn together, is draped from a gallery wall like a tent. Right: A view from the inside the tent, where a tree branch props up the textile.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623521291179-388WJNO79S2RY6VGGD8V/FAVALOQUATAVO-1_1340_c.jpg Conversations - Sofia Gonzalez with HereIn - Make it stand out Portraits of North Park: Fava, Loquat and Avocado, fava bean leaf, loquat leaf, and avocado skin/pit dye with alum and iron on silk, 24 x 10 x 5 in. [Image description: A sculpture hanging on a white wall. It is made up of layered strips of fabric in mauve, pink, gray, and green, which fold over a pin in the wall.] https://www.hereinjournal.org/conversations/allison-wiese-with-herein monthly 0.5 2021-05-13 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620404958351-OJCEA73IHZB6RIODV2XY/Untitled+design+%283%29.png Conversations - Allison Wiese with HereIn Paradise Prototype, 2018, cast sugar and lumber, 6.5 x 10 x 4 ft. Photos: Philipp Scholz Rittermann [Image descriptions: Left: An L-shaped, pink structure in a gallery space. Much of it is made of solid bricks, while a band at the top is made of blocks with a geometric pattern cut into them. Right: A view of the structure from behind. The solid bricks have a plywood backing, with two-by-fours, anchored by sand bags, acting as supports.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620404264352-SIFZIDZEMYEI1RRSZQCJ/Wiese_Welcome.jpg Conversations - Allison Wiese with HereIn Welcome, 2013, vinyl sheeting on aluminum, 8 ft. x 4.75 ft. [Image description: A vertically oriented flat, rectangular object, leaning up against a white wall in a gallery space. It is royal blue with white trim. Toward the end resting on the floor is a painted image of three yellow flowers with green stems.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620404527982-B1SJVORHK7R0SZ52MU36/Wiese_We_All_Have_to_Swim.jpg Conversations - Allison Wiese with HereIn We All Have to Swim in the Same Water, 2007, arrow signs and professional stunt sign-spinners [Image description: Two people stand on a sidewalk in front of a glass and stone building. They have light skin and wear sports jersey-style shirts in red. The each hold an arrow-shaped sign with black text. The sign on the left says, “We all have to swim,” and the sign on the right says, “in the same water.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620405653666-6DTAXSEHJZU4KS9WWNXT/Wiese_Mortgage_Lifter.jpg Conversations - Allison Wiese with HereIn Mortgage Lifter, 2015, relocated tomato plant, 9 x 9.5 in. [Image description: A photograph of a tomato plant growing out of a patch of sand.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620404133471-PE911GLJL2OBGQY3B3VE/Wiese_Dream_Sequence.jpg Conversations - Allison Wiese with HereIn Plot Devices: Dream Sequence, 2020, neon sign with flasher, 21 x 28 x 4.5 in. [Image description: A red neon sign glowing in a dark room. It reads, “Dream Sequence.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620404313718-OHL2VAJ9Q2N8ZLBKPEYW/Wiese_Weather_Saves_the_Day.jpg Conversations - Allison Wiese with HereIn Plot Devices: Weather Saves the Day, 2020, neon sign, 28 x 28 x 4.5 in. [Image description: A yellow neon sign glowing in a dark room. It says, “Weather Saves The Day.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620404677193-56W86MY0MYO2WIG2OVSL/Wiese_Reading_to_Strangers.jpg Conversations - Allison Wiese with HereIn Reading to Strangers: The Best of All Possible Worlds, 2015-Present, 3.5 hr. performance, Cabrillo Point National Monument, San Diego [Image description: A view of a crowd gathered at an overlook point with a view onto the ocean. A tall white statue of a figure stands to the image’s right. Two people sit together in the photograph’s foreground, one looking at an open book in her hands.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620404463097-S832GIKOP1MZGM8TT77X/Wiese_Untitled.jpg Conversations - Allison Wiese with HereIn Untitled, ongoing, stolen wooden door stops, dimensions variable [Image description: A pile of wooden doorstops on a gray floor.] https://www.hereinjournal.org/conversations/melissa-walter-with-herein monthly 0.5 2021-03-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613951699235-SK9WVW1AKYGE8PIOYG5H/Mel_Art-9.jpg Conversations - Melissa Walter with HereIn Black Hole, 2016, installation at Teros Gallery, San Diego. Photo: Michael Andrew. [Image description: An installation in a corner of a white gallery space. The corner is painted black. Strings are attached in a circle at the top. They run down in a column that twists near the bottom and is attached in a circle on the floor.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613952184383-QY4KIOKA3TSG1UFDFQRK/Walters.png Conversations - Melissa Walter with HereIn Left: Cortisol, 2020, acrylic paint, charcoal, and graphite on wood, 40 x 30 in. Right: Cortisol installation, 2020, acrylic paint, charcoal, and graphite on wood, shag rug, and rocking seat, Bread & Salt, San Diego. [Image description, left: A monochromatic painting with areas of inky black swept across a soft black background. Right: An installation in a small gallery space with white walls. On the back wall hangs a black painting. A person with light skin and short hair, wearing a blue patterned blouse, sits on a black object that rests on a black rug.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613952284559-8MPQ79XHDU5AOOV2ERCZ/300days_hi.jpg Conversations - Melissa Walter with HereIn 300 Days, 2020, paint, salt, and graphite on board, 59 1/4 x 17 1/4 in. [Image description: A tall, thin painting. A faint gray grid is overlaid on a black surface that bears a gray pattern reminiscent of the surface of the planet Mars.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613951739204-23Q2B16PTJX4CCADJG4U/of%2Ball%2Bthings%2B%2B-%2Bstudio%2BMAHA%2B%C2%A9%2B0.jpg Conversations - Melissa Walter with HereIn Of All Things, 2019, installation with paper and acrylic, ICE Gallery, San Diego. Photo: Studio Maha. [Image description: A white gallery space with a window on the right side. There is a large structure composed of thousands of small black and white pyramids. The same width as the window, it creates a band along the floor, up the wall, across the ceiling, and down the wall with the window. The window is not covered by the structure, and cutouts in the band mirror the shape of the window on the floor, wall, and ceiling.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613952435294-QAW4LCTQ5VFA1CZRIMVK/Walters+2.png Conversations - Melissa Walter with HereIn Left: This Could Not Be the End: Study 6 (detail), 2020, charcoal on gouged paper, 31 x 25 in. Right: This Could Not Be the End: Study 1 (detail), 2020, Graphite on cut and layered paper, 31 x 25 in. [Image description, left: Rows of white gouge marks across a velvety black surface. Right: White paper with differently sized holes scattered across the surface. In the upper right corner, a section of a variegated black and gray circle intrudes on the white surface.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613951583090-19UOHGYAV55W4UAZ4RI0/1_2020+copy.jpg Conversations - Melissa Walter with HereIn This Could Not Be the End: Study 1, 2020, graphite on cut and layered paper, 31 x 25 in. [Image description: A piece of white paper in a white frame. The paper has small holes scattered across its surface, and a larger, gray and black circle overlaid on the upper half of the paper.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1615239280566-JU73UT9AE5FGEIB1M3TG/6_2020+copy.jpg Conversations - Melissa Walter with HereIn This Could Not Be the End: Study 6, 2020, charcoal on gouged paper, 31 x 25 in. [Image description: A piece of white paper in a white frame. The paper has a vertically oriented black rectangle on it, with rows of many white gouge marks covering the black surface. Beyond the black rectangle, gray smudges the paper’s white surface.] https://www.hereinjournal.org/conversations/studio-visit-derek-weiler monthly 0.5 2021-03-11 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1612717226907-XQSIR5VCSMR02AWKDQE2/IMG_1424.jpeg Conversations - Studio Visit: Derek Weiler Still from Untitled (Backbend), 2020, stop-motion video, 1 min. 1 sec. loop. [Image description: Segments of a red human silhouette are divided amongst vertical black bands on a white background. The overall effect is that of a figure tumbling.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1612717146839-EHB1SEA22V9V7U8E1JXX/4+-+New+Work.jpeg Conversations - Studio Visit: Derek Weiler Untitled (Scent), 2020, graphite pencil on paper, 22 x 30 in. [Image description: Two outlines of a human form, the shape of each body part overlapping to give the impression of being hinged at the joints. In the foreground is a figure’s head and shoulders, while in the background is another figure’s torso. The paper is covered in hatch marks in a mix of black, gray, pink, and peach.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611868879597-BTGAF2T1NG54VPBHXML8/current-07.jpg Conversations - Studio Visit: Derek Weiler Untitled (Conversation), 2018, Denril print on paper, 22 x 30 in. [Image descriptions: The black silhouettes of two human torsos on a cream-colored background. The figure on the left turns toward the figure on the right as they both gesticulate with their hands.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611176046801-3AO2IAHYRAKX1VXB230I/3+-+New+Work+1+%281%29.jpeg Conversations - Studio Visit: Derek Weiler Untitled (Swing), 2021, charcoal pencil on paper, 22 x 30 in. [Image description: An abstraction of white lines and planes of gray and black. The lines forms shapes that enigmatically suggest the back and elbows of a human body.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611869003001-X1I1A3HO5UPEBUKSPJ9Y/Weiler+studio+5.png Conversations - Studio Visit: Derek Weiler Derek Weiler in his studio, 2020. [Image description: Derek— wearing a white t-shirt— faces away from the camera, toward a wall covered in works on paper. He focuses on a gray and white drawing taped to a brown working surface.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610919310519-NQ6I49XP4NSCID66JYY8/IMG_0161.jpg Conversations - Studio Visit: Derek Weiler Derek at his installation, The Man Who Sold His Shadow, for INTERCHANGE, 2019. [Image description: Derek walks in front of a building bearing an art installation. He wears all black and a straw sunhat, and holds a hammer in his hand. On the left side of the building, the wall is painted red and a plywood figure with painted black details is affixed to it. Black text is painted on the right side of the wall. It says, “This is the story of a man who sold his shadow to a little man in grey.”'] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610391936098-A209YZGCD6PYPDMS11BE/current-10.jpg Conversations - Studio Visit: Derek Weiler Untitled (Four Hands), 2018, Denril print on paper, 22 x 30 in. [Image description: The black silhouettes of two pairs of arms printed on a cream-colored background. A pair extends from each side of the paper, meeting in the middle where they hold a red string between them.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611176066111-CTFB8TKDGGDSUI6P9YER/2+-+Work+in+Progress.jpeg Conversations - Studio Visit: Derek Weiler Work in progress, Derek Weiler’s studio, 2020. [Image description: A bare wood cut-out of the upper body of a human form. It is smudged with gray and each body part is hinged at the joint. The figure is hung on a brown working surface with a piece of white paper taped to it, all on a white wall surrounded by photographs and drawings.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611868714083-MK0TX4UCWBB7SJUQWMR7/Weiler+studio+2.JPG Conversations - Studio Visit: Derek Weiler Derek Weiler in his studio, 2020. Photo: Grant Knapp. [Image description: A photograph of Derek, a man with light skin and short hair, wearing a striped t-shirt. He is seen at the bottom of the image, with artwork hanging on the white wall behind him. There are six horizontally-oriented sheets of white paper with silhouettes of figures printed in black, blue, and yellow, hung in two rows.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1612717340803-GT28H8CTSZIR1KS5Q6OC/IMG_9278+%281%29.JPG Conversations - Studio Visit: Derek Weiler Derek Weiler’s studio, 2020. Photo: Grant Knapp. [Image description: A room with a white-painted brick wall, against which is placed camera equipment, a drafting table, a ladder, and a shelving unit full of art supplies. An image with a human silhouette in red is projected on the center of the wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611955279554-8DMNGN0NVC3XX676KOO8/Print+Figure+Moving.jpg Conversations - Studio Visit: Derek Weiler Work in progress, Derek Weiler’s studio, 2020. [Image description: An inverted cut-out of a simplified human form with no head. Each body part— in blue, red, and bare wood— is hinged at the joint. The figure is placed against a brown working surface with a piece of white paper taped to it.] https://www.hereinjournal.org/conversations/bryan-ali-sanchez-with-herein monthly 0.5 2021-01-04 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1607807737741-8K2ZOJH3XSK86ZMK3LUU/Truck+Bed%2C+2018-19.jpg Conversations - Bryan Ali Sanchez with HereIn Truck Bed, 2018-2019, oil on canvas, 64 x 80 in. [Image description: A figure with light skin, a bald head, and a blue jacket that reads “POLICE ICE” stands in front of an orange truck bed, lifting the lid with his left hand. The truck bed is full of people, crouched together, some covering their heads.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1607807902798-FX56D3T9FRMPBZP6QEI1/20181009_093629.jpg Conversations - Bryan Ali Sanchez with HereIn A diorama in Sanchez’s studio, 2020, digital photograph. [Image description: A gray model of a figure standing in front of a container made from foam core and taped together. The model lifts the container’s lid with their left hand.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1607816220474-ICS33WLG9A728R473F1B/Traveler.jpg Conversations - Bryan Ali Sanchez with HereIn Traveler, 2020, oil on canvas, 54 x 80 in. [Image description: In the foreground is a figure with light skin, blue pants, a gray shirt, and a black backpack. He leans over a trough and plunges his face into its blue contents. Just behind the figure are three cows. One drinks from the trough alongside the figure. In the background are the edges of gray buildings and a blue sky.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1607815672253-E9140I3Z0RKZT3NO9FPV/Climber.jpg Conversations - Bryan Ali Sanchez with HereIn Climber, 2020, oil on canvas, 70 x 50 in. [Image description: A nighttime scene of a group of people climbing over a wall made of vertical, copper-colored slats. The figures have brown skin and dark hair, and wear blue clothing. At the top of the wall, one figure holds two smaller figures as they swing their legs over. Another figure stands in front of the wall, reaching up to help the others come down.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1607815414524-JK4BWK0TCU88D3KKEQI8/El+Pollero.jpg Conversations - Bryan Ali Sanchez with HereIn El Pollero, 2020, oil on canvas, 760 x 78 in. [Image description: A dark green landscape with a yellow sky. A group of figures, all wearing dark clothes and backpacks, walk away from the viewer in a crouched position. The scene is rendered in very loose brushstrokes so that the figures seem to blend into the landscape.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1607815758499-7ZEG6L8GEE2HNTPE562I/12+53+AM.jpg Conversations - Bryan Ali Sanchez with HereIn 12:53 AM, 2020, oil on canvas, 78 x 64 in. [Image description: A nighttime scene of a container truck. The truck’s back doors are open and a mass of people, all dressed in dark clothing, spill out. In the foreground on the right side of the painting, one figure, with brown skin and a handlebar mustache, runs toward the viewer.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1607807837674-1Z9O6W2HZIUGREKDZD4S/2+48+AM.jpg Conversations - Bryan Ali Sanchez with HereIn 2:48 AM, 2018-2020, oil on canvas, 58 x 72 in. [Image description: A nighttime scene rendered in loose brushstrokes. A group of figures is illuminated by two police cars’ yellow, blue, and red lights. On the right side of the image, a figure is pressed up against a car while another figure pats down their legs. In the foreground of the painting, a figure is crouched on the ground, looking back toward the scene. Another figure in dark clothes looms over them, holding a gun.] https://www.hereinjournal.org/conversations/danielle-dean-with-herein monthly 0.5 2025-04-11 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1605041036504-FRPUNWDQQB47TR73CRQ8/Bazar+1.png Conversations - Danielle Dean with HereIn Installation view, Bazar, 2018, 47 Canal, New York [Image description: Multi-colored cutouts are arranged in the gallery space, some standing on the floor and others hanging from the ceiling, like a stage set in the theater. On the right is a camping tent, while on the left is a curtain with an ornate pattern of fruit and birds. Interspersed between them are foliage and small vignettes of landscapes. The video Bazar is projected on a screen in the center of the installation.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1605040217963-0H7ATR2IOFTX57LYIJE9/Dean_Asset.png Conversations - Danielle Dean with HereIn Asset (American Road!, Ford, 1952), 2019, gouache on board, car stickers, aluminum frame, 29 1/2 x 39 in. (photo: Alwin Lay) [Image description: A framed painting of a landscape. At the bottom of the image, a road stretches in front of a mountain range. Overlaid on top of the blue sky is a mass of various black bugs.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1605040659510-W8OMB06HCGSUPK1QW8PU/Dean_hiding+1919.png Conversations - Danielle Dean with HereIn “I am hiding in here,” 1919, 2018, watercolor on paper, 20 x 14 in. [Image description: A framed watercolor depicting the left side of an open book. Illustrations of antique furniture are spread across the white page. A figure leans out from behind a sideboard at the bottom right corner. They have medium-dark skin and short black hair, and are wearing a green top. On the left edge of the page is a brightly colored curtain with an elaborate pattern of fruit and birds on it.] https://www.hereinjournal.org/conversations/andrea-chung-with-herein monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1602785617324-1X6K7NLV2IRNNT30JR1N/3578560290.jpg Conversations - Andrea Chung with HereIn Sink or Swim, 2013, installation with sugar and fishing line [Image description: An installation in a gallery space with white walls and a gray floor. Amber-colored, transparent bottles hang on fishing line from the ceiling. Some of the bottles are cracked, while others appear melted. Shattered bottles spread across the floor.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1602785791526-ZIGLGQWMAM75M8CWFR2Z/unnamed-2+2.jpg Conversations - Andrea Chung with HereIn Vex IV, 2020, collage, ink and beads on paper handmade from traditional birthing cloth, 17 x 13 in. [Image description: A black and white photograph of a woman's head and shoulders, surrounded by green, yellow, and white plants, collaged on white paper. The woman has dark skin, short hair, and a white sleeveless top. She tilts her head downward and stares intensely up at the viewer. Needles stacked with red and white beads protrude from her figure.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1602785961016-BZ4OQJXI32XWQ7QLG5N0/unnamed-3+2.jpg Conversations - Andrea Chung with HereIn Vex VI, 2020, collage, ink and beads on paper handmade from traditional birthing cloth, 17 x 13 in. [Image description: A black and white photograph of a woman's head and upper body, surrounded by green plants, collaged on white paper. Behind her head is the shape of a plant in gold leaf. The woman has dark skin and short hair. She wears a piece of cloth wrapped around her torso and draped over her shoulder, as well as orange and yellow beaded necklaces. She stares directly at the viewer with a somber look on her face. Needles stacked with orange beads protrude from her figure.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1602785699522-3JUQ3KGN540QPM7K8Y8U/1481754762.jpg Conversations - Andrea Chung with HereIn Oonu Can Cum Wid Mi, 2007, photo cutout, 15 x 18 1/2 in. [Image description: A black and white photograph of a dirt road in front of a group of buildings. Teams of animals, hitched to wagons, transport sugar cane down the road. Human figures— their images cut out, leaving white silhouettes— lead the animals and sit on a patch of grass. Text at the the bottom of the photograph reads, “A Jamaican Sugar Mill.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1602786190956-AK99XHE2G3XF5FFCFKU3/Untitled+design+%281%29.png Conversations - Andrea Chung with HereIn Left: Midwives III, 2017, collage, 15 x 11 in.; Right: Midwives II, 2017, collage, 15 x 11 in. [Left image description: A black and white image of a woman with medium-dark skin and hair pulled back, wearing an old-fashioned nurse's uniform with a gold cap. Next to her is a figurative wood sculpture. Overlaid across these figures is a transparent image of a leafy green plant. These three elements are collaged onto white paper. Right image description: A black and white image of two identical children, wearing black pants and white tops. They have dark skin and short hair, and wear gold crowns. Behind them, a transparent green leaf is overlaid across a large image of a figurative wood sculpture. A red string is stitched onto the page so that it appears the children are holding it between them.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1602781328317-YETP0YLZUYY5B5UGZGHR/2511124.jpg Conversations - Andrea Chung with HereIn Brain Coral, 2019, cyanotype and sugar, 60 x 44 in. [Image description: The blue and white image of a brain is centered on dark blue paper. The bottom half of the image is covered in a crusty white substance, chunks of which rest inside the lower edge of the frame, as if having fallen off the paper above.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1602781256465-OZC4WUSAUFNH4SPL1EJW/unnamed+2.jpg Conversations - Andrea Chung with HereIn Vex V, 2020, collage, ink and beads on paper handmade from traditional birthing cloth, 17 x 13 in. [Image description: A black and white photograph of a woman's head and shoulders, surrounded by green plants and white flowers, collaged on white paper. The gold outline of a rectangle is underlying the collage. The woman has dark skin, short hair, and a yellow beaded necklace. She stares off into the distance. Needles stacked with orange beads protrude from her figure.] https://www.hereinjournal.org/conversations/sister-chapman-with-herein monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1594745424426-ZV2JEM5CDHNFHUVL1C2Q/Chapman.jpg Conversations - Sister Chapman with HereIn Film still from i’ve known i was a barren woman since i was born, 2020, film, 24 min. 13 sec. [Image description: A light-skinned woman sits outside, cradling a tan rabbit stuffed animal in her arms. She has long blond hair and is wearing a pink dress with white flowers. Behind her stands a light-skinned woman, who rests her left hand on the seated woman’s shoulder. The standing woman has shoulder-length silver hair and wears a white blouse and jeans. Both look at the viewer with neutral expressions on their faces.] https://www.hereinjournal.org/conversations/carlos-castro-arias-with-herein monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590187446154-O7Y6EEMTEI024BVKYGV1/Unicornio.jpg Conversations - Carlos Castro Arias with HereIn The Creation of the Unicorn, 2017, tapestry, 4 x 6 ft. Castro: This piece depicts drug lord Pablo Escobar having a unicorn made for his daughter Manuela by putting a horn on a pedigree horse. The image resembles the medieval tapestry, The Death of the Unicorn. Escobar's men look like medieval characters but are using Adidas shoes. The entrance of Escobar's farm Hacienda Napoles is also featured. [Image description: A multicolored tapestry. Seven people in medieval dress stand around a fountain in a garden filled with animals. A figure on the left is recognizable as Pablo Escobar. In the center of the garden is a unicorn. A person in a hat with a Nike Swoosh logo on it holds the unicorn’s horn, while blood drips from its head. In the upper left corner of the image is an archway, through which buildings are visible. On the archway, letters spell “Hacienda Napoles.” A plane rests on top of the structure, which is recognizable as the entrance to Escobar’s farm. All people in the Mythstories tapestries have medium-light skin.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590441056016-UIIYF6FVJTYX95HMULTU/Bronx.jpg Conversations - Carlos Castro Arias with HereIn Walk on El Voto Nacional Neighborhood, 2018-19, tapestry, 4 x 6 ft. Castro: The El Voto Nacional neighborhood in Bogota was one of the main places for drug use and distribution in Bogota. There are many myths about this terrifying place; one of them is that drug dealers used to have a crocodile hidden in a basement that was fed with people who had debts or were accused of betrayal. [Image description: A multicolored tapestry. People in medieval dress populate a town square, with a red and white floral pattern in place of the sky. In the center of the image, a person walks with a crocodile on a leash. Around them, demons and animals interact with people, while three angels float in the sky. A plume of white smoke rises from a building on the left side of the image.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590187283368-GN469OGZLTHVPIZ18FFL/Narcoarca-1.jpg Conversations - Carlos Castro Arias with HereIn The Narco Arc, 2018-19, tapestry, 6 x 4 ft. Castro: This tapestry resembles the biblical myth of Noah's Arc. It features Pablo Escobar filling a plane with all kinds of animals to create a zoo at his farm in Colombia. The myth is that Escobar was able to bring hundreds of animals in a Hercules plane and all of them coexisted in harmony during the journey to Colombia. Many of these animals escaped from the farm after Escobar's death and are currently living in the wild and mingling with native species. [Image description: A multicolored tapestry. A plane rests on the ground in a landscape with lush vegetation and mountains in the distance. Two goats, two unicorns, and two hippos walk on a wooden ramp out of the back of the plane, while animals such as giraffes, camels, sheep, and deer, among others, roam the grass. Birds fly through the air and sit on the plane’s wings. In the lower left corner of the image, a figure recognizable as Pablo Escobar stands next to a person in a hat with a Nike Swoosh logo on it. Both are in medieval dress.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590186801029-4C2Y7RE7IOLSQ0UQIV3C/IMG_6035.JPG Conversations - Carlos Castro Arias with HereIn Mythstories, ArtBO Art Fair, Bogotá, Colombia, 2019. [Image description: An installation view of a gallery with three multicolored tapestries on two dark red walls. The tapestries are hung from metal rods with decorative ends. An ornate gold chair and brown and white coffee table with a book on it sit in the middle of the gallery.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590440902223-199ZSBUJ1FANGGCLDWLH/Uribe-2.jpg Conversations - Carlos Castro Arias with HereIn The Creation of a Paramilitary Army at the Guacharacas Farm, 2018-19, tapestry, 6 x 4 ft. Castro: This work features Colombia's former president Alvaro Uribe and his brother, who are believed to be the founders of a para-military army on their farm. The piece represents a battle between guerrillas and paramilitary that resembles a medieval war. [Image description: A multicolored tapestry. Figures and animals fill a landscape. On the right side of the image, a mass of people, some in armor with swords, engages in battle. On the left side of the image, figures recognizable as Álvaro and Santiago Uribe look out at the battle. At the bottom of the image, a person holding a chainsaw moves toward the crowd. At the top of the image, the figure of Christ descends from the sky and points a finger at Álvaro Uribe. Across the uppermost edge of the image, a floating banner reads, “CREATURAE BLOQUE METRO SUI DEFENSIONEM IN VILLA GUACHARACHS.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590441087749-3B2YJE7EGC0R4XUI418H/Chavez.jpg Conversations - Carlos Castro Arias with HereIn The Death of El Comandante, 2018-19, tapestry, 4 x 6 ft. Castro: This tapestry features an image of the former president of Venezuela, Comandante Hugo Chavez, in his dying bed. People in Venezuela say that Chavez practiced sorcery and that he was always accompanied by witches that advised him in all his decisions. The myth about the death of Chavez says that he was killed by a magic spell cast by a Cuban witch. [Image description: A multicolored tapestry. An interior scene is centered around a man recognizable as Hugo Chavez, who lies on a bed in the middle of the image. Four people in medieval dress surround him, making gestures of grief. Demons move toward Chavez, while an angel turns away from him, toward the upper right corner of the image. On the right side of the bed, an old woman in an orange cloak holds two fingers up toward Chavez. A skeleton figure holds a spear and an hourglass. Smoke billows from the image’s outer edges.] https://www.hereinjournal.org/conversations/lael-corbin-with-herein monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590444301746-CY4U334MNOPJKBZT6SK6/Screen+Shot+2020-05-25+at+2.55.19+PM.png Conversations - Lael Corbin with HereIn Dragonfly, 2019, basswood and glue, 54 x 39 x 12 in. [Image description: A sculpture of two model airplanes—merged diagonally into one—nose pointed upward, hangs on a white wall. The airplane does not have a skin, which reveals intricate armature constructed of light-colored wood. The sculpture is spotlit so that its shadow appears on the wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590444218704-0JWGDOPRIWAAKOFZCLNG/Screen+Shot+2020-05-25+at+2.54.23+PM.png Conversations - Lael Corbin with HereIn Object to Wrestle the Wind #2, 2017, 48 umbrellas, waxed cable, harness [Image description: An installation view in a room with a brick floor, brick wall, and wood ceiling. In the foreground of the image, a blue and yellow harness hangs from the ceiling by cables. 48 black umbrellas are affixed to the gallery wall, their undersides with metal ribs exposed to the viewer. 48 cables tied to the harness run back and attach to the umbrellas.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590444362315-XR0LBNBEFGD0292MOBRT/Screen+Shot+2020-05-25+at+2.57.03+PM.png Conversations - Lael Corbin with HereIn Wrestling the Wind_Object #5, 2020, documentation photograph [Image description: A black and white image of a person in a desert landscape. The figure is tiny in scale against the expansive sky. They stand on top of a sand dune, holding a curved panel above their head.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590444330708-ATMD4XZ0OO1KHWKKPGUJ/Screen+Shot+2020-05-25+at+2.56.02+PM.png Conversations - Lael Corbin with HereIn Wrestling the Wind_Object #4, 2020, documentation photograph [Image description: A black and white image of a man standing in a desert landscape. He has light skin and dark hair, and is wearing dark clothing. He is holding a large wood panel with handles. His right leg is bent and his foot hovers above the ground, as if mid-step.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590444397298-E7NDE00S30GHCF30VJ80/Screen+Shot+2020-05-25+at+2.57.55+PM.png Conversations - Lael Corbin with HereIn Wrestling the Wind _Object #3, 2020, documentation photograph [Image description: A man stands on a sand dune in front of a blue sky. He has light skin and dark hair, and wears a blue t-shirt and green pants. On his head, attached with headgear, he wears an orange windsock that trails down past his feet behind him. Two orange antennae extend from the headgear up into the sky. He gazes into the distance.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1592250375564-MEZI17LJ28BJEVZQCHWN/Corbin.png Conversations - Lael Corbin with HereIn Thrust Weight Drag Lift - Process Photo, 2017, photograph [Image description: The unfinished armature of an airplane rests on the ground in a desert landscape. The body of the airplane is made of bent wood, while the wings are covered in white paper. A sunset over mountains is visible in the background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590444434419-96OQ23RQV1J8F9I0W5QC/Screen+Shot+2020-05-25+at+2.58.40+PM.png Conversations - Lael Corbin with HereIn Wrestling the Wind_Object #3, 2020, documentation photograph [Image description: A black and white image of a man standing on top of a sand dune. He has dark hair and light skin. On his head, attached with headgear, he wears a windsock that trails out behind him as if caught in the wind.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590444178854-CE52YDHVV9960WWVUAHK/Screen+Shot+2020-05-25+at+2.53.03+PM.png Conversations - Lael Corbin with HereIn Lael Corbin, Thrust Weight Drag Lift - Flight, 2017, photograph by Stuart Ballew [Image description: A dark blue pickup truck drives across a desert landscape, towing an airplane behind it. The airplane is unfinished, with a body made of bent wood and a nose, wings, and tail covered in white linen. It has red wheels, which hover above the ground as the airplane lifts off in flight.] https://www.hereinjournal.org/features daily 0.75 2025-02-12 https://www.hereinjournal.org/features/portfolio-tarrah-aroonsakool monthly 0.5 2024-12-05 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8abdc6ee-c3a2-4560-a490-bcedab6371de/Leg+Special.jpg Features - Portfolio: Tarrah Aroonsakool - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2e07665c-cde9-46c8-a6e5-1aa85df1aea3/Our+Skins+Crawl.jpg Features - Portfolio: Tarrah Aroonsakool - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1707c411-6e6f-49d0-98b5-14fbf4f0777b/Pig+Special.jpg Features - Portfolio: Tarrah Aroonsakool - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/features/one-work-marianela-de-la-hoz monthly 0.5 2024-06-05 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/61f66baa-56c6-4044-af06-ef126409a021/De+la+Hoz_The+Doctor.jpg Features - One Work: Marianela de la Hoz - Make it stand out The Doctor, 2018, egg tempera on board, 10 x 8 in. [Image description: A group of figures in a medical office. In the foreground stands a doctor in a white coat, facing the viewer, while in the middle ground sits a mannequin with red stitches on its body. In the background, a winged figure in a white robe gives a large pill to a patient.] https://www.hereinjournal.org/features/one-work-luciano-pimienta monthly 0.5 2024-05-22 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/21638cb1-8ab3-4f01-9280-49157389a7c7/Pimienta+1.png Features - One Work: Luciano Pimienta - Make it stand out For Whoever Owns the Soil, 2021, terra cotta clay, underglaze, plexiglass, and water, 24 x 18 x 32 in. [Image description: A black, red, and white sign, which reads “No Trespassing,” is submerged in brownish water.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/157b6ea3-cae4-4008-a546-e483b30e4225/Untitled+design+%284%29+copy.png Features - One Work: Luciano Pimienta - Make it stand out For Whoever Owns the Soil, 2021, terra cotta clay, underglaze, plexiglass, and water, 24 x 18 x 32 in. [Image description: Left: A No Trespassing sign sits in a plexiglass tray of water on top of a wood-legged table. Right: A closeup of the No Trespassing sign as it cracks, crumbles, and dissolves in the brownish water.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5496ae49-17a3-4fa8-a789-c9d06c23cef4/Untitled+design+%284%29.png Features - One Work: Luciano Pimienta - Make it stand out For Whoever Owns the Soil, 2021, terra cotta clay, underglaze, plexiglass, and water, 24 x 18 x 32 in. [Image description: Two side-by-side images of the No Trespassing sign disintegrating into increasingly rust-colored water.] https://www.hereinjournal.org/features/one-work-philip-brun-del-re monthly 0.5 2024-02-12 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f5e48249-6b86-4ab3-840b-f87e26e3bb69/SERVE+2023+Square.png Features - One Work: Philip Brun Del Re - Make it stand out SERVE, 2023, spray paint on repurposed bar sign, 14.5 x 14.5 in. [Image description: A square sign on a blue background. The sign is primarily safety orange, framed in lime green trim with a thick, black border. In raised, blue letters the sign reads SERVE. Above and below this text are the fairly visible, rough outlines of removed text, which read WE DO NOT and MINORS.] https://www.hereinjournal.org/features/one-work-leslye-villasenor monthly 0.5 2023-11-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/57bd3041-20e1-46f9-a34a-85d4c6f5b877/Shadow+2%2C+leslye+villasenor.jpg Features - One Work: Leslye Villaseñor - Make it stand out Entre Luz y Sombras, Sombra 2, 2019, oil on canvas, 40 x 30 in. [Image description: A photo-realist painting of a dark doorway, illuminated only slightly by light coming in through a window out of frame.] https://www.hereinjournal.org/features/portfolio-sylvia-fernndez monthly 0.5 2023-10-18 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b4ac564e-a9a9-43ff-bc78-975d1be49216/DSCF6921.jpg Features - Portfolio: Sylvia Fernández - Make it stand out Caricia del desierto / Desert caress, 2023, oil on panel, 30 x 30 in. [Image description: A painting of abstracted hands and eyes enmeshed in a dry landscape made with beiges, greens, aquas, and blues.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2b71660d-1bc7-42b0-8fa3-6b14f334ae6c/DSCF1496.jpg Features - Portfolio: Sylvia Fernández - Make it stand out Tocandote, flor nocturna del desierto / Touching you, night desert flower, 2023, oil on panel, 14 x 11 in. [Image description: A painting of a neutral but multicolored flower surrounded by a midnight blue sky and the outline of two blue-black hands reaching towards its center] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f14c02f5-a5ce-49a7-be66-52f545c3f02e/DSCF1493+%281%29.jpg Features - Portfolio: Sylvia Fernández - Make it stand out Amanecer contigo / Dawn with you, 2023, oil on panel, 20 x 16 in. [Image description: A painting of a human silhouette with an expansive sky of vivid blue in the center.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/337e2af4-e6df-4b69-921b-67934a7c0041/DSCF1498.jpg Features - Portfolio: Sylvia Fernández - Make it stand out Escuchando al viento/ Hearing the wind, 2023, oil on panel, 12 x 9 in. [Image description: A painting of a dark blue hand in motion against a sky background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/feb821b1-5da5-4eaa-bc60-bb256293e405/DSCF1497.jpg Features - Portfolio: Sylvia Fernández - Make it stand out Huecos / Holes, 2023, oil on panel, 14 x 11 in. [Image description: A painting of a sand-colored rock formation with a dark crevice in the middle that resembles the shape of a pelvis bone.] https://www.hereinjournal.org/features/portfolio-alexandra-carter monthly 0.5 2023-09-05 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f116299f-e372-432e-b617-344061b7b777/Viability.jpeg Features - Portfolio: Alexandra Carter - Make it stand out Viability, 2023, ink on drafting film, 66 x 42 in. [Image description: A woman’s head and arm surrounded by amorphous shapes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/830b8efb-6b28-4a71-8edf-14b2f77ee840/The+Mother+Shell.jpeg Features - Portfolio: Alexandra Carter - Make it stand out The Mother Shell, 2023, ink on drafting film, 17 x 14 in. [Image description: A woman cradles a child, the lower part of her body morphing into a shell.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9603f5cc-57a5-4dc5-bf63-321dd6f2371d/Nonstress+Test.jpeg Features - Portfolio: Alexandra Carter - Make it stand out Nonstress Test, 2021, ink on drafting film, 59 x 42 in. [Image description: A woman balancing upside-down on her hands and head.] https://www.hereinjournal.org/features/portfolio-kim-stringfellow monthly 0.5 2023-05-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1096b83b-823f-4aa2-bfe3-40673477cd93/snow_goose.jpg Features - Portfolio: Kim Stringfellow - Make it stand out Dead Snow Goose, Sonny Bono wildlife Refuge, Salton Sea, CA from Greetings from the Salton Sea, 2000, digital C-print [Image description: A white bird lays dead in a body of scummy water.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8db34db5-10da-4fe2-80d9-a55900d1b9b7/shoredebris_milk.jpg Features - Portfolio: Kim Stringfellow - Make it stand out Salton Sea Shore Debris Collection from Greetings from the Salton Sea, 2000, digital C-print [Image description: An array of bones, feathers, bugs, and fish heads spread out against a white background, photographed from above.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/daee2b79-03a7-4fd2-b3a6-e83a2479be33/bombay_trailer.jpg Features - Portfolio: Kim Stringfellow - Make it stand out Abandoned Trailer, Bombay Beach, CA from Greetings from the Salton Sea, 2000, digital C-print [Image description: A rusted-out, abandoned bus sits partially submerged in a pond of red-orange water.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9030ac7c-659c-4f3b-a608-a923c13cffff/texaco.jpg Features - Portfolio: Kim Stringfellow - Make it stand out Texaco Marine, North Shore, CA from Greetings from the Salton Sea, 2000, digital C-print [Image description: A rusty sign that reads “Texaco Marine,” seen from behind, standing where a stretch of dirt meets a body of water.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2f526818-c033-49b2-9266-4a05c88e4ef6/shoreline.jpg Features - Portfolio: Kim Stringfellow - Make it stand out Illegal Dump at Southeastern Shore of the Salton Sea, CA from Greetings from the Salton Sea, 2000, digital C-print [Image description: A lakeshore lined with bare trees reaching up to the sky. In the ground, the dirt slithered with concrete piping and discarded rubber tires.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/43a6605a-d6e1-4402-9e12-d4788ccdb020/Leonard_caravan.jpg Features - Portfolio: Kim Stringfellow - Make it stand out Leonard Knight (Caravan), Niland, CA from Greetings from the Salton Sea, 2000, digital C-print [Image description: A person with light skin and gray hair, wearing a hat, sits in the open back of a trailer. They appear to have turned the trailer into an artwork, with a white, latticed structure and hand-painted decorations. On the right is a tree, its branches covered in red circles that read, “love,” “faith, “meekness,” “temperance,” “goodness,” “long-suffering,” “gentlest,” “peace,” and ”joy.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/92066298-7295-4902-9191-60437f7a30d1/dieoff.jpg Features - Portfolio: Kim Stringfellow - Make it stand out Tilapia Die-Off, North Shore, CA from Greetings from the Salton Sea, 2000, digital C-print [Image description: A closeup of a mass of dead fish floating in water.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e6f2a358-209d-4703-9132-4973712a0552/kohler_salton_1+copy.jpg Features - Portfolio: Kim Stringfellow - Make it stand out Greetings from the Salton Sea (installation view), 2006, The John Michael Kohler Art Center, Sheboygan, WI [Image description: An installation view of an exhibition featuring framed photographs on the wall, various objects laid out on two low pedestals, and a tv sitting on a pedestal in the background.] https://www.hereinjournal.org/features/one-work-naomi-nadreau monthly 0.5 2023-04-10 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3eed238d-90e0-42e5-a7ba-1d2b17d894d0/2.jpg Features - One Work: Naomi Nadreau - Make it stand out vacuity detriment where is your head? where is your stomach?, 2023, glazed ceramics, acupuncture needles, plastic tubes, crystallized salt on metal [Image description: The metallic base of the sculpture stretches out atop the surface of the rectangular table. The surface of the metal is polished in looping motions and the blue light is reflected along these curving lines as neon crescents.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c8734c54-3bdc-438c-8e0b-c92c4be5f094/1.jpg Features - One Work: Naomi Nadreau - Make it stand out vacuity detriment where is your head? where is your stomach?, 2023, glazed ceramics, acupuncture needles, plastic tubes, crystallized salt on metal [Image description: A long, dark rectangular table stands at knee-height on a gray gallery floor. Blue light illuminates the surface from above while white light emanates from underneath the table. A sculpture made out of metal, ceramics, acupuncture needles, crystallized salt and plastic tubes is arranged on the table.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8ba77a8a-95ea-4f19-aa74-212e71f9e704/7.jpg Features - One Work: Naomi Nadreau - Make it stand out vacuity detriment where is your head? where is your stomach? (detail), 2023, glazed ceramics, acupuncture needles, plastic tubes, crystallized salt on metal [Image description: From the side, we see plastic tubes twist out from underneath the ceramic pieces. Acupuncture needles rise from the ridges of the ceramics and plastic tubes. The glazed surface of the ceramics alternates between the texture of parched earth and the gloss of molten metal.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a8e1d072-c741-4fba-a143-daedeafe3d90/5.jpg Features - One Work: Naomi Nadreau - Make it stand out vacuity detriment where is your head? where is your stomach? (detail), 2023, glazed ceramics, acupuncture needles, plastic tubes, crystallized salt on metal [Image description: Closer up, we can see the ceramic pieces that are layered on top of the metal to form the spinal column of the sculpture. They are mostly glazed a dark brown or black to reveal symbols, lines and segments of the surface. Salt is piled on one end of the piece.] https://www.hereinjournal.org/features/one-work-juan-miguel-cabrera monthly 0.5 2023-02-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/6b206fcf-e8bb-44b2-a164-20344e629a81/break-room-2-Photoshopped.jpeg Features - One Work: Juan Miguel Cabrera - Make it stand out Break Room (2), 2018, watercolor and ink on paper, 30 x 30 in. each https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/a4a23010-a09e-4f87-95bc-6805cd33663c/break-room-2019.jpeg Features - One Work: Juan Miguel Cabrera - Make it stand out Break Room (1), 2018, watercolor and ink on paper, 30 x 30 in. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f4fe9b67-cf58-418e-951b-f1d219b14ec8/Untitled+design+%284%29.png Features - One Work: Juan Miguel Cabrera - Make it stand out Break Room (1 & 2), 2018, watercolor and ink on paper, 30 x 30 in. each [Image description: Two images of the same break room with a small kitchen counter and a table with two chairs. The furniture is lightly outlined and seems to float in the middle of the square picture plane. The image on the left bears a wash of bright yellow and green, and the one on the right a swath of pink and purple.] https://www.hereinjournal.org/features/one-work-the-de-la-torre-brothers monthly 0.5 2023-01-26 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ba1f1567-9698-48f8-aff6-c22be2d89c76/image0+%282%29.jpeg Features - One Work: The De la Torre Brothers - Make it stand out Einar and Jamex de la Torre, Saturnino, 2016, blown glass, lenticular print, resin castings, LED light box 28.5 x 28.5 x 8 in. Photo courtesy La Caja Galería. [Image description: A square light box with orange, red and brown imagery. A blue glass head is affixed to the center of the box.] https://www.hereinjournal.org/features/portfolio-ethan-chan monthly 0.5 2023-01-02 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d9d7b5c3-f319-4dd5-926d-bae9e7af4562/8.jpeg Features - Portfolio: Ethan Chan - Make it stand out The King, 2021, sauce packets, cellophane tape and hanger, 68 x 48 x 2 in. (suit), 8 x 4 1/2 ft. (flag), 4 x 2 ft. (guitar) [Image description: An iconic Elvis costume, a white two-piece suit with a blue cape and red, blue, and yellow decoration, hangs from a wooden hanger against the backdrop of a large, vertically-hung American flag. To the left, a red and black electric guitar with yellow accents is propped vertically on a small shelf. All elements of the scene are made entirely of fast-food sauce packets.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/efa5c490-a3f0-48f4-a14e-4d1e9bf5c113/6.jpeg Features - Portfolio: Ethan Chan - Make it stand out Spidey-Suit, 2021, sauce packets, cellophane tape and hanger, 68 x 48 x 2 in. [Image description: A Spiderman costume made of fast-food sauce packets hangs from a metal hanger. The garment consists of a red and blue long-sleeved shirt and blue pants. A black spider image is in the center of the shirt.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/186da766-d11d-46f7-bce0-a9de5b371ddb/IMG_3143.jpg Features - Portfolio: Ethan Chan - Make it stand out Santa Suit, 2020, sauce packets, cellophane tape and hanger, 67 x 48 x 7 in. [Image description: A Santa suit hangs from a wood hanger. Made entirely of sauce packets, it is red and white with a black belt and yellow buckle.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ecd687ad-01d6-479b-acf3-4ccbcc5f21dd/7.jpeg Features - Portfolio: Ethan Chan - Make it stand out Buzz Aldrin, 2021, sauce packets, cellophane tape and hanger, 68 x 48 x 5 in. Photo: Katie Carmichael. [Image description: A white astronaut suit made entirely of sauce packets hangs from a wooden hanger. On the front of the garment there are eight circular adornments in red, yellow, blue, and silver. On the right sleeve is an American flag patch.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/26d64500-5d87-4f5d-980c-1e9cf6f363b7/Untitled+design+%284%29.png Features - Portfolio: Ethan Chan - Make it stand out Left: State Trooper, 2021, sauce packets, cellophane tape and hanger, 68 x 52 x 5 in. Right: Yankee, 2021, sauce packets, cellophane tape and hanger, 68 x 38 x 3 in. [Image descriptions: Left: A brown state trooper's uniform with long sleeves and pants hangs on a wooden hanger. The garment is made entirely of fast-food sauce packets. There is a yellow star-shaped badge on the right front pocket, two green arm patches on each sleeve of the jacket, and a black belt with holster and yellow buckle. Right: A short-sleeved New York Yankees baseball uniform hangs from a wire hanger. The garment, made entirely out of sauce packets, is silver with bright blue accents on the sleeves, a bright blue belt, and socks. The words "New York" are written across the front of the shirt.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ea292a34-bdfc-46d1-b5db-6fe20f617216/1.jpeg Features - Portfolio: Ethan Chan - Make it stand out Fighting the Loneliness (of Social Displacement), 2021, performance. Photo: Lile Kvantaliani. [Image description: A young man with tan skin, shoulder-length black hair, and glasses stands on a cliff with the ocean and blue sky behind him. He wears a white astronaut suit with red, blue, yellow, and silver details. Though it resembles a garment, the suit is made of fast-food sauce packets.] https://www.hereinjournal.org/features/portfolio-andrew-alcasid monthly 0.5 2023-05-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/69cd4686-1e84-4eb7-9d8e-b882f29c597e/ALCASID_065_IMG7081.jpg Features - Portfolio: Andrew Alcasid - Make it stand out Untitled, 2020, pen and watercolor on paper, 9 in. x 5 in. [Image description: Watermelon cubes in a transparent cup, against a blue background and with a green and yellow drop shadow on the right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/33e08541-8d4b-4906-a028-225f9b468afa/Untitled+design+%284%29.png Features - Portfolio: Andrew Alcasid - Make it stand out Left: 9 19 Sept 2020 (Cut Watermelon); Right: 88 Sat 24 Oct 2020 01:11a-01:52a What is brown? If not purpl or blue? | Color light /= pigment, both 2020, pen and watercolor on paper, 9 in. x 5 in. [Image descriptions: Left: Watermelon cubes in a transparent cup, with a multicolor drop shadow below. Right: Watermelon cubes in a transparent cup, with a dark brown drop shadow below.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1f544c6f-d8cc-4e42-be78-2084e118b169/ALCASID_059_IMG7075.jpg Features - Portfolio: Andrew Alcasid - Make it stand out 58 08 Oct 2020 Late Night “After Oxy” 4/4, 2020, pen and watercolor on paper, 9 in. x 5 in. [Image description: A closeup of watermelon cubes in a transparent cup, with a combination of vibrant jewel-tones and pastels.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/cab1e32a-c191-4073-b3c0-04088adc1cbd/Untitled+design+%284%29+copy.png Features - Portfolio: Andrew Alcasid - Make it stand out Left: 77 Thur 22 Oct 2020 1016p 1120p Bout to take a Zofran | KCRW on; Right: 124 Sat 31 Oct 2020 1112p, both 2020, pen and watercolor on paper, 9 in. x 5 in. [Image description: Left: Watermelon cubes in a transparent cup, against a yellow background and with a double drop shadow, in green and yellow, below. Right: Watermelon cubes in a transparent cup, with pastel colors in the background and drop shadow.] https://www.hereinjournal.org/features/portfolio-taylor-chapin monthly 0.5 2022-10-19 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/49afb1da-278f-4bb6-84cc-09061ccc5cde/Still%2BLife%2Bwith%2BHaribo%2BGoldbears.jpeg Features - Portfolio: Taylor Chapin - Make it stand out Still Life with Haribo Goldbears, 2021, oil on canvas, 20 x 16 in. [Image description: Five ambiguous objects wrapped in floral, harlequin, and checked patterns sit against a black and white chevron backdrop.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e3f3250c-2f69-416b-a000-4e73b18c6f04/IMG_5087%2Bcopy.jpeg Features - Portfolio: Taylor Chapin - Make it stand out Still Life with Charles Shaw Merlot, 2021, oil on canvas, 16 x 12 in. [Image description: A hand in a black-and-white checked glove holds a wine bottle covered in a black-and-white chevron pattern, both in front of a green and red floral backdrop.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/13a7a102-54ec-414f-9747-6756a292589d/IMG_5088%2Bcopy.jpeg Features - Portfolio: Taylor Chapin - Make it stand out Still Life with Organic Banana, 2022, oil on canvas, 16 x 12 in. [Image description: Two hands, wearing pink camouflage gloves, hold a banana covered in a black and white chevron pattern, all in front of a blue camouflage backdrop.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/644d31b7-fc95-4800-b546-417700feb93e/Still+Life+with+KY.jpeg Features - Portfolio: Taylor Chapin - Make it stand out Still Life with K-Y Personal Lubricant, 2022, oil on canvas, 20 x 16 in. [Image description: Seven objects— wrapped in striped, chevron, checked, and polka dot patterns— sit against a black and white chevron backdrop.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c0d6fe07-fe0d-4202-8ee3-2191ca59b0e2/IMG_5079.jpeg Features - Portfolio: Taylor Chapin - Make it stand out Installation view, We Got Here Under False Pretenses, University of California San Diego, La Jolla, CA, 2022 [Image description: A gallery view of a wall covered in a dense black and white pattern. Two small paintings hang in equidistant positions on the wall.] https://www.hereinjournal.org/features/portfolio-michelle-montjoy monthly 0.5 2022-10-11 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/918be2af-b7c4-481b-bc5d-079f78f96eeb/04+athenaeum.jpg Features - Portfolio: Michelle Montjoy - Make it stand out the pit bull licked the baby’s head and scented it with ham, 2015, repurposed t-shirts, installation at the Athenaeum Arts and Music Library, La Jolla, CA. Photo: Jake Hesseltine [Image description: A circular white room with a wood floor and five tall windows on the left. In the center stands a wood table and chairs, a vase of white flowers on the tabletop. Around the room hang nine white, woven sleeves, attached at the top of the walls and draping down onto the floor.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/6ffd0bf9-28e4-4c47-a042-1c1bdc2e3238/far-detail-looking-nw_orig.jpg Features - Portfolio: Michelle Montjoy - Make it stand out Chorus (detail), 2021, repurposed t-shirts and plastic pipe, 13 x 18 x 175 ft. [Image description: Many blue and white trumpet-like, woven forms hang approximately three feet from a white ceiling.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f6e58ea5-122a-4005-b7f8-f4c4c78b3956/05+river.jpg Features - Portfolio: Michelle Montjoy - Make it stand out River, 2016, community workshop at the Oceanside Museum of Art, Oceanside, CA. Photo: Tisha Kawcak. [Image description: Eighteen people congregate around tables in a gallery space. They work together on circular looms on the tabletops, talking and laughing while they weave.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/38f23787-f18f-4dbf-af92-e386410a5d16/14+mm+working+at+linksoul+lab.jpg Features - Portfolio: Michelle Montjoy - Make it stand out Michelle Montjoy working at LinkSoul Lab, Oceanside, CA, 2016. Photo: Geoff Cunningham [Image description: The artist, who has light skin and brown hair, sits at a loom in a gallery space. Long, tubular woven forms hang from the tall ceiling down to the floor, giving the appearance of ethereal trees in a forest.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d0623058-521f-4eb8-a81c-e77d0c1d3c72/08+domesticACTion.JPG Features - Portfolio: Michelle Montjoy - Make it stand out DomesticACTion, 2017, community workshop at Art Produce Gallery, San Diego, CA [Image description: A view from the street through a gallery window. Three people sit at a table, talking intently while they work on a circular loom on the tabletop. One has light skin and wears a leopard print top, while the others have brown skin and wear colorful shirts.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/6ca8e253-0f7e-41eb-b8d5-255a2a2d07e1/img-0959_orig.jpg Features - Portfolio: Michelle Montjoy - Make it stand out Chorus (detail), 2021, repurposed t-shirts and plastic pipe, 13 x 18 x 175 ft. [Image description: A view from below of four of the trumpet-like, woven forms, one blue and three white.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/176a7906-7529-42ff-a2a1-eaf05b6b6816/06+river.jpg Features - Portfolio: Michelle Montjoy - Make it stand out River, 2016, community workshop at the Oceanside Museum of Art, Oceanside, CA. Photo: Tisha Kawcak. [Image description: An inside view of a white, woven structure. A child’s sneakered feet playfully protrude into the form from one side.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8d960957-228a-4bf7-b7c1-672133b10b37/10+breathing+room+ncm.jpg Features - Portfolio: Michelle Montjoy - Make it stand out Breathing Room, 2022, installation at the New Children’s Museum, San Diego, CA [Image description: A blue and white installation in a gray gallery space with a large window on the back wall. Large trumpet-like forms hang from the ceiling. Woven nests hang low to the ground. On the left wall is a mural with two large, woven sweaters affixed to it. A child sits in one of the nests, and another walks through the gallery space.] https://www.hereinjournal.org/features/one-work-janelle-iglesias monthly 0.5 2022-06-13 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0aa3392f-27af-464b-940b-1da0667cc5b6/Iglesias+Archive+11.jpg Features - One Work: Janelle Iglesias - Make it stand out Image from the La Jolla Historical Society archive [Image description: A black and white photograph of four workers planting palm trees in front of a white building. Two of the figures stand in a deep square hole in the ground, one with a jackhammer and the other a shovel.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7922288a-61e3-47dc-980d-ee0fe2e850e2/Iglesias+Archive+10.jpg Features - One Work: Janelle Iglesias - Make it stand out Image from the La Jolla Historical Society archive [Image description: A black and white photograph of a figure holding a jackhammer, standing in a square hole dug in the dirt. A palm tree trunk is visible in the background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/5f893b63-1bbc-483e-b94e-a80dfe90db92/Iglesias+Archive+5.jpg Features - One Work: Janelle Iglesias - Make it stand out Image from the La Jolla Historical Society archive [Image description: A postcard with a color photograph of a row of palm trees in front of the ocean. In the upper right of the image, a 1980s-style font spells “La Jolla” in red.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e8da9441-bf2e-4b07-abb0-5050ec40d190/Iglesias+install+2.jpg Features - One Work: Janelle Iglesias - Make it stand out PALM READING, 2022, mixed-media with scavenged palm tree parts, installation at the La Jolla Historical Society, La Jolla, CA, all photos by Philipp Scholz Rittermann [Image description: A geometric structure made of light-colored wood installed in a room with white walls and sunlight flooding onto the wood floor. Five different palm tree parts are affixed to various points on the structure.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b5c1b40c-add0-4df6-bbbf-a869c9f3ea13/Iglesias+install+6.jpg Features - One Work: Janelle Iglesias - Make it stand out PALM READING (detail), 2022, mixed-media with scavenged palm tree parts [Image description: A closeup shot of two palm parts affixed to the wooden structure.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0205d25a-3727-4cbf-a6a6-3bcac3c91b8a/Iglesias+install+1.jpg Features - One Work: Janelle Iglesias - Make it stand out PALM READING, 2022, mixed-media with scavenged palm tree parts [Image description: A side-view of the installation. Bright sunlight floods through two windows on the back wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ede490fb-8231-4797-8594-0f94da568153/Iglesias+Archive+1.jpg Features - One Work: Janelle Iglesias - Make it stand out Image from the La Jolla Historical Society archive [Image description: A sepia-toned photograph of a small-town street lined with palm trees. Two early automobiles are parked in front of a tavern and a cafe.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/dd5406ce-30c4-4bcc-9700-fe7efb292e14/Iglesias+Archive+4.jpg Features - One Work: Janelle Iglesias - Make it stand out Image from the La Jolla Historical Society archive [Image description: A color postcard with an illustration of a palm tree-lined street, the ocean visible behind it. Black text at the bottom of the image reads, “A Typical Southern California Shoreline Drive.” https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/74a4d8c3-98bc-4ea0-9e4a-a3c2736108a6/Iglesias+Archive+9.jpg Features - One Work: Janelle Iglesias - Make it stand out Image from the La Jolla Historical Society archive [Image description: A black and white photo of a palm tree being lowered by helicopter into an office courtyard. A figure stands in the courtyard to direct the palm tree’s placement.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/be6244ff-bf1d-464b-b731-05a3090dae70/Iglesias+install+3.jpg Features - One Work: Janelle Iglesias - Make it stand out PALM READING (detail), 2022, mixed-media with scavenged palm tree parts [Image description: A closeup shot of three palm parts affixed to the wooden structure.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ee8a0a78-bb9c-42c3-acfc-15c0c3257876/Iglesias+Archive+2.jpg Features - One Work: Janelle Iglesias - Make it stand out Image from the La Jolla Historical Society archive [Image description: A black and white photograph of an ocean shore and horizon. Palm trees line the street at the image’s bottom edge, their shadows falling on their grass behind them.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f9224db5-9dee-433e-9853-e559883a8f3c/Iglesias+Archive+8.jpg Features - One Work: Janelle Iglesias - Make it stand out Image from the La Jolla Historical Society archive [Image description: A black and white photograph of a row of palm trees laid in a row on the ground in an industrial park. A figure bends over one of the palm trees.] https://www.hereinjournal.org/features/portfolio-amel-janae monthly 0.5 2022-05-16 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f882b996-d2d7-4a4a-a95f-a0dddb6c4624/msml_ohfive.png Features - Portfolio: Amel Janae - Make it stand out Strength, 2021, oil on glass, 5 x 3 ft. All photos by Kaidan Pascua. [Image description: A closeup of two body parts folded together. The skin on the figure’s left side is light and changes to a medium-dark color on the right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b1db81b3-16bd-40d2-bcf7-eecf1d0553cf/Untitled+design+%284%29.png Features - Portfolio: Amel Janae - Make it stand out Left: Relief, 2021, oil on glass, 5 x 3 ft.; Enough, 2021, oil on glass, 5 x 3 ft. [Image descriptions: Left: A closeup of a figure’s waist— horizontally oriented as if they are laying on their side— occupies most of the image. The figure has light skin and folds of fat at the waist. A portion at the top of the image is left blank with a gray background. Right: An expanse of skin occupies most of the image, its edge curving upward to the left and leaving a glimpse of gray background in the upper right of the image. The skin is light with brown spots and a larger dark portion on the lower right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d7b3f15b-789b-444d-beb2-331d304f30f6/msml_ohfour.png Features - Portfolio: Amel Janae - Make it stand out Worth, 2021, oil on glass, 5 x 3 ft. [Image description: A closeup of two body parts folded together. The figure’s skin is a light-medium color and numerous short, light lines are visible on the right side.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/554a7b8e-6c4e-4118-847c-820de24c1852/Untitled+design+%284%29+copy.png Features - Portfolio: Amel Janae - Make it stand out Left: Linger, 2021, oil on glass, 5 x 3 ft.; Burden, 2021, oil on glass, 5 x 3 ft. [Image descriptions: Left: A closeup of a person’s upper back. Their skin is light with brown spots. The lower portion of the figure is in shadow. Right: A closeup of a medium-dark skinned figure’s torso bent forward. Negative space at the image’s center is framed by their undulating stomach, upper leg, and elbow resting on their leg.] https://www.hereinjournal.org/features/portfolio-sage-serrano monthly 0.5 2022-02-18 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ed7113c4-1588-46f9-bd2a-1d1082702878/workaroundthework_serranosage.jpg Features - Portfolio: Sage Serrano - Make it stand out Work Around the Work, 2021, mixed media installation [Image description: A collection of found paper, handmade paper studies, folded paper, drawings and sculptural studies hang from binder clips and pins on a white wall. The paper is in shades of white, cream, tan, and ochre. Some pieces overlap, while others are placed closely beside each other against the wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/04f86fda-e58b-48d8-b2e2-17c284ee0997/Somethingthatis_SSerrano.png Features - Portfolio: Sage Serrano - Make it stand out Something That Is, 2021, tissue paper, thread, binder clips, 37 x 27 1/2 in. [Image description: A sculpture made of rows of squares of tan paper sewn together. The squares form a grid five wide and eight long. Hanging from binder clops at the top. the sculpture folds gently away from the wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/819c3434-030b-4928-ae81-1e6d4c51bd40/Infold_serrano.jpg Features - Portfolio: Sage Serrano - Make it stand out Infold, 2020, cardboard, copper, nails, kraft paper, conte crayon, and graphite on wood panel, 19 x 22 in. [Image description: A piece of kraft paper is folded into a grid. The folds in the grid crumple and ripple, attaching to the wall at various points to allow the cardboard to stand away from the wall in relief. In four central squares of the grid, shading made with graphite and conte crayon draw attention to the texture of the cardboard.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/499b8099-c2c9-449a-b20e-724614b12b21/Untitled_SageSerrano.jpg Features - Portfolio: Sage Serrano - Make it stand out Untitled, 2019, copper and patina on handmade paper, 11 x 9 in. [Image description: Brown paper hangs from a clip on a white wall. It is folded to create a rippled topography. Copper stains and oxidizes into turquoise pools, seeping into the cervices of the paper.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/bff9c3ac-f1cd-4df1-a1ab-1b9cf456b885/Gallegos_serranosss.jpg Features - Portfolio: Sage Serrano - Make it stand out Gallegos, 2017, graphite on repurposed cardboard, 30 x 24 in. [Image description: A flat piece of found cardboard that shows signs of wear. The top third of the cardboard is smooth, the center is torn with corrugation exposed, and the bottom third contains a graphite drawing of a figure. Their face slips under the corrugation, hiding their eyes.] https://www.hereinjournal.org/features/one-work-kline-swonger monthly 0.5 2022-02-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/532cd63f-9665-4b5f-b947-1d88726d8135/1.jpg Features - One Work: Kline Swonger - Make it stand out A Place Called Home (detail), 2021, cast concrete and soil [Image description: Numerous doorknobs, of various shapes and sizes, are fixed to a white wall via metal skewers. The doorknobs are made of mixed white and brown materials. Light from above casts shadows in the shape of elongated doorknobs onto the wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4d36eef1-532d-4505-8fda-e24964dc7a68/Image+5.jpg Features - One Work: Kline Swonger - Make it stand out A Place Called Home, 2021, cast concrete and soil [Image description: The installation, housed in a white square frame, viewed directly from the front. The doorknobs make the approximate shape of a horizontal letter ‘S’. Two electrical outlets are positioned on the wall directly below the framed work.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9bef2cc6-52d4-4541-be57-7597cbc16fae/Image+2.JPG Features - One Work: Kline Swonger - Make it stand out A Place Called Home, 2021, cast concrete and soil, installed at the San Diego International Airport [Image description: The work, in a plexiglass display case, installed at the airport. Overhead lights reflect in the plexiglass and on the marble floor below. A hallway extends beside the display on the left. A sign to the right of the installation reads “Introducing Kline Swonger.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c7d7b542-df8e-46aa-9cfb-56c88fa283c3/Untitled+design+%284%29.png Features - One Work: Kline Swonger - Make it stand out A Place Called Home (details), 2021, cast concrete and soil [Image descriptions: Two close-ups of the installation. The doorknobs appear to be made of crusted white material, mixed with brown and reddish-orange substances. These materials give them the look of erosion or rusting.] https://www.hereinjournal.org/features/portfolio-brianna-rigg monthly 0.5 2022-01-24 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1a8d967a-157e-4f49-9b8a-aff1699c52f4/Blues+2.png Features - Portfolio: Brianna Rigg - Make it stand out Blues in the Blender, 2017, mixed media installation [Image description: Brightly colored objects packed thickly together in a gallery space. Recognizable objects include hay bales, a red beach chair, a gray planter, and orange flags.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/750d712c-8c20-4636-9392-4dae9d4e60a6/Ez+up+2.png Features - Portfolio: Brianna Rigg - Make it stand out E-Z Up, 2016, mixed media installation [Images description: A closeup of the same installation. The objects balanced together include a gray lawn chair, maroon Venetian blinds, and a fishing net, among others.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/57e66609-ec4a-4e29-964a-279927e6f849/Ez+up+1.png Features - Portfolio: Brianna Rigg - Make it stand out E-Z Up, 2016, mixed media installation [Image description: A free-standing, brightly colored installation in a warehouse-style room. It spreads across the floor, bending poles creating a seemingly improvisational structure for various objects.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ea276f1f-822c-4ad4-a568-3fa9df71aed1/Victory+2.png Features - Portfolio: Brianna Rigg - Make it stand out After the Victory Dance, 2015, mixed media installation, Helmuth Projects, San Diego [Image description: The same installation viewed from a different angle. From this perspective, multiple human figures and a toy tiger’s bust are visible.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3ce6caff-7327-461f-b847-bfdd2c174481/Blues+1.png Features - Portfolio: Brianna Rigg - Make it stand out Blues in the Blender, 2017, mixed media installation [Image description: An installation filling a room with white walls and a gray floor. It is dense with brightly colored materials, some looking like scraps and others— such a a beach chair and a balloon— recognizable objects. The whole installation has an energetic, slightly chaotic feel.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/aba10799-7085-4f46-ae14-9672444c5b74/Victory+1.png Features - Portfolio: Brianna Rigg - Make it stand out After the Victory Dance, 2015, mixed media installation, Helmuth Projects, San Diego [Image description: An installation in a gallery with white walls and a blue floor. The installation runs across the floor, up the walls, and in ceiling corners. It includes streamers, bending poles, confetti, scraps of material, and various idiosyncratic objects.] https://www.hereinjournal.org/features/one-work-kaori-fukuyama monthly 0.5 2022-01-03 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9828593f-6bee-4c5e-a482-fb22398b64ef/Shape+of+Memory_Detail.jpg Features - One Work: Kaori Fukuyama - Make it stand out Shape of Memory (detail), 2021, acrylic gel, fabric, photographs, clear cords, light, 144 x 60 x 60 in. [Image Description: A closeup of the installation. A cluster of several old photographs— in black and white, sepia, and dark pinkish purple— depict the North Park neighborhood in faint images.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ee579447-be94-409f-9ff2-6435aefcefff/Shape+of+Memory_144x60x60_Fukuyama1.jpg Features - One Work: Kaori Fukuyama - Make it stand out Shape of Memory, 2021, acrylic gel, fabric, photographs, clear cords, light, 144 x 60 x 60 in., installation at Art Produce gallery, San Diego. [Image Description: A construction made of white, translucent panels is suspended in a dark gallery space in a circular and staggered pattern. A white light is hidden in the center, which makes the sculpture glow and cast shadows on the concrete floor.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8760c68d-80ed-42bb-a5b0-184639b1bebd/Shape+of+Memory_above.JPEG Features - One Work: Kaori Fukuyama - Make it stand out Shape of Memory (detail), 2021, acrylic gel, fabric, photographs, clear cords, light, 144 x 60 x 60 in. [Image description: A view of the installation, looking down from above. Photographs hang from cords and are clustered in a circle around a hanging lightbulb.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/51ebc0e9-72af-4878-a815-f453189c8007/Shape+of+Memory_Shadow2.jpg Features - One Work: Kaori Fukuyama - Make it stand out Shape of Memory (detail), 2021, acrylic gel, fabric, photographs, clear cords, light, 144 x 60 x 60 in. [Image description: A circular pattern of shadows on the concrete floor of the gallery.] https://www.hereinjournal.org/features/portfolio-bilal-mohamed monthly 0.5 2021-11-10 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/078b8431-abd1-4ff4-99ec-9dea95e77fed/Winter-Square.jpg Features - Portfolio: Bilal Mohamed - Make it stand out Winter (I’m telling you stories. Trust me.), 2021, gel transfer and oil pastel on naturally-dyed raw Turkish cotton, 30 x 20 in. [Image description: A four-panel collage featuring predominantly black and white tones with hints of pink and blue. Figures in black appear at the top of the piece, while a figure riding a bicycle enters the image from the right. On the left, a woman in a crowd looks over her shoulder. Hand-written cursive in the middle and bottom right reads, "I'm telling you stories. Trust me."] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7029fcab-c457-4424-8afc-ad4826d37715/Spring-Square.jpg Features - Portfolio: Bilal Mohamed - Make it stand out Spring (I can’t keep myself from evil), 2021, gel transfer and oil pastel on naturally-dyed raw Turkish cotton, 30 x 20 in. [Image description: A geometric collage featuring green tones with flecks of red and blue. Several sections of the collage are ripped in texture. Top center is a large image of a woman’s head. A hand in front of her offers a cigarette. Her eyes are censored with a red rectangle.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e4266ff5-e64e-49aa-a294-4e464c0ff8bd/Autumn-Square.jpg Features - Portfolio: Bilal Mohamed - Make it stand out Autumn (If they die by dawn... find me weeping in the moonlight.), 2021, gel transfer and oil pastel on naturally-dyed raw Turkish cotton, 30 x 20 in. [Image description: A collage of muted tones sectioned into various-sized squares. Flashes of blue and yellow disrupt the composition. Three faces appear across the collage, their eyes censored by yellow rectangles.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ce4f3269-1d2c-416f-bbd6-150338250e7f/Summer-Square.jpg Features - Portfolio: Bilal Mohamed - Make it stand out Summer (As seasons change...), 2021, gel transfer and oil pastel on naturally-dyed raw Turkish cotton, 30 x 20 in. [Image description: A collage of geometric shapes and warmer tones. Two figures— a copy of the same man smoking— feature in the top center. One wears a red, patterned shirt and the other’s shirt is covered in writing. Their eyes are censored with blue rectangles. Beneath their image is a typewriter on a stool.] https://www.hereinjournal.org/features/one-work-kevin-vincent monthly 0.5 2021-10-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2d9ea684-597d-4f9b-b9b9-4b572ae8f22b/OMA+Vincent+210304+021-2.jpg Features - One Work: Kevin Vincent - Make it stand out Growth, 2021, wood and rope, 8 x 9 ft., photo: KOCT Television. [Image description: The same installation, photographed from a different angle, the tree trunk obscured behind the rope. Another sculpture— part of a tree wrapped in rope— is visible sitting on the floor in the right corner of the gallery.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/937c373c-2fe0-4bfc-8e59-560a4bc5d217/IMG_5120.jpeg Features - One Work: Kevin Vincent - Make it stand out Growth (detail), 2021, wood and rope, 8 x 9 ft., photo: Marcos Duran. [Image description: A close-up of a tuft of rope emerging from the tree’s trunk.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4608e820-1ac2-446e-91a0-0ca7bfed6193/OMA+Vincent+210304+011.jpg Features - One Work: Kevin Vincent - Make it stand out Growth, 2021, wood and rope, 8 x 9 ft., photo: KOCT Television. [Image description: An installation in a gallery with white walls and gray tile floor. A tree trunk, appearing to grow from the floor, bends to the right. Thin branches extend from the trunk. Strands of tan-colored rope drape down from the branches.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/fb085db9-7581-41a4-8935-aa1336d818c8/IMG_5106.jpeg Features - One Work: Kevin Vincent - Make it stand out Growth (detail), 2021, wood and rope, 8 x 9 ft., photo: Marcos Duran. [Image description: The ends of the rope resting on the gray floor. Overhead lighting creates intricate shadows on the tile.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e0fffb7f-eb7a-407c-a466-38438a2092e1/OMA+Vincent+210304+018.jpg Features - One Work: Kevin Vincent - Make it stand out Growth (detail), 2021, wood and rope, 8 x 9 ft., photo: KOCT Television. [Image description: A close-up of the curtain of thin, wavy rope tied to the tree’s branches.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ed7bab24-0593-44bb-9b81-d36395e9a778/IMG_5101.jpeg Features - One Work: Kevin Vincent - Make it stand out Growth (detail), 2021, wood and rope, 8 x 9 ft., photo: Marcos Duran. [Image description: A close-up of thicker rope wrapped around the top of the tree trunk, binding the thin branches to the trunk.] https://www.hereinjournal.org/features/portfolio-adam-belt monthly 0.5 2021-10-04 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1632782191108-XWM2CUY8LNOYOZY4XRL2/Belt_Transfigured.jpeg Features - Portfolio: Adam Belt - Make it stand out Transfigured Stone, 2013, rose quartz, reflective paint, light, 17 x 27 x 18 in., photo: Philipp Scholz Rittermann. To see video of the installation, click here. [Image description: A craggy chunk of glowing rose quartz sits on a gray floor.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1632774959404-YRB9NNB819FQYL9AYJ0I/Belt_Seduced.jpeg Features - Portfolio: Adam Belt - Make it stand out You Seduced Me and I was Seduced, 2013, wood, paint, epoxy, glass microbeads, light, 80 x 80 in., photo: Philipp Scholz Rittermann. [Image description: A square painting in bluish-gray hung on a white wall. In the center is a ring of light, which appears to be projected from an upright lamp in front of the painting.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1632782267745-HII09AQ64VN84KLVENG8/Northward.jpeg Features - Portfolio: Adam Belt - Make it stand out Northward, 2019, light from the northern part of the sky, SOLATUBE, scrim, paint, 41 x 41 in. [Image description: A ghostly image appears on the wall, with a clearly defined central circle that is brightest surrounded by a gradient of light fading off into the color of the wall.] https://www.hereinjournal.org/features/portfolio-siobhn-arnold monthly 0.5 2021-09-21 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1632241297259-1ALZL0CN312DW6PWBLYN/MagdaleneJewels.jpeg Features - Portfolio: Siobhán Arnold - Make it stand out Mary Magdalene Removing Her Jewels, 2010, archival pigment print, 44 x 30 in. [Image description: A velvety blue dress floats at the center of the image, as though a person is standing with their arm stretched upward. Beneath it is a broken pearl necklace and scattered pearls. On the right is a table with an orange cloth draped over it.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1632156538756-SRX9KAHFJ30R5ADI8C7V/Copy+of+SArnold_marthamary.jpg Features - Portfolio: Siobhán Arnold - Make it stand out Martha and Mary, 2010, archival pigment print, 32 x 40 in. [Image description: In the lower left corner, soft copper fabric curves as though it were covering the arm of a seated person. A shining red silk curls in the center of the space, shaped like a bent arm. To the right, a forest green fabric drapes from the highest point and falls to rest on the table.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1632156387109-EB4CLXJM2CR2B19T4FHL/Copy+of+SArnold_MelancMagdalene.jpg Features - Portfolio: Siobhán Arnold - Make it stand out The Melancholic Magdalene, 2010, archival pigment print, 40 x 32 in. [Image description: An elegant gold and white dress forms the silhouette of a sitting woman. A shiny golden sash drapes over an empty space as though a body were there.] https://www.hereinjournal.org/features/portfolio-tyler-young monthly 0.5 2021-09-09 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628542325138-8DQ831Y0RUBD4MTIYW70/Tyler+Young_Torn_180.jpg Features - Portfolio: Tyler Young - Make it stand out Torn, 2021, Cone 6 Stoneware, crawl glazes, iron stains, underglaze, and found objects, 14 x 7 x 1 in. [Image description: A rectangular white ceramic slab with a horizontal slice extending almost entirely through its middle. Decorated with thin yellow and black glaze in parts, the surface bears logs of crackled material, circle markings, and one circular cutout in the top left corner. Through that hole is threaded a ball chain necklace with a plastic mushroom charm on it.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628542015353-02GE1Q3QKLYT1SU5O1Q6/Tyler+Young_Wooden+Necklace_180.jpg Features - Portfolio: Tyler Young - Make it stand out Wooden Necklace, 2020, wood, fabric, acrylic paint, copper, and string, 23 x 17 x 1 in. [Image description: A wood structure— lightly painted in white and yellow— in the shape of a frame. A section in the center of the top bar is missing, and the two ends are linked by a chain, fastened with bronze hardware. White string is wrapped around the frame’s top right corner. From the bottom left corner hang two small metal piece, tied on with white string.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628542064810-0LT38CKQ4YXQWWTPLMF6/Tyler+Young_Hydration_180.jpg Features - Portfolio: Tyler Young - Make it stand out Hydration, 2021, Cone 6 Stoneware, crawl glazes, iron stains, and underglaze, 7 x 5.5 x 1 in. [Image description: A rectangular white slab of ceramic with an uneven bottom edge. The surface bears brushy marks in blue, black, yellow, and orange, with some crackled texture applied. There are three holes cut through: two at the top and one at the bottom. The hole at the top left and the one at the bottom have a lip around them that projects out from the surface.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628542396399-FA29VN7LFO9MCR5XY52L/Tyler+Young_Asexual+Dreams_180.jpg Features - Portfolio: Tyler Young - Make it stand out The things that were hard to remember, 2021, copper, acrylic gemstone, sheet acrylic, wood, string, tape, and oil painting on stretched canvas, 25 x 16 x 2 in. [Image description: A painting in brushy shades of blue, purple, and green. It is divided into a grid and each square has a circle in it. On the left, the painted silhouettes of a cluster of jars are visible, and on the right is an abstract shape that looks like a hand or plant leaf. Geometric metal hardware is affixed to various areas of the painting, from which hangs white and silver yarn. A length of canvas the same colors as the painting dangles like a necklace below the edge of the painting.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628542290170-E5HYLLGCNMP3B303XWBI/Tyler+Young_Odd+One+Out_180.jpg Features - Portfolio: Tyler Young - Make it stand out Odd One Out, 2020, Cone 6 Stoneware, copper, wood, tape, and oil painting on stretched canvas, 12 x 16 x 3 in. [Image description: A loose, brushy painting of a still life with three vessels in yellow, black, blue, brown, pink and white. Toward the right side is a three-dimensional element that looks partly like a vessel and partly like a section of human spine. Wrapped around what would be the vessel’s handle is a length of white yarn, a loop of which hangs down past the painting’s edge.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628542244914-7A9RY5ASXT02G0UV722P/Tyler+Young_The+times+when+we+pretended+things+were+normal_180.jpg Features - Portfolio: Tyler Young - Make it stand out The times when we pretended things were normal, 2020, wood, copper, string, and oil painting on canvas, 17 x 14 x .5 in. [Image descriptions: Two entwined lengths of yarn, one white and one silver, are hung from a single point. On the end of each side hang pieces of cobbled-together wood, newspaper, canvas, and metal. They look simultaneously dirty and delicately refined.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628541940912-W0GLC8HAIYJAJVYI1VUQ/Tyler+Young_Untitled+Ring_180.jpg Features - Portfolio: Tyler Young - Make it stand out Untitled Ring, 2021, Cone 6 Stoneware, crawl glazes, iron stains, acrylic gem, copper, and brass, 2.5 x 2.5 x 1.5 in. [Image description: A hand with medium-light skin wears a large ring on its middle finger. The ring is a diamond-shaped flat surface covered in a crackled brown and yellow substance. In the top corner, a blue gem is set on a deep red surface.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628542200258-YQAKAK4VC3A34DX2AAA5/Tyler+Young_Makeshift+Connections_180.jpg Features - Portfolio: Tyler Young - Make it stand out Makeshift Connections, 2021, wood, copper, string, and acrylic and oil painting on canvas, 16 x 12 x 1.5 in. [Image descriptions: A brushy abstract painting in yellow, gray, orange, and black. A large arc of black paint is placed prominently in the upper left. Below it, the canvas appears to come off the painting’s wooden frame, and is built up into three dimensions with elements in wood, metal, and glass. Pieces of yarn hang and connect two intricate objects that look partly like jewelry and partly like machinery.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628542156350-WRAN4ET3S7GVTDZQ4Z2W/Tyler+Young_Badges_300.jpg Features - Portfolio: Tyler Young - Make it stand out Badges, 2019, brass, overglaze, and enameled copper, 9 x 8 x .5 in. [Image description: Two circular objects placed side by side, connected by a low-hanging chain. The object on the left is a circle painted in red and blue, affixed on top of a thin, rectangular metal frame. The object on the right is a crumpled rectangle, painted in blue and orange, affixed to a thin, circular metal frame.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628542367248-SMYHSAJS4SBZI76M4XZB/Tyler+Young_The+things+that+were+hard+to+remember_180-+Tyler+Young.jpg Features - Portfolio: Tyler Young - Make it stand out Asexual Dreams, 2021, copper, wood, tape, and oil painting on stretched canvas, 12 x 12 x 3 in. [Image descriptions: A painted still life— featuring a piece of cake and an ice cream sunday— on a gridded field of purple, blue, green, and black. On the right are two metal sculptural elements. At the top is a curved form, like a bridge, and extending beneath it is a shape that looks like the outline of a cartoon hand or plant leaf. The whole work is tilted askew against the white background.] https://www.hereinjournal.org/features/portfolio-perry-vasquez monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627232724886-AMWEUVILLLVOXORS8GQ7/La-Jolla_shores_palm_opt.jpg Features - Portfolio: Perry Vasquez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626279670517-6W3W6Z8CX06O5F46LOSR/MG_2027_opt.jpg Features - Portfolio: Perry Vasquez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627233270037-9NJOHKMQZK2CJ00MCFP0/palm_collect.jpg Features - Portfolio: Perry Vasquez - Make it stand out Flaming Palm Tree, 2016, oil on canvas, 30 x 30 in. [Image description: A palm tree against a blue sky. The palm’s fronds are burning with billowing orange flames while smoke rises upward.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626279695125-LRES2DO1LG1FISQE7FNG/sorrento_valley.jpg Features - Portfolio: Perry Vasquez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626279709909-8RLPZZO0F7RB4OTHIZYH/Navajo.jpg Features - Portfolio: Perry Vasquez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626279734894-UMQP19TOSZI07MO6SA3V/pauwai.jpg Features - Portfolio: Perry Vasquez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1626279547597-47IYDSGOB8E59M81IVPZ/WARMTH_OF_THE_SUN_opt.jpg Features - Portfolio: Perry Vasquez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/features/portfolio-john-brinton-hogan monthly 0.5 2021-06-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1622129315402-ED3APSKJ87UY5QQBKVH7/JBHogan_Herein_02.jpg Features - Portfolio: John Brinton Hogan - Make it stand out Artist and Sons on Cliffs Near Watson’s Bay, NSW, Australia, Exact Date Unknown, Probably Winter, 2003 (Orange with Green and Yellow Glitter Flocking), 2017, pigmented ink, glitter, and acrylic paint on cotton rag paper, 40 x 49.75 in., Unique [Image description: A faint landscape emerges from a bright orange image. A green, silhouetted human stands in the center, and three smaller figures sit on the ground. ] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1622129907723-TJ0MWISRI20Z7XF8E52Y/JBHogan_Herein_04.jpg Features - Portfolio: John Brinton Hogan - Make it stand out Climber on the Ascent, Palo Verde Mountains Wilderness Area, near Blythe, California, Autumn 2013 (Chocolate with White Glitter Flocking), 2014, pigmented ink, glitter, and acrylic paint on cotton rag paper, 21 x 20 in., Unique [Image description: A mountainous landscape in dark brown and black. A small white, silhouetted figure appears to be heading up the mountain. ] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1622130031441-AYRO48HXW9NFKZ7QHFKR/JBHogan_Herein_05.jpg Features - Portfolio: John Brinton Hogan - Make it stand out Artists at Tinajas Atlas, El Camino del Diablo, Barry M. Goldwater Range, Arizona, March 2014 (Dark Green with Red Glitter Blisters), 2015, pigmented ink, glitter, and acrylic paint on cotton rag paper, 13 x 34 in., Unique [Image description: A mountainous landscape in dark green and black. Pink silhouetted figures, in various standing and seated poses, appear on the left and right slopes of a valley in the foreground.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1622129266023-SY1OVSLOJQC71RR4BY26/JBHogan_Herein_01.jpg Features - Portfolio: John Brinton Hogan - Make it stand out Recreational Hikers Near the Summit of Ghost Mountain, Anza-Borrego Desert State Park, California, November 2017 (Black, Turquoise, Brown, Red, and Orange with Gold Pearl and Glitter Blisters), 2019, pigmented ink, glitter, pearlescent pigment, and acrylic paint on cotton rag paper, 42 x 64 in., Unique [Image description: A brown desert landscape with an orange sky. Five yellow human silhouettes stand in the landscape. The one on the far right points their finger into the distance.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1622129728224-XFIW32FP38MZ34HS0F5L/JBHogan_Herein_03.jpg Features - Portfolio: John Brinton Hogan - Make it stand out A Group of Artists Stopped at the Intersection of Two Dirt Roads, North of Lucin, Utah, July 2014 (Pale Rainbow with Black and Red Glitter Crusts), 2019, pigmented ink, glitter, and acrylic paint on cotton rag paper, 26 x 36 in., Unique [Image description: A barren landscape with a light yellow ground and pastel-colored sky. In the center of the image is a black silhouetted pickup truck with five red figures standing around it.] https://www.hereinjournal.org/features/one-work-joshua-moreno monthly 0.5 2021-04-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1616265875279-GBJK8QEFL2QGH7XR1VUX/IMG_0462.jpg Features - One Work: Joshua Moreno Structure of Things (detail), Photo: Michael James Armstrong [Image description: A close-up view from above of a long metal object extending over the red brick floor.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1616266061549-WIJGJ4KVWNO4LR7NLM9O/IMG_2759.jpeg Features - One Work: Joshua Moreno Structure of Things (detail), Photo: Joshua Moreno [Image description: Another close-up, side view of the installation.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1616267022512-K5LAKFJB4G35C76DORS0/IMG_2827+copy.jpeg Features - One Work: Joshua Moreno Structure of Things, 2020, mixed media installation, Ice Gallery, San Diego. Photo: Joshua Moreno [Image description: A wide view of the installation in the gallery, from the perspective of the viewer crouching down.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1616266152581-1JEN44JSSGYUS8A2I939/IMG_2766.jpeg Features - One Work: Joshua Moreno Structure of Things (detail), Photo: Joshua Moreno [Image description: A close-up view from above of a section of the installation with small white objects arranged on wood strips.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1616266601757-D1Y19VJZPGCEHLXF34CU/IMG_0476+copy.jpg Features - One Work: Joshua Moreno Structure of Things, 2020, mixed media installation, Ice Gallery, San Diego. Photo: Michael James Armstrong [Image description: A view of the installation from above. It is arranged in a tidy rectangle and straddles two different flooring materials: concrete on the left and red brick on the right. From this view, we see the intricate order to its composition, all parallel lines, criss-crossing diagonals, and squares. It is made up of slim pieces of metal and wood, photographic sides, empty film reels, cardboard tubes, metal machinery parts, lights, rocks, and plant material. Together, they create a palette of brown, gray, silver, and white, with hints of green.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1616696424476-S186KE6FUTL0KEFP7LEB/IMG_0326.jpg Features - One Work: Joshua Moreno Structure of Things, 2020, mixed media installation, Ice Gallery, San Diego. Photo: Michael James Armstrong [Image description: A floor-bound installation in a gallery space. The room has white walls and an arched window on the right. The back wall bears a layered gray drawing, which mirrors the window. The installation, which occupies a rectangular space on the floor, is made up of a dense assortment of small items: slender pieces of wood, tubes, pebbles, and many other bits and bobs.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1616265709282-GZZEOPE5TEVSPNBKJ01E/IMG_0466.jpg Features - One Work: Joshua Moreno Structure of Things (detail), Photo: Michael James Armstrong [Image description: A close-up view, slightly from above, of the installation’s center.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1616266210249-XPIP05CO6KG43X02VCJL/IMG_0332.jpg Features - One Work: Joshua Moreno Structure of Things (detail), Photo: Michael James Armstrong [Image description: A close-up view, slightly from above, of a section with red tiles, wood, and plant material.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1616266282699-BOFAMTI8Y37DN425YU59/IMG_0463.jpg Features - One Work: Joshua Moreno Structure of Things (detail), Photo: Michael James Armstrong [Image description: A view from above of one corner of the installation, which extends into the image from the top edge.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1616265797099-5DW4WR5DJVXIWO6ROL28/IMG_0540.jpg Features - One Work: Joshua Moreno Structure of Things (detail), Photo: Michael James Armstrong [Image description: A close-up, side view of the installation.] https://www.hereinjournal.org/features/one-work-max-lofano monthly 0.5 2021-03-08 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1614985962996-ZVL143VVPRI8RQC4UQ1E/IMG_9641.jpg Features - One Work: Max Lofano Ray, 2020, installation, Art Produce Gallery, San Diego. [Image description: A view from inside the gallery looking directly at the installation from the side. The right side of the gallery is darkened, and white lines run horizontally toward the glass wall on the left, where they are illuminated by light.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1614986006416-UTMMW00DVJB5G91Y9H3I/IMG_9583.jpg Features - One Work: Max Lofano Ray, 2020, installation, Art Produce Gallery, San Diego. [Image description: A view of the installation from the back of the gallery. White lines run horizontally from the left of the image and intersect with the glass wall.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1614985810953-OWSP9Q0DP8SMKC1Y7JVZ/IMG_9646.jpg Features - One Work: Max Lofano Ray, 2020, installation, Art Produce Gallery, San Diego. [Image description: An outside view of a street-front gallery with glass doors on the right and a large window on the left. A thick mass of glowing lines appears to beam out from the back of the darkened gallery and attach to the window.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1614986032868-8NRO6S2I592ZBFNEFX4C/IMG_9309.jpg Features - One Work: Max Lofano Ray, 2020, installation (detail), Art Produce Gallery, San Diego. [Image description: White lines on a black background. The lines all emerge from a central point and seem to come toward the viewer. Six of the lines attach to small, transparent suction cups.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1614985903421-BM84O7MEKB5G6NEFMJFQ/IMG_9655.jpg Features - One Work: Max Lofano Ray, 2020, installation, Art Produce Gallery, San Diego. [Image description: A view looking at the installation from the left of the gallery front.] https://www.hereinjournal.org/features/neil-kendricks-on-strange-fruit monthly 0.5 2021-04-23 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611600591450-YL59RQPFQVA5WGV163FH/Strange+Fruit+%28Prayer+for+Jacob+Blake%29_KENDRICKS.jpg Features - Neil Kendricks on Strange Fruit Strange Fruit (Prayer for Jacob Blake), 2020, mixed media drawing, 25 x 17 in. [Image description: A portrait of a man, who has a mustache, in black and gray. The image is drawn on a shooting range target.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611600453800-UJA5PP254I50AGETCQC8/Strange+Fruit+%28Study+for+Portrait+of+George+Stinney+Jr+in+Color%29_KENDRICKS.jpg Features - Neil Kendricks on Strange Fruit Strange Fruit (Requiem for George Stinney Jr in Color), 2020, mixed media drawing, 25 x 17 in. [Image description: A portrait of a teenager’s face in black and brownish orange, looking directly at the viewer. Overlaid on top of the left side of the face is another portrait, in profile, in black and gray. The images are drawn on a shooting range target— a black human silhouette with a bullseye on its head and chest. In the upper right corner of the page is printed, “Target to be fired at 50 feet.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611600683002-688KJHSIHUM9PHBMS93H/Strange+Fruit+%28Portrait+of+Weeping+Woman%29_KENDRICKS.jpg Features - Neil Kendricks on Strange Fruit Strange Fruit (Portrait of Weeping Woman), 2020, mixed media drawing, 25 x 17 in. [Image description: A portrait of a woman’s face in black and gray. She looks to the right with a sorrowful expression. The image is drawn on a shooting range target.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611600537625-949E3TDAQSYJFSWN5BIV/Strange+Fruit+%28Requiem+for+Breonna+Taylor%29_NEIL+KENDRICKS+copy.jpg Features - Neil Kendricks on Strange Fruit Strange Fruit (Requiem for Breonna Taylor), 2020, mixed media drawing, 25 x 17 in. [Image description: A portrait of a woman’s face in black and gray, looking directly at the viewer. The image is drawn on a shooting range target.] https://www.hereinjournal.org/features/one-work-manny-farber monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1609375954526-40EIFN47XDXTLI6PI8A1/Farber+detail+5.png Features - One Work: Manny Farber From the Mid-Eighties (detail), 1985, oil and acrylic on board [Image description: A white vase with yellow flowers sits at the top of the image. Scraps of paper, notepads, lengths of masking tape, matchbooks, a green apple, green squash, and small toys of a person and a house are strewn across the magenta background. In the lower right corner is a blue vase, from which three green plant stems protrude.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1609374782812-468FAIM35P5KOU4AVAGV/MF-From+the+Mid-Eighties%2C+1985+%281968.1%29+copy.jpg Features - One Work: Manny Farber From the Mid-Eighties, 1985, oil and acrylic on board, 96 x 192 in. [Images description: The background is divided into four vertical sections, each one a flat field of green, yellow, gray, and magenta. Densely scattered across the surface are renderings of domestic objects, such as books, scraps of paper, food, and flowers in vases. The viewer’s vantage point is as if looking down from above.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1609375868410-5CR45DFLG54QZ2J4FXDM/Farber+detail+4.png Features - One Work: Manny Farber From the Mid-Eighties (detail), 1985, oil and acrylic on board [Image description: The right third of the painting’s background is gray, while the left two-thirds are yellow. At the top of the image, a microphone rests on an orange towel. Below it are potted succulents, an eggplant resting on a notebook, red candy spilling from its open box, and a copy of Art in America with a small toy elephant walking across it. In the lower left corner, we see the top of a white vase, from which three green plant stems stretch across the image.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1609375788830-A563VXP9OOKXSIJ0BI12/image-asset.png Features - One Work: Manny Farber From the Mid-Eighties (detail), 1985, oil and acrylic on board [Image description: On a Kelly green background, yellow flowers burst forth from a white vase, while scraps of yellow, blue, and red paper litter the surface. One reads “Tina Turner,” and another reads “Byrne.” Beneath the objects, two white lines extend horizontally into the image from the top right corner.] https://www.hereinjournal.org/features/one-work-vicki-walsh monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1603659382543-LEQM4XZLG2BT76T6FEO3/Mom+Mary.jpg Features - One Work: Vicki Walsh Vicki Walsh, Mom Mary, 2020, oil and graphite on panel, 24 x 32 in. [Image description: A photorealistic depiction of a woman’s face. She has hazel eyes and light skin lined with wrinkles. A nasal cannula is draped across her cheekbones and inserted into her nose.] https://www.hereinjournal.org/features/one-work-tessie-salcido-whitmore monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1600987790766-KELAZAYMIAY9SK1PFI1W/009.jpg Features - One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation (detail) [Image description: A view looking down on a light in the shape of Yoda wearing a Santa hat, attached to a green wire, resting on top of a white column.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1600987529870-GG1IDCIETF2FM63W4CPP/002.jpg Features - One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation, Swish Projects, San Diego. [Image description: An installation of found objects in a gallery with white walls and a gray floor. An arc of eight short columns stands in the background. Some are variations of Greek and Roman architecture, while others are more modern. There are six different ceramic cats— some life-size and others larger than life-size— sitting on top of the columns. On one column to the right is a t-shirt, on a mannequin bust, with a woman’s nude form printed on it. The male version rests on the floor to the left. On the floor on the right is a white sculpture of a nude woman’s torso. Strings of lights— in the shape of sunflowers, bats, and Yoda wearing a Santa hat— are draped among the objects. Spread on the floor in front of the columns is a crocheted, floral-patterned blanket. On the left side of the blanket is a pile of different snake stuffed animals. A white hand protrudes out of the pile. To the right of the snakes is a white ceramic cat, with “I Voted” stickers stuck to its back. In front of the cat, a fake severed hand rests its fingers on a plastic zodiac game.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1600987823005-40AMXP4REFH6CY4G6Q6B/006.jpg Features - One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation (detail) [Image description: A close-up view of a white ceramic cat, surrounded by the larger installation. The cat has a plaid ribbon around its neck and “I Voted” stickers on its back.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1600987689217-A7SQJDJNFFXFNWWX2LRY/010.jpg Features - One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation (detail) [Image description: A view looking down on a pile of snake stuffed animals on the corner of a crocheted floral blanket. Barely visible under the snakes is the upper half of a white mannequin. At the top of the photograph are the bottoms of three white columns, with a string of Yoda lights hanging down to the floor.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1600987625339-UCQ3BARK4TE46MTZLH4X/003.jpg Features - One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation (detail) [Image description: Three ceramic cats sit on pedestals. The cat on the left is white with a painted floral decoration, while the one on the right is brown and the cat in the center is yellow and gray.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1600987750706-7D4OOGODBIO2H9Z4UYDZ/004.jpg Features - One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation (detail) [Image description: A fake severed hand with mottled, light skin rests on top of a plastic zodiac game. They sit on a crocheted floral blanket.] https://www.hereinjournal.org/features/portfolio-beliz-iristay monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1596483406246-D27QAIXO01C0L19I9O5V/Nip+in+the+Bud+Iristay.jpeg Features - Portfolio: Beliz Iristay Nip in the Bud, 2020, hand-painted, low-fired ceramic with underglaze paint and overglazed ceramic decals, 16 x 12 x 3/4 in. [Image description: On a white background sits a cast ceramic replica of an empty rubber hot water bottle. The flat, white surface of the water bottle has a detailed image of a figure painted on it. The figure is portrayed sitting cross-legged, wearing a maroon robe and a long, peach-colored vest covered in a red organic pattern. The figure has blond hair—because it is outlined with black paint and sits on top of the figure’s head, the hair has the appearance of a thick wig. The figure holds a red rose to their nose with one hand, while the other grips a tissue. The words “Nip in the Bud” are painted across the figure’s body in gold script.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1596483173085-RN5NTV5QKAFDRFCPRR4N/Inhale+as+much+as+you+can+Iristay+copy.jpg Features - Portfolio: Beliz Iristay Inhale as much as you can, 2020, hand-painted, low-fired ceramic with underglaze paint and overglazed ceramic decals, 16 x 12 x 3/4 in. [Image description: On a white background sits a cast ceramic replica of an empty rubber hot water bottle. The flat surface of the water bottle has the words “inhale as much as you can…” written in blue paint in the center. The text is surrounded by decorative floral patterns, also rendered in blue paint. On the neck of the water bottle, which is glazed in a vibrant blue, is a miniature painting of pink human lungs with red blood vessels.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1596483333024-FILGF2RKHTAHUO58B7VB/Oro+and+Air+Iristay.JPG Features - Portfolio: Beliz Iristay Left: Air, 2020, slip cast ceramic, white opaque glaze, 3 1/2 x 2 x 1 in. Right: Oro, 2020, slip cast ceramic, 24k gold overglaze, 3 1/2 x 2 x 1 in. [Image description: On a white background sit two cast ceramic replicas of plastic inhalers. The inhaler on the right is plated in 24k gold and reflects light across its surface. The inhaler on the left is glazed in matte white paint, with red paint visible on the interior of the mouthpiece. Both inhalers cast short shadows behind them and slightly to the right side of the image.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1596483587673-Q0QPT5UBQU0BU5J4TMC1/Inhale+Hard+Iristay.jpeg Features - Portfolio: Beliz Iristay Inhale Hard, 2020, hand-painted, low-fired ceramic with underglaze paint and overglazed ceramic decals, 16 x 12 x 3/4 in. [Image description: On a white background sits a cast red clay replica of an empty rubber hot water bottle. The flat surface of the water bottle has an image of human lungs rendered in pink paint. Overlaid on the lungs are the words “As much as you can” in gold script, with black outlines around the letters. Below the image of the lungs are the words “Inhale Hard.”] https://www.hereinjournal.org/features/one-work-shirin-towfiq monthly 0.5 2021-06-29 https://www.hereinjournal.org/features/portfolio-han-nguyen monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731407938-XNEOGQEYCHUTQFH13V7N/image-asset.jpeg Features - Portfolio: Han Nguyen Untitled #17, 2020, tea toned gelatin silver; unique collage, 6 x 4 in. image on 10 x 8 in. paper. [Image description: Rounded brown and gray forms overlap each other in a concentric composition to create an effect of three-dimensional depth.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731278954-85LXH6M7WSYO2ZOPBA4B/11_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #11, 2020, gelatin silver; unique collage, 4 x 6 in. image on 8 x 10 in. paper. [Image description: In light-to-medium shades of gray, mounded forms overlap each other to create an abstract, mountainscape-like composition.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731482227-8OYDW6KC5WTL1AKX7SHE/20_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #20, 2020, watercolor, chromogenic, and gelatin silver; unique collage, 6 x 4 3/4 in. image on 10 x 8 in. paper. [Image description: A variegated gray, vertical rectangle overlaid on a black background. The right edge of the rectangle curves gently inward and is lined with green. A red oval rests in the center of the gray rectangle.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731253474-Q9I86H44269KRMBKGFRL/08_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #8, 2020, watercolor, chromogenic, and gelatin silver; unique collage, 3 5/8 in. x 5 1/2 in. image on 8 x 10 in. paper. [Image description: An image divided in half by a diagonal line. The left side of the image is lime green, with various forms— including an orange rectangle with an oval cut out of it, a burgundy and gray striped crescent, a brown oval, and a black rectangle— arranged on it. The right side of the image is light orange, overlaid with a blue oval, brown bean-shape, green rectangle, and brown rectangle with an oval cut out of it.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731312468-C64BZ14VQ6R5HUIG80UP/13_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #13, 2020, gelatin silver; unique collage, 5 1/4 x 3 1/2 in. on 10 x 8 in. paper. [Image description: A gray cut-out of a light-skinned figure’s lower back and buttocks, flipped upside down, overlaid against a gray background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731001408-ECCWX1V5Q9QVH8QDA1QA/01_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #1, 2020, gelatin silver; unique collage, 3 1/8 x 4 1/8 in. [Image description: An abstract image, the upper third of which is a variegated light gray, while the lower two thirds are a variegated dark gray. The sections are divided by an undulating, horizontal black line.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731345466-QCBXWRZ1AVA1PIS7HN6A/image-asset.jpeg Features - Portfolio: Han Nguyen Untitled #14, 2020, watercolor and gelatin silver; unique collage, 6 1/8 in. x 4 3/4 in. image on 10 in. x 8 in. paper. [Image description: A blurry black and white photograph of a light-skinned person’s nude torso, overlaid with four leaf forms painted in small, multi-colored dots.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731448641-VTBB3X5X3K2JK5NBQMU9/image-asset.jpeg Features - Portfolio: Han Nguyen Untitled #18, 2020, gelatin silver and chromogenic print; unique collage, 5 3/8 x 3 7/8 in. image on 10 x 8 in. paper. [Image description: Two cut-out forms overlaid on a medium gray background. The first form is an irregular rectangle, positioned vertically in the upper left area of the image. It is divided into three sections, the top dark gray and the lower two a medium gray. The second form abuts the first with a straight left edge, while its right edge is curved. It is a range of brown tones.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731129723-HQLJTR1WZ85U8XXIFKK2/04_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #4, 2020, gelatin silver; unique collage, 3 1/2 x 5 1/8 in. image on 10 x 10 in. paper. [Image description: A black and white photograph of two legs with light skin, bent at the knees, as if seen from the subject’s perspective. On top of each thigh is superimposed a cut-out photograph of an eye with thick eyelashes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731371392-MTPE1EM3MHPN2UCH1Q7K/16_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #16, 2020, tea toned gelatin silver; unique collage, 4 x 6 in. image on 8 x 10 in. paper. [Image description: Mounded forms in light gray, dark gray, and brown overlap each other to create an abstract, mountainscape-like composition.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731554580-OWNP1P1UTQ8KI3K3J2UH/17_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #6, 2020, gelatin silver; unique collage, 4 1/4 x 4 in. image on 10 x 8 in. paper. [Image description: An abstract image of variegated light gray. The image is divided by an undulating, vertical black line, which appears like a cut in the image’s surface.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731202964-JT5LB6OOEQZYPTGP31NL/07_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #7, 2020, watercolor, chromogenic and gelatin silver; unique collage, 6 x 4 3/4 in. image on 10 x 8 in. paper. [Image description: A gray rectangle with an undulating upper edge is inset into a black background. At the top of the image, an orange pyramid with a rounded top seems to hover, and underneath it is a green bean-shaped form. Below that, a speckled brown oval is overlaid against the gray rectangle.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731084251-EL86GULBAW08DBW6N4V3/03_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #3, 2020, gelatin silver; unique collage, 8 x 10 in. [Image description: An abstract image divided into two sections. The section on the left is a variegated light gray, while the right is a variegated dark gray. Dividing the sections is a collage of shard-like forms in multiple tones of gray. A small length of one shard extends above the top edge of the image, while three shards extend past the bottom edge of the image.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593731512417-GHJWHNCHKTYI26JBJHKS/22_Untitled_2020.jpg Features - Portfolio: Han Nguyen Untitled #22, 2020, gelatin silver; unique collage, 4 1/2 x 5 3/8 in. image on 8 x 10 in. paper. [Image description: The image is divided in half with a vertical line. The background on the left is white, while the background on the right is cream-colored. Inset in the page is a gray rectangle, the left side of which is a cool gray and the right side of which is a warm gray. Dividing the two sections is a shard-like form that extends above and below the edges of the gray rectangle. The form is a light gray, with a stark line down the center and faint lines horizontal lines throughout.] https://www.hereinjournal.org/features/portfolio-bhavna-mehta monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859033342-JY2D9W01OZWHCUPFI082/Day+8+Zooming.jpg Features - Portfolio: Bhavna Mehta Day 8. Zooming, 2020, iPad drawing. [Image description: A black line drawing on a white background. A bald, bearded man and a woman with black hair sit at a table. The woman is in a wheelchair and holds a glass of wine. The man reaches his hand for a plate of orange sweet potatoes on the table. Smiling, they look at a computer screen featuring five rectangles with figures in them. Through a window behind the couple, the moon hanging in a sky of gray and purple is visible.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859497432-573ZBEYAXTSHJ5UQLCQK/Day+31+Writing.jpg Features - Portfolio: Bhavna Mehta Day 31. Writing, 2020, iPad drawing. Lamp: “Lamp (not her real name) is 9 years old and she’s in the 4th grade. She wants to be an actor when she grows up and loves the show Full House.” [Image description: A drawing on a white background. A young girl with long blond hair, wearing a blue shirt and gray pants, sits on a bed in a bedroom. She has a condition called limb difference and her left arm ends at the elbow. Her right leg is stretched out in front of her and she holds a writing implement between her toes, poised above a piece of paper on a clipboard. A book and papers are scattered on the bed. The walls of the bedroom are pink and there is a gold lamp on a shelf. An abstract yellow and white pattern can be seen through a window on the right side of the image.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859350518-9ZAH1W8RFUWDUDQOWF6F/Day+24+Feeding.jpg Features - Portfolio: Bhavna Mehta Day 24. Feeding, 2020, iPad drawing. Sherril: “Wife, creator of children, friend, teacher, writer, photographer, ASL interpreter, athlete, survivor, student of life.” [Image description: A drawing on a white background. A blonde woman in a wheelchair sits in front of a stove. She wears black glasses, a blue shirt, and red and gray patterned pants. On her lap, she holds a cutting a brown cutting board with a beige plate and white fork on it. Her right hand reaches up to stir food in a pan on the stove. She has a smile on her face. Her wheelchair has hot pink hardware.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859233745-3VO6KL9U8R2OUH2OGXEY/Day+21+Assembling.jpg Features - Portfolio: Bhavna Mehta Day 21. Assembling, 2020, iPad drawing. Laura: “SCI [spinal cord injury] for over 40 years. Writing a memoir. Used to living alone, but hard to concentrate these days, like living a never-ending PTSD. Puzzles help— it’s soothing to make order out of chaos.” [Image description: A drawing on a white background. A woman with black hair sits at a table, her right arm stretched out to a puzzle spread in front of her. She wears a black shirt, purple vest, blue pants, and brown shoes. She sits in a black wheelchair that has orange spokes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859433003-PJM8FS7KQGLU1Y8U772W/Day+26+Hiding.jpg Features - Portfolio: Bhavna Mehta Day 26. Hiding, 2020, iPad drawing. [Image description: A black drawing on a white background. A person is crouched forward over their knees, framed within the rear wheel of a wheelchair. The wheelchair seat is empty.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859292537-FFJMDETR6713LJP1X0YS/Day+23+Visiting.jpg Features - Portfolio: Bhavna Mehta Day 23. Visiting, 2020, iPad drawing. [Image description: A black drawing on a white background. A woman with black hair, wearing a black mask over her nose and mouth, sits in a wheelchair. She bends forward and stretches out her hands to a small black dog. His hair is long and his ears are small and floppy.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859584225-C8ZNXELQ31T55TCFTXO2/Day+38+Yogaing.jpg Features - Portfolio: Bhavna Mehta Day 38. Yogaing, 2020, iPad drawing. [Image description: A black drawing on a white background. A woman with black hair levitates above a wheelchair with her legs crossed over each other in lotus position, a yoga meditation pose.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590858920413-AYL8RFX6MMVDXC4159I5/Day+6+Housekeeping.jpg Features - Portfolio: Bhavna Mehta Day 6. Housekeeping, 2020, iPad drawing. [Image description: A black line drawing on a white background. A view from above of a woman on a bed, tucking a rumpled sheet into the bed’s top left corner. She lies on her stomach, with her right leg outstretched and her left leg bent at the knee. Her arms reach up in front of her. On the left side of the image is a partial view of a wheelchair and a bedside table with objects on it.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859997189-DVR4QRX5XYA5LEEE39YD/Day+17+Harvesting.png Features - Portfolio: Bhavna Mehta Day 17. Harvesting, 2020, iPad drawing. [Image description: A black line drawing on a white background. A person in a wheelchair bends forward and holds a fennel bulb by its stalk, as if having just pulled it from the ground.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859091333-NI5QKHJ935IQZ4PJOM54/Day+11+Dreaming.jpg Features - Portfolio: Bhavna Mehta Day 11. Dreaming, 2020, iPad drawing. [Image description: A black line drawing on a white background. A view from above of a woman with black hair in a bathtub. The woman’s face is not visible. The floor is covered in green and white tile. On the left side of the image is a partial view of a wheelchair.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591555681876-3YNIF7KTFFB9ATFBM2M7/Day+32.+Making.jpg Features - Portfolio: Bhavna Mehta Day 32. Making, 2020, iPad drawing. August: "August is a Graphic Designer, Illustrator, and Art History student. During quarantine, they’ve picked up crochet and painting to ease the stress of change.” [Image description: A black line drawing on a white background. A person with short dark hair and glasses sits cross-legged on the floor with a manual wheelchair behind their back. They have a dog on their lap and hold in their hands a crochet hook and project made of red yarn.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859535196-TJXBR214T0CSVG3JMDY4/Day+33+Husbanding.jpg Features - Portfolio: Bhavna Mehta Day 33. Husbanding, 2020, iPad drawing. [Image description: A drawing on a white background. A man wearing a hat and sunglasses sits in a wheelchair, facing away from the viewer and toward an umbrella-style clothesline. His arms extend above his head as one hand holds a clothespin on a piece of orange laundry. Pieces of blue and green laundry hang on the right side of the clothesline. Abstracted green plants are visible in the background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859558183-WMQR9OKKGKCZLKFY5NTL/Day+36+Communicating.jpg Features - Portfolio: Bhavna Mehta Day 36. Communicating, 2020, iPad drawing. Renata: “I am a 13 year-old who is partially blind. Learning how to use my Braille writer has helped me share my thoughts and ideas through a new language.” [Image description: A black line drawing on a white background. A young woman with short black hair sits in front of a typewriter. She is wearing a white Mexican-style blouse with multicolored embroidery of birds and flowers around the neck.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590858868462-XFRONZEGSVTQPK61EPAC/Day+4+Screaming.jpg Features - Portfolio: Bhavna Mehta Day 4. Screaming, 2020, iPad drawing. [Image description: A black line drawing on a white background. A person sits in a wheelchair, their eyes and mouth wide open.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859180334-PGEB955B0GWZRRUV3R0I/Day+18+Storytelling.jpg Features - Portfolio: Bhavna Mehta Day 18. Storytelling, 2020, iPad drawing. Laura: “[I am] a Disabled interdisciplinary artist based in NYC who mainly works with song composition/performance and improvisational dance. [I am] also the co-founder of @hyp_access— a hypermobility-specific disability justice project that focuses on care access for Hypermobile people across artistic, body-based, and scientific fields.” [Image description: A black line drawing on a white background of a woman performing. The shape of a piano is visible in the background and the lines of floorboards demarcate the foreground. She is mid-turn in her electric wheelchair, her right hand on the controller and her left curved in front of her body. Her head and my legs are tilted away from the turn, trailing behind. She is wearing a long sleeved black shirt with the shoulders cut out and flowing pants.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590858740072-VMRVMPIKLOOQBK2H92K8/Day+3+Meditating.jpg Features - Portfolio: Bhavna Mehta Day 3. Meditating, 2020, iPad drawing. [Image description: A black line drawing on a white background. A view from above of a woman with black hair in a wheelchair, doing the dishes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1590859402110-RYT6PPPW9CG4I9W39B5J/Day+25+Stretching.jpg Features - Portfolio: Bhavna Mehta Day 25. Stretching, 2020, iPad drawing. [Image description: A black line drawing on a white background. In the upper left corner of the image, a woman sits in a wheelchair. She reaches her left arm up in the air and her right arm down to the ground. In the center of the image, the same figure is repeated but in a stretched, elongated form. In the bottom right corner of the image, the figure is again repeated, elongated even more. The overall result is of a figure being repeatedly stretched, while she is stretching.] https://www.hereinjournal.org/index daily 0.75 2025-03-21 https://www.hereinjournal.org/about daily 0.75 2025-04-15 https://www.hereinjournal.org/chantal-wnuk daily 0.75 2021-02-16 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591737845966-SUZ8M8NM4F3CMAJJSQQY/IMG_4870+2.jpg Chantal Wnuk https://www.hereinjournal.org/elizabeth-rooklidge daily 0.75 2024-03-18 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2138ecc5-dbad-44fe-a0e0-1e727a5970b2/Rooklidge+Headshot.jpg Elizabeth Rooklidge https://www.hereinjournal.org/angie-jennings daily 0.75 2020-06-16 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591903928360-5XNW4LT1OUOW5WYLEG4Y/Jennings.jpg Angie Jennings https://www.hereinjournal.org/lael-corbin daily 0.75 2020-10-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591721692979-TDNGWQSNK6A1D2Q9MUXY/unnamed.jpg Lael Corbin https://www.hereinjournal.org/anthony-graham daily 0.75 2021-10-14 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591905778689-UW9X50AKJVY42CW183ZR/Anthony+Graham+%284%29.jpg Anthony Graham https://www.hereinjournal.org/yasmine-kasem daily 0.75 2021-11-10 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591906274159-9AHGRC9HGEA5JX60GEU5/unnamed.jpg Yasmine Kasem https://www.hereinjournal.org/clinton-tolley daily 0.75 2020-10-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591553079221-ZB182ZHMGCFTLEH65FUB/IMG-0970.jpg Clinton Tolley https://www.hereinjournal.org/bhavna-mehta daily 0.75 2022-01-03 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591903749693-1UYLN0SKUSKZYPFF4MMP/Bhavna+by+Aditi+Mehta.jpg Bhavna Mehta https://www.hereinjournal.org/carlos-castro-arias daily 0.75 2020-10-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591906190137-QUXV8VKKJEUSAPFMS6UJ/IAIR_AriasHeadshotcredit-Nicol%C3%A1s-Cadena-Arciniegas-_10.31.2019_EMurphy-e1586877203328-470x470.jpg Carlos Castro Arias https://www.hereinjournal.org/portfolio-bhavna-mehta-featured daily 0.75 2020-07-23 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591908856362-IS7O53PBAQ8ECZY7LZ6L/Day+4+Screaming.jpg Portfolio: Bhavna Mehta Day 4. Screaming, 2020, iPad drawing. [Image description: A black line drawing on a white background. A person sits in a wheelchair, their eyes and mouth wide open.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909573247-LXL80BKFEMW3HRHI3VYB/Day+38+Yogaing.jpg Portfolio: Bhavna Mehta Day 38. Yogaing, 2020, iPad drawing. [Image description: A black drawing on a white background. A woman with black hair levitates above a wheelchair with her legs crossed over each other in lotus position, a yoga meditation pose.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591908727255-GRR4FJ2W4N9ZLDJOFJJN/Day+3+Meditating.jpg Portfolio: Bhavna Mehta Day 3. Meditating, 2020, iPad drawing. [Image description: A black line drawing on a white background. A view from above of a woman with black hair in a wheelchair, doing the dishes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591908940600-WJMJP95NK5HTY9G03HHE/image-asset.jpeg Portfolio: Bhavna Mehta Day 8. Zooming, 2020, iPad drawing. [Image description: A black line drawing on a white background. A bald, bearded man and a woman with black hair sit at a table. The woman is in a wheelchair and holds a glass of wine. The man reaches his hand for a plate of orange sweet potatoes on the table. Smiling, they look at a computer screen featuring five rectangles with figures in them. Through a window behind the couple, the moon hanging in a sky of gray and purple is visible.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909134039-HBA8S7YMF0I8HORRA4DB/Day+21+Assembling.jpg Portfolio: Bhavna Mehta Day 21. Assembling, 2020, iPad drawing. Laura: “SCI [spinal cord injury] for over 40 years. Writing a memoir. Used to living alone, but hard to concentrate these days, like living a never-ending PTSD. Puzzles help— it’s soothing to make order out of chaos.” [Image description: A drawing on a white background. A woman with black hair sits at a table, her right arm stretched out to a puzzle spread in front of her. She wears a black shirt, purple vest, blue pants, and brown shoes. She sits in a black wheelchair that has orange spokes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591908890896-HQRR5X79R9R7U85Y6OXJ/Day+6+Housekeeping.jpg Portfolio: Bhavna Mehta Day 6. Housekeeping, 2020, iPad drawing. [Image description: A black line drawing on a white background. A view from above of a woman on a bed, tucking a rumpled sheet into the bed’s top left corner. She lies on her stomach, with her right leg outstretched and her left leg bent at the knee. Her arms reach up in front of her. On the left side of the image is a partial view of a wheelchair and a bedside table with objects on it.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909280873-5L43PDFCRHN18CUW4MBZ/Day+31+Writing.jpg Portfolio: Bhavna Mehta Day 31. Writing, 2020, iPad drawing. Lamp: “Lamp (not her real name) is 9 years old and she’s in the 4th grade. She wants to be an actor when she grows up and loves the show Full House.” [Image description: A drawing on a white background. A young girl with long blond hair, wearing a blue shirt and gray pants, sits on a bed in a bedroom. She has a condition called limb difference and her left arm ends at the elbow. Her right leg is stretched out in front of her and she holds a writing implement between her toes, poised above a piece of paper on a clipboard. A book and papers are scattered on the bed. The walls of the bedroom are pink and there is a gold lamp on a shelf. An abstract yellow and white pattern can be seen through a window on the right side of the image.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909166842-46QJZ3U7K1ZVOVQLLBDB/Day+23+Visiting.jpg Portfolio: Bhavna Mehta Day 23. Visiting, 2020, iPad drawing. [Image description: A black drawing on a white background. A woman with black hair, wearing a black mask over her nose and mouth, sits in a wheelchair. She bends forward and stretches out her hands to a small black dog. His hair is long and his ears are small and floppy.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591908976677-3L7C3SNDUG5PSPP8FNWK/Day+11+Dreaming.jpg Portfolio: Bhavna Mehta Day 11. Dreaming, 2020, iPad drawing. [Image description: A black line drawing on a white background. A view from above of a woman with black hair in a bathtub. The woman’s face is not visible. The floor is covered in green and white tile. On the left side of the image is a partial view of a wheelchair.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909251186-1BP3FB7UR0E1XVHSBC9S/image-asset.jpeg Portfolio: Bhavna Mehta Day 26. Hiding, 2020, iPad drawing. [Image description: A black drawing on a white background. A person is crouched forward over their knees, framed within the rear wheel of a wheelchair. The wheelchair seat is empty.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909022558-EPLJPI9OE2J4RO6JWXLE/Day+18+Storytelling.jpg Portfolio: Bhavna Mehta Day 18. Storytelling, 2020, iPad drawing. Laura: “[I am] a Disabled interdisciplinary artist based in NYC who mainly works with song composition/performance and improvisational dance. [I am] also the co-founder of @hyp_access— a hypermobility-specific disability justice project that focuses on care access for Hypermobile people across artistic, body-based, and scientific fields.” [Image description: A black line drawing on a white background of a woman performing. The shape of a piano is visible in the background and the lines of floorboards demarcate the foreground. She is mid-turn in her electric wheelchair, her right hand on the controller and her left curved in front of her body. Her head and my legs are tilted away from the turn, trailing behind. She is wearing a long sleeved black shirt with the shoulders cut out and flowing pants.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591908433108-DKGPVQ3U4AD3WM07LOEM/Day+17+Harvesting.png Portfolio: Bhavna Mehta Day 17. Harvesting, 2020, iPad drawing. [Image description: A black line drawing on a white background. A person in a wheelchair bends forward and holds a fennel bulb by its stalk, as if having just pulled it from the ground.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909225090-NVFZ7S0JP7O3I4TN93H8/Day+25+Stretching.jpg Portfolio: Bhavna Mehta Day 25. Stretching, 2020, iPad drawing. [Image description: A black line drawing on a white background. In the upper left corner of the image, a woman sits in a wheelchair. She reaches her left arm up in the air and her right arm down to the ground. In the center of the image, the same figure is repeated but in a stretched, elongated form. In the bottom right corner of the image, the figure is again repeated, elongated even more. The overall result is of a figure being repeatedly stretched, while she is stretching.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909306344-5DX7HW68S1TY846O0ETI/image-asset.jpeg Portfolio: Bhavna Mehta Day 33. Husbanding, 2020, iPad drawing. [Image description: A drawing on a white background. A man wearing a hat and sunglasses sits in a wheelchair, facing away from the viewer and toward an umbrella-style clothesline. His arms extend above his head as one hand holds a clothespin on a piece of orange laundry. Pieces of blue and green laundry hang on the right side of the clothesline. Abstracted green plants are visible in the background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909199479-PULUQD0Z6RVNFKCQ3I7K/image-asset.jpeg Portfolio: Bhavna Mehta Day 24. Feeding, 2020, iPad drawing. Sherril: “Wife, creator of children, friend, teacher, writer, photographer, ASL interpreter, athlete, survivor, student of life.” [Image description: A drawing on a white background. A blonde woman in a wheelchair sits in front of a stove. She wears black glasses, a blue shirt, and red and gray patterned pants. On her lap, she holds a cutting a brown cutting board with a beige plate and white fork on it. Her right hand reaches up to stir food in a pan on the stove. She has a smile on her face. Her wheelchair has hot pink hardware.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909526640-QT7EAKBJ1I0DTWN8OWUT/image-asset.jpeg Portfolio: Bhavna Mehta Day 36. Communicating, 2020, iPad drawing. Renata: “I am a 13 year-old who is partially blind. Learning how to use my Braille writer has helped me share my thoughts and ideas through a new language.” [Image description: A black line drawing on a white background. A young woman with short black hair sits in front of a typewriter. She is wearing a white Mexican-style blouse with multicolored embroidery of birds and flowers around the neck.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591909480285-SL7SBLID11UJTXR2DXY7/image-asset.png Portfolio: Bhavna Mehta Day 32. Making, 2020, iPad drawing. August: "August is a Graphic Designer, Illustrator, and Art History student. During quarantine, they’ve picked up crochet and painting to ease the stress of change.” [Image description: A black line drawing on a white background. A person with short dark hair and glasses sits cross-legged on the floor with a manual wheelchair behind their back. They have a dog on their lap and hold in their hands a crochet hook and project made of red yarn.] https://www.hereinjournal.org/anthony-graham-on-angie-jennings-featured daily 0.75 2020-06-15 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591910452127-87Z6KPUTUBZK3CA5PHTU/image-asset.jpeg Anthony Graham on Angie Jennings STIGMA FOG, 2016, University of California, San Diego [Image description: On the left, a round, red painting with a figure hangs in a dark room. A sheet of plastic hangs to the right of the painting.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591910583720-WXTOJ7HLLCVLMZOQH9Q8/4.jpg Anthony Graham on Angie Jennings Familiar Spirit, 2019, Best Practice, San Diego, CA [Image description: In a room with white walls and gray floors, there are four figural sculptures and two drawings. On the left, a sculpture hands on the wall, while three other sculpture are on the floor in the room. The two drawings, depicting a rabbit and a hawk, are hung from the ceiling with chains. Three lit candles are placed along the walls.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591910376396-AH79C6PN2DDKSFJEPG7W/image-asset.jpeg Anthony Graham on Angie Jennings STIGMA FOG, 2016, University of California, San Diego [Image description: In the foreground of a dark room, an orange and green painting with abstract shapes hangs at an angle. In the background is a square painting with a figure. Sheets of plastic hang within the space, and a blue light glows from the back left of the room.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591910895512-WRJ9C5WYPI32E1MUBZY1/5.jpg Anthony Graham on Angie Jennings Familiar Spirit, 2019, Best Practice, San Diego, CA [Image description: In a room with white walls and gray floors, three figural sculptures are placed on the floor. Two drawings, one depicting a hawk and one depicting a snake, hang from the ceiling with chains. Four lit candles are placed along the walls.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591910267823-U5UNR8A1W8DNTLG1CQ6K/image-asset.jpeg Anthony Graham on Angie Jennings THE STIGMA FOG SAINT at Incarnata Social Club hosted by Kembra Pfahler in collaboration with Matt Savitsky's Breathing Exercises, documentation by Alisha Funkhouser, 2016, The Holland Project, Reno, NV. [Image description: The artist sits on the ground in a smoke-filled room. The left side of her body is bare, including her arm, shoulder, torso, and upper thigh. The light makes her skin look golden brown, her face is painted white, and her hair is covered by a white lace veil. She has a computer and karaoke machine beside her. A crowd of people can be seen sitting behind the smoke.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591910511637-EQGJOIBRD2X1GA7064L5/image-asset.jpeg Anthony Graham on Angie Jennings Extinct Paradise, 2018, Abode Gallery, Los Angeles, CA [Image description: In a living room, two paintings hang on a wall, with a fire place in the middle. The left painting depicts a spider, and the right painting has a mirror in the center and is covered with fabric. The room is lit with a glowing orange light.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591910678001-HK7RT6UB9YNGV52DG4VW/6.jpg Anthony Graham on Angie Jennings The Sea is Coming, 2019, chalk pastel on paper, 18 x 24 in. [Image description: A snake is coiled along the shore of the beach. The snake is wrapped around a red apple. A cloudy sky and cliffs are in the background.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1591910746323-18SGFZP8HHJDO5J0PRE7/7.jpg Anthony Graham on Angie Jennings Angel, 2019, papier-mâché, acrylic, latex paint, spray paint, pvc pipe, chicken wire, cardboard, found, clothes, shoes, feathers, fake Mohawk, purse, live peace lily, 27 x 19 x 50 in. [Image description: A figural sculpture is hung on the wall. The figure has angel wings and wears a blue top, red pants, and high heel sandals. A purse hangs from the figure’s right hand, with a plant inside it.] https://www.hereinjournal.org/han-nguyen daily 0.75 2020-10-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593883388469-C8Z7EQG5DNM1YHF2J3CD/HN_Portrait.jpg Han Nguyen https://www.hereinjournal.org/scott-b-davis daily 0.75 2023-07-21 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1593884042150-DYDXH81WGBAMVS4U9DEO/davis+portrait.jpg scott b. davis https://www.hereinjournal.org/sister-chapman-casting-transcript daily 0.75 2020-07-17 https://www.hereinjournal.org/dillon-chapman daily 0.75 2024-03-18 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1594840487416-LAKGG43TGFCVL432PQN7/Chapman.jpeg Dillon Chapman https://www.hereinjournal.org/shirin-towfiq daily 0.75 2020-07-26 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1595701084750-2ZUALBS5GH6EG22KWBB5/Towfiq.png Shirin Towfiq https://www.hereinjournal.org/one-work-shirin-towfiq-featured daily 0.75 2020-07-29 https://www.hereinjournal.org/beliz-iristay daily 0.75 2020-10-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1596668089440-ZTWEYM2P1Y6JCMW04EJ7/Portrait+Gocek..jpg Beliz Iristay https://www.hereinjournal.org/lauren-lockhart daily 0.75 2021-09-21 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1596483884875-D1DGH6Q9MECFRXGEBWOT/L+Lockhart+Headshot.jpg Lauren Lockhart https://www.hereinjournal.org/sister-chapman-on-allison-olivia-evans-featured daily 0.75 2020-08-19 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1597769863085-R566JKGJ8M3B73WN5AKB/Untitled-1.jpg Sister Chapman on Allison Olivia Evans Film & Light Piece, (2019 - ongoing), installation documentation; light-tight room, 16mm projector, KODAK 200T Color Negative Film [Image description: A grid of eight rectangles, arranged in two columns on a dark background. The rectangles on the left side of the image are a warm brown, while those on the right are a brighter cream color. Small dots and scratches are visible on each of them.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1597770101854-ZWH15AJUADW55X9DRXMH/Preliminary+Light+Study_2017.jpg Sister Chapman on Allison Olivia Evans Preliminary Light Study, 2017, inkjet Print, 42 x 30 in. [Image description: A largely black image, with wavering lines of warm light spreading from right to left in the lower two-thirds of the image. They have a faint horizontal pattern that suggests light passing through window blinds.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1597769975737-TM3OEIONJ04HCFPW8PWD/view+from+a+door_2020.jpg Sister Chapman on Allison Olivia Evans (view) through a door, 2020, installation documentation; sunlight, closed door, mirror, vellum, optical lens [Image description: A color image with an intense vignette on all sides. It is out of focus and depicts what appears to be an architectural structure, with three white and gray columns in the center. The image is soft and hazy, with muted colors.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1597770198593-BL54LQFE1UFJKDIJ17G4/Untitled+Interior+No.+1_2013.jpg Sister Chapman on Allison Olivia Evans Untitled Interior No. 1, 2013, inkjet Print, 24 x 32 in. [Image description: An abstract image with variegated shades of tan, black, and gray. A dark band runs through the image vertically, while another runs horizontally, which gives the effect of a set of four window panes.] https://www.hereinjournal.org/allison-olivia-evans daily 0.75 2020-08-19 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1597682116581-SLSDSIZHRLFYH7ZDB3T5/4-2.jpg Allison Olivia Evans https://www.hereinjournal.org/chantel-paul-on-farrah-karapetian-featured daily 0.75 2020-08-31 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598295847790-1VQH3VKN32TE31ZBQ7UW/Karapetian_2014_Stagecraft_GottotheMystic.jpg Chantel Paul on Farrah Karapetian Got to the Mystic, 2014, unique chromogenic photogram, 97 x 82 in. [Image description: The silhouette of a drum kit spread across two vertical, rectangular images. The silhouette is bright white against a variegated orange background. The figure of a person is partially obscured behind the drums on the far right.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598296677609-LV84PAXI5XO7OH3QUWOT/CantFind.jpg Chantel Paul on Farrah Karapetian Yes You Can (Blind Faith), 2020, unique chromogenic photograph, 24 x 64 in., courtesy of the artist and Diane Rosenstein Gallery [Image description: A wash of deep purple, with splatters and drips at its edges, spreads along the left side and bottom of the image, while a span of translucent yellow occupies the top center and right. Where the purple and yellow meet is the dark silhouette of a city skyline. Yellow script across the image reads, “I can’t find my way home.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598296038715-3CHEV2ZA9391H8A656HJ/_30x20_Slip_43.jpg Chantel Paul on Farrah Karapetian Slip 43, 2013, unique chromogenic photogram, 30 x 20 in. [Image description: A mass of soft blue lines, both sketchy and fluid, are centered on the image’s mauve background. Small crystalline forms— rectangles with rounded edges and uneven circles, blue and edged with bright white— are scattered across the lines.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598296376573-GCNLWANOHVS6G5ZSGXHE/Install_ThePhotographisAlwaysNow_09.jpg Chantel Paul on Farrah Karapetian The Photograph is Always Now, 2020, installation view, Diane Rosenstein Gallery, Los Angeles, CA, courtesy of the artist and Diane Rosenstein Gallery [Image description: A gallery with white walls and a gray floor. Three artworks hang on the walls, while a long, narrow work runs along the floor, receding into the distance of the space. Over this piece hang eight silver rods, of different lengths and each with a light on the end, from the ceiling.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598296609711-8P2F0XJSZ3BCHCD2R12G/20200208_DianeRosenstein3359.jpg Chantel Paul on Farrah Karapetian the Longest Prayer, aka Child’s Pose (detail), 2020, plaster, MDF, organza, and unique chromogenic photograph, 420 x 30 x 1 ½ in., courtesy of the artist and Diane Rosenstein Gallery [Image description: A long, narrow photographic print on shiny paper rests on a gray floor. The print runs horizontally and extends to the furthest edges of the image. It features a nude figure’s silhouette in yellow and brown. Their legs are underneath them and they are bent forward to stretch their arms out, palms placed down. The figure is repeated four times and each overlaps another.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598296304859-DE60Z6NBIA6EHEIXVV44/Karapetian_2017_BDT_Change.jpg Chantel Paul on Farrah Karapetian Change, 2017, unique chromogenic photogram, 40 x 49 ½ in. [Image description: Bright orange, blue, and red lines, structured in a manner suggesting stacked rectangular cuboids, overlap each other on a white background. White lines, also suggestive of cuboid structures, are arranged haphazardly over the colored lines, disrupting their order.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598295932884-KNBQ4PK35HQVZ1790HL1/In_the_Wake.jpg Chantel Paul on Farrah Karapetian In the Wake of Time, In the Break of Time, 2015, glass and steel, dimensions variable [Image description: A drum kit stands in the corner of a room with white walls and a gray floor. The drumheads and cymbals are clear, and one of the cymbals is a transparent red. The drum kit’s shadow falls on the wall behind it.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598382565017-XAZLJWFWPHXE4KLYDNJ9/Station+8.jpg Chantel Paul on Farrah Karapetian Station 8, from the series Via Dolorosa, 2019, unique gelatin silver photograph, 24 x 20 in., courtesy of the artist and Diane Rosenstein Gallery [Image description: A splatter on a white page. In the splatter is a black and white photograph of two people’s arms extending toward each other, clasping hands, which are in front of a window looking out onto a parking lot.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598296258922-JY8RA60UK1VQ0IVI8MAW/016A0494a.jpg Chantel Paul on Farrah Karapetian Cinderblock negatives, 2017, rebar, resin, and paint, dimensions variable [Image description: A gallery with white walls and a gray floor. On the right is a sculpture composed of rectangular cuboids made of rebar, many stacked on top of each other. While the sides of most of the structures are open, seven have a sky blue-colored panel, which faces the viewer. The sculpture’s shadow is cast on the wall behind it. On the left wall hang two vertical works of art, which feature the silhouettes of structures in the sculpture.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598296119234-J3FDOU8AIMQLIA82JETY/Karapetian_2015_Relief_Lifesaver.jpg Chantel Paul on Farrah Karapetian Lifesaver, 2015, unique chromogenic photogram, 56 ¼ x 40 in. [Image description: The white silhouette of a circular life preserver against a green, yellow, and brown background. Below the life preserver are forms suggesting bubbles in water.] https://www.hereinjournal.org/chantel-paul daily 0.75 2020-08-31 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598297924574-5P3DHLSPKX9R6W1PH2ND/SK1_8333_small+2.jpg Chantel Paul https://www.hereinjournal.org/farrah-karapetian daily 0.75 2020-08-31 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1598298406189-IVRDD48T34AKU3ENO3YI/farrah_karapetian_02_23_2017_2.jpg Farrah Karapetian https://www.hereinjournal.org/one-work-tessie-salcido-whitmore daily 0.75 2020-09-10 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599766323530-U8BP7IA86YFFHAJ612LM/010.jpg One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation (detail) [Image description: A view looking down on a pile of snake stuffed animals on the corner of a crocheted floral blanket. Barely visible under the snakes is the upper half of a white mannequin. At the top of the photograph are the bottoms of three white columns, with a string of Yoda lights hanging down to the floor.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599766220872-KNG6HWRT1X00GK2Z0RZ1/002.jpg One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation, Swish Projects, San Diego. [Image description: An installation of found objects in a gallery with white walls and a gray floor. An arc of eight short columns stands in the background. Some are variations of Greek and Roman architecture, while others are more modern. There are six different ceramic cats— some life-size and others larger than life-size— sitting on top of the columns. On one column to the right is a t-shirt, on a mannequin bust, with a woman’s nude form printed on it. The male version rests on the floor to the left. On the floor on the right is a white sculpture of a nude woman’s torso. Strings of lights— in the shape of sunflowers, bats, and Yoda wearing a Santa hat— are draped among the objects. Spread on the floor in front of the columns is a crocheted, floral-patterned blanket. On the left side of the blanket is a pile of different snake stuffed animals. A white hand protrudes out of the pile. To the right of the snakes is a white ceramic cat, with “I Voted” stickers stuck to its back. In front of the cat, a fake severed hand rests its fingers on a plastic zodiac game.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599766404379-COWIF8PRUBYKTWCHMH7O/009.jpg One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation (detail) [Image description: A view looking down on a light in the shape of Yoda wearing a Santa hat, attached to a green wire, resting on top of a white column.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599766436851-P1JLJ2HP9KOP44N51SNJ/006.jpg One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation (detail) [Image description: A close-up view of a white ceramic cat, surrounded by the larger installation. The cat has a plaid ribbon around its neck and “I Voted” stickers on its back.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599766291626-DPVGELE7PN8TBBDGZBV4/003.jpg One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation (detail) [Image description: Three ceramic cats sit on pedestals. The cat on the left is white with a painted floral decoration, while the one on the right is brown and the cat in the center is yellow and gray.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1599766375747-AONZ0ZYTJPNKRV9FSWSV/004.jpg One Work: Tessie Salcido Whitmore We Can Discover the Wonders of Nature, 2020, installation (detail) [Image description: A fake severed hand with mottled, light skin rests on top of a plastic zodiac game. They sit on a crocheted floral blanket.] https://www.hereinjournal.org/tessie-salcido-whitmore daily 0.75 2020-10-22 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1603298276239-GKFYSFRHOT2O7PL30SDH/IMG_9174.JPG Tessie Salcido Whitmore https://www.hereinjournal.org/danielle-dean daily 0.75 2021-02-02 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1600974260142-TMZ2GWFX8LJ7ZALVFB0F/dean-big.jpg Danielle Dean https://www.hereinjournal.org/cognate-collective daily 0.75 2020-10-03 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601402543077-YQ8RACYLN45E22CASM4K/%C2%A9%C2%A9-headshot.jpg Cog•nate Collective https://www.hereinjournal.org/alana-hernandez daily 0.75 2021-09-21 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601402261769-8Q9JCVPX1XEL3KOR7W9N/AlanaHernandez_FINAL.jpg Alana Hernandez https://www.hereinjournal.org/alana-hernandez-on-cognate-collective-featured daily 0.75 2021-09-21 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601478698834-2VSUEL1YNCFXWT7P60D6/08%E2%80%93%C2%A9%C2%A9%E2%80%93Future+Echoes.jpg Alana Hernandez on Cog•nate Collective Future Echoes, 2019, site-specific audio installation, +Lab Artist-in-Residence Program in Little Tokyo. Photo by Mike Dennis courtesy of Little Tokyo Service Center [Image description: Several people with blue headphones sit on wooden benches around a wooden dome. Tied to the dome are blue flags. On the ground, five radios are placed on top of wooded boxes.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601478348507-251CVWX9GWZDUUU683EB/02%E2%80%93%C2%A9%C2%A9%E2%80%93Regresa+A+Mi.jpg Alana Hernandez on Cog•nate Collective Regresa a mí / Come Back to Me, 2018 (detail). Photo: Pablo Mason [Image description: Detail of white candles within wooden structure. Printed in blue on the glass of the candles are hands divided by a bar, framed by the phrase “Regresa a mi / Return to me.”] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601478416534-FRODCXD7RAZWD61NPJD3/image-asset.jpeg Alana Hernandez on Cog•nate Collective Es mejor encender una luz que maldecir la oscuridad, 2012, embroidery floss on canvas, public installation at the San Ysidro Port of Entry, Tijuana, B.C. [Image description: Tapestry with floral decals and text is stretched on a wooded structure on the side of a street. Next to the tapestry, a vendor is selling hats and tchotchkes. The Mexican flag and Club Tijuana flags are attached to the vendor’s stand] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601478569249-ZYTX974VQAMYMI0EGL5X/06%E2%80%93%C2%A9%C2%A9%E2%80%93BorderBlaster+SD_TJ.jpg Alana Hernandez on Cog•nate Collective BorderBlaster (SD/TJ), 2012, cart, Talavera piggy bank, wood, rope, and radio transmitter, San Ysidro Port of Entry, Tijuana, B.C. [Image description: A red cart with the words “Radio Flyer” is in the middle of a one-way, crowded street. Inside the card, several wooden crates are stacked and tied with rope. A white ceramic pig with a painted flower is placed on one of the wooded crates.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601413823805-O1ZJ8QDVI5MUVS7JDXAM/01%E2%80%93%C2%A9%C2%A9%E2%80%93Regresa+A+Mi.jpg Alana Hernandez on Cog•nate Collective Regresa a mí / Come Back to Me, 2018, 130 votive candles, 1 large votive candle, beaker with sand and wicks, and wooden frame, Collection Museum of Contemporary Art San Diego. Photo: Pablo Mason [Image description: White candles neatly placed within wooden structure. Printed in blue on the glass of the candles are hands divided by a bar, framed by the phrase “Regresa a mi / Return to me.” Another candle and a beaker filled with sand and wicks placed on either side of the wooden structure] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601478483504-JSGEDIFQ84LVBUREGG9S/05%E2%80%93%C2%A9%C2%A9%E2%80%93Es+Mejor+Encender.jpg Alana Hernandez on Cog•nate Collective Es mejor encender una luz que maldecir la oscuridad, 2012, audio installation and embroidery floss on canvas, MexiCali Biennial Calafia: Manifesting the Terrestrial Paradise at the Armory Center for the Arts, 2019–2020. Photo by Abe Ahn for Hyperallergic [Image description: A cream-colored tapestry with floral decals hangs from the ceiling of the gallery space. Black text is in both Mixtec and Spanish is embroidered directly on the canvas, separated by flowers.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601478632173-GB8KGUE1T7I3XVPBKTVY/07%E2%80%93%C2%A9%C2%A9%E2%80%93Future+Echoes.jpg Alana Hernandez on Cog•nate Collective Poster for Future Echoes, 2019, site-specific audio installation for +Lab Artist-in-Residence Program in Little Tokyo, Los Angeles, CA [Image description: Blue poster with white text that reads on the left “Future Echoes August 17 – 31, 2019. First St North Block. Listen. Eschuca.” On the right side, a rendering of a dome and “87.9 FM” are contained within a white rectangle.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601413622917-PWD4RDGVXT1L0HE3THLF/03%E2%80%93%C2%A9%C2%A9%E2%80%93Regresa+A+Mi.jpg Alana Hernandez on Cog•nate Collective Regresa a Mi / Come Back to Me, 2018, installation and performance in Being Here with You/Estando aquí contigo: 42 Artists from San Diego and Tijuana at the Museum of Contemporary Art San Diego, downtown, 2018. Photo: Angie Ollman [Image description: Two women light white candles with a wick on either side of a wooden structure.] https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601478794178-5TYEOZ6LD2S6QINKU0PQ/09%E2%80%93%C2%A9%C2%A9%E2%80%93In+Plain+Sight+Colab.jpg Alana Hernandez on Cog•nate Collective Devon Tsuno with traci kato-kiriyama and Cog•nate Collective, #XMAP: In Plain Sight, 2020, AR rendering of Sky Typed phone number above the U.S. Customs and Border Protection at the Laredo Juarez-Lincoln Port of Entry. AR image via 4th Wall App. [Image description: The port of entry with three lanes and one car. Sky typed in the sky above the check point is the telephone number 956-701-0149.] https://www.hereinjournal.org/alana-hernandez-on-cognate-collective daily 0.75 2020-09-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601410799221-FYD1J94ZGSAEVSZ078QB/03%E2%80%93%C2%A9%C2%A9%E2%80%93Regresa+A+Mi.jpg Alana Hernandez on Cog•nate Collective Regresa a Mi / Come Back to Me, 2018, installation and performance in Being Here with You/Estando aquí contigo: 42 Artists from San Diego and Tijuana at the Museum of Contemporary Art San Diego, downtown, 2018. Photo: Angie Ollman [Image description: Two women light white candles with a wick on either side of a wooden structure.] https://www.hereinjournal.org/new-page daily 0.75 2020-09-29 https://www.hereinjournal.org/home daily 1.0 2025-11-09 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/de07b801-4193-42c2-9a22-649425404af1/Tiffany+Wai-Ying+Beres+on+Huai+Li.png https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1b2bdda4-91e0-4eae-bf13-bfa5713b3a02/Victor+Casteneda+H.png https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4c3981ae-b13c-44c2-8070-4ab12a21398e/Dillon+Chapman.png Home https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/871d1362-c0e0-4fd9-9b85-5a19a55b7580/Jennings.png Home https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9500c223-1e0c-4a33-beef-200256e209ca/Joe+Yorty.png Home https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/230d9630-96d4-4e06-a1a2-c8317863ca33/Portfolio+Taylor+Chapin.png Home https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9c319809-6fa3-40a0-b199-b2f8258701c4/Janelle+Iglesias.png Home https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/76f9d0e4-b809-4247-ac59-644efcec2bd8/Naomi+Nadreau.png Home https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3a67263d-4c7e-4197-92f8-86d77ab0dbf0/Matthew+Bacher+with+HereIn.png Home https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c463f1f1-7abc-40c1-afdd-a3351a222986/Evan+Apodaca.png Home https://www.hereinjournal.org/andrea-chung daily 0.75 2020-10-16 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1601754320936-Q891OUGL7F917FSQOTUS/andrea-chung-header-960x673.jpg Andrea Chung https://www.hereinjournal.org/vicki-walsh daily 0.75 2020-10-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1603659488415-NRHE6BN6YY4DCS073ZF9/pic+crop.jpg Vicki Walsh https://www.hereinjournal.org/g-james-daichendt daily 0.75 2020-10-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1603822215176-S50GS09CZAENAU4YZ8GA/Screen+Shot+2020-10-27+at+11.08.37+AM.png G. James Daichendt https://www.hereinjournal.org/fordland-video-description daily 0.75 2020-11-05 https://www.hereinjournal.org/bazar-video-description daily 0.75 2020-11-11 https://www.hereinjournal.org/flavia-durso daily 0.75 2020-11-24 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1606237741741-Q19X4RHYANEXSS2BX2YH/flavia-portrait.jpeg Flavia D'Urso https://www.hereinjournal.org/bryan-ali-sanchez daily 0.75 2021-01-03 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1607807360007-83AYHLXSCZO9TXRCSLAK/Picofme1.JPG Bryan Ali Sanchez https://www.hereinjournal.org/new-page-1 daily 0.75 2020-12-31 https://www.hereinjournal.org/manny-farber daily 0.75 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1609374039869-RIXR8813I5XF08M0O3YE/film_mannyfarber.jpg Manny Farber https://www.hereinjournal.org/eva-struble daily 0.75 2021-01-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610223603807-VY8W7KE1CHDUUJNNFB9T/Eva-Struble-Headshot.jpg Eva Struble https://www.hereinjournal.org/derek-weiler daily 0.75 2021-02-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610229230677-I2NBKR4IME3AQ9A2LALI/portrait-low-res.jpg Derek Weiler https://www.hereinjournal.org/emily-knapp daily 0.75 2021-02-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610391257247-K4MZB5KH4GV81ZMJH2VT/Emily-Knapp.jpg Emily Knapp https://www.hereinjournal.org/nick-riggle daily 0.75 2021-01-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610742702717-MLAZ65BTSGA5AWEABO51/Nick+Riggle.jpg Nick Riggle https://www.hereinjournal.org/neil-kendricks daily 0.75 2021-01-28 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1610911094158-9MNYLT3ORGC7NQB8X5K4/Neil_Kendricks-Headshot-2014.jpg Neil Kendricks https://www.hereinjournal.org/nick-lesley daily 0.75 2021-01-27 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1611777430881-30RUORZVLPZBNSRLNVQK/Nick+Lesley.png Nick Lesley https://www.hereinjournal.org/las-hermanas-iglesias daily 0.75 2021-02-23 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613074113468-R1S5OGHQAXGJKDM0YX8Y/146.jpg Las Hermanas Iglesias https://www.hereinjournal.org/cris-scorza daily 0.75 2021-09-21 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613073494557-AIRA392CD40ZJS4F2OKK/19lF5rcj.jpg Cris Scorza https://www.hereinjournal.org/postcards daily 0.75 2021-06-11 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613505536764-0GURKFPXG7K40RNWS84R/Jennings+postcard+copy.png Postcards A postcard against a beige background, featuring a drawing of a beach with a large snake curled around an apple on the sand. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613505595069-Z9OJ4OCUSU5ZXMVAHT16/Wnuk+postcard+copy.png Postcards A postcard against a beige background, featuring a painting in surreal colors of a woman looking at a cellphone. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613505429152-FA4LHG1M99AXLMK65417/Struble+Postcard+copy.png Postcards A postcard against a beige background, featuring an orange, red, and blue painting of four hands. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1613505643503-RU0A59NY7230017D7AC1/Yorty+postcard+copy.png Postcards A postcard against a beige background, featuring a photo of two vessels that look like legs with plants potted in them. They stand on a slab of rock with a glowing light underneath it. https://www.hereinjournal.org/max-lofano daily 0.75 2021-03-06 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1615062133924-D7NFPT9ZXVW5XH0AHE8A/IMG-6654.JPG Max Lofano https://www.hereinjournal.org/jacqueline-marino daily 0.75 2021-03-06 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1614985239787-F8A4WJCYZ9I4TZV6XHKJ/JacquelineMarino.jpg Jacqueline Marino https://www.hereinjournal.org/melissa-walter daily 0.75 2021-03-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1615239641011-S42PBI5EXW4H83DO1PJJ/MelissaWalter2019.jpg Melissa Walter https://www.hereinjournal.org/joshua-moreno daily 0.75 2021-03-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1615828755932-7N68CPW0Q6LW6Z99Z75B/screen_shot_2020-03-17_at_8.10.50_pm.jpg Joshua Moreno https://www.hereinjournal.org/guusje-sanders daily 0.75 2022-10-21 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1618334745998-ANJTX75ZANXN52NNYK5C/Photo_Sanders.jpg Guusje Sanders https://www.hereinjournal.org/claudia-cano daily 0.75 2021-06-18 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1618334453373-XF1K4K66OB0JREXGJ0WF/Claudia-Cano-self-portrait_t800.jpg Claudia Cano https://www.hereinjournal.org/akiko-surai daily 0.75 2021-05-04 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620150650221-K8Q05HAFHDCO4AY8MR1D/A.Surai_Headshot_5.3.21.JPG Akiko Surai https://www.hereinjournal.org/amanda-kachadoorian daily 0.75 2021-04-19 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1618513644858-4A4QK0CDPAD62GXHLKJS/Amanda.png Amanda Kachadoorian https://www.hereinjournal.org/allison-wiese daily 0.75 2021-05-09 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1620407958842-T67D266D0S6YJOV3BYFV/Wiese_Allison_Artist_Photo.jpg Allison Wiese https://www.hereinjournal.org/registration-artist-statement-101-july-17 daily 0.75 2021-05-18 https://www.hereinjournal.org/victoria-fu-and-matt-rich daily 0.75 2021-05-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1621543247399-V9B2CL54C3VSAYZEM8IS/Untitled+design+%283%29.png Victoria Fu and Matt Rich - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/registration-artist-statement-101-august-21 daily 0.75 2021-05-18 https://www.hereinjournal.org/john-brinton-hogan daily 0.75 2021-05-27 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1621959751726-2OADMF1H3DQ8W0TAEK6O/JBH_in_studio_01_2021.jpeg John Brinton Hogan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/lauren-buscemi daily 0.75 2021-05-27 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1622130819185-58DLOYPX58I9J15FMS6Y/L.+Buscemi+headshot.jpg Lauren Buscemi - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/chantal-pealosa daily 0.75 2021-06-11 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1622937419083-LMYG7HKZOAUMHEW3UZ9O/Chantal.jpg Chantal Peñalosa - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/chelsea-behle-fralick daily 0.75 2023-06-06 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623169807959-PIJOHU6GMQJ1CA3WJJVL/PXL_20210606_214506625.MP_2.jpg Chelsea Behle Fralick - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/sofia-gonzalez daily 0.75 2022-02-14 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1623522170015-PV7NH12F2GON3XPTFZRK/sofia_gonzalez-9_1000.jpg Sofia Gonzalez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/scheduling daily 0.75 2021-06-23 https://www.hereinjournal.org/jordan-karney-chaim daily 0.75 2023-01-02 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/30841196-322b-4572-8c1a-8426e862ebc0/Jkc_bio_pic.jpg Jordan Karney Chaim - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/sasha-koozel-reibstein daily 0.75 2021-07-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625520213775-9XVXTME5Q1467PK46ZXD/Sasha_Headshot2016.jpeg Sasha Koozel Reibstein - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/arlene-mejorado daily 0.75 2023-08-10 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1625682489188-C9L0FLZ1SATWCW140CND/arelene-mejorado.jpg Arlene Mejorado - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/j-noland daily 0.75 2021-08-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627154382869-ZPAHMJQXAUU93MBZWFM0/noland_bio_new.jpg J Noland - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/john-p-murphy daily 0.75 2021-08-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627154597497-20EGS4POXAEUTH9TAJDY/Murphy_John_Headshot_AIC_Crop_Web.jpg John P. Murphy - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/perry-vasquez daily 0.75 2021-07-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627573804128-10DQY6MWRDULT4KUUPN2/Perry-Vasquez-at-work.jpg Perry Vasquez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/eun-jung-park daily 0.75 2021-07-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627235777029-HD4CIKL1S0I5F1DZGE4B/Headshot+2.jpeg Eun Jung Park - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/jnolandimages daily 0.75 2021-07-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627591321583-X5416TJB3L2B1BM53V16/noland_flea_bar1.jpg jnolandimages - Make it stand out Flea Bar, 2014, wood, hardware, framed poster, Caliphone 420K, John Mellencamp records, Budweiser, bar stools, industrial pendant lights. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627591370414-JD7XVZSXBHWCLFIO10W8/Untitled+design+%284%29.png jnolandimages - Make it stand out Suburb (details), 2014, snake terrariums, southern pacific rattlesnake, red diamondback rattlesnake https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627591350451-D0AOZYV1DV9HZBKSMWYD/noland_mayanne_ginger.jpg jnolandimages - Make it stand out Suburb, 2014, snake terrariums, southern pacific rattlesnake, red diamondback rattlesnake https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627590972618-RWGB8U731PS512Q2K8R0/noland_thank_you.jpg jnolandimages - Make it stand out Thank You For Being A Friend..., 2011, La-Z-Boy loveseat, 7 seasons of the Golden Girls, tv https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627591432273-6H0XPKR5VQSQJIX9CO2A/saturnalia_1.jpg jnolandimages - Make it stand out A Kind of Saturnalia, 2019, installation https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627591412032-UMH1OTG8K9C4T18OYJBZ/noland_two_whiskey.jpg jnolandimages - Make it stand out What do a rattlesnake and a limp dick have in common? 2014, moonshine, etched glass bottles, western diamondback rattlesnake heart https://www.hereinjournal.org/leslye-villasenor daily 0.75 2023-11-17 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1627840334881-MSWI5P6ZWIT05WBBX34B/Leslye+Villasenor.HereIn+Intern+Photo1.jpg Leslye Villasenor - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/nassem-navab daily 0.75 2021-08-08 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628271504782-0C1N2DGW4B0A1RYNU3CD/Nassem.png Nassem Navab - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/omar-pimienta daily 0.75 2021-09-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628113756602-DAPF5EB2IU6IPD4UTOFU/omar-portrait.jpg Omar Pimienta - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/tyleryoungimages daily 0.75 2021-08-05 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628192220370-7U7SQY2XMAH0XQ9XIOQD/Tyler+Young_Badges_300.jpg tyleryoungimages - Make it stand out Badges https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628192710184-R09DKRUDVMWYV7FJ6QXF/Tyler+Young_Wooden+Necklace_180.jpg tyleryoungimages - Make it stand out Wooden Necklace https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628192446958-A2NQ8XWE2F3YUCJGCAZV/Tyler+Young_The+things+that+were+hard+to+remember_180-+Tyler+Young.jpg tyleryoungimages - Make it stand out The things that were hard to remember https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628192360966-NZ5JC17D1P27TPOV4KVL/Tyler+Young_Makeshift+Connections_180.jpg tyleryoungimages - Make it stand out Makeshift Connections https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628192399623-T4V4PRRW7JOCH4HQHZ7B/Tyler+Young_Odd+One+Out_180.jpg tyleryoungimages - Make it stand out Odd One Out https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628192553579-L7A7NYX7ORZD4CP72CDS/Tyler+Young_The+times+when+we+pretended+things+were+normal_180.jpg tyleryoungimages - Make it stand out The times when we pretended things were normal https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628192649552-4KANW4PTSP03X5GUIV5G/Tyler+Young_Untitled+Ring_180.jpg tyleryoungimages - Make it stand out Untitled Ring https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628192138240-7QE7G3L2P8I4UXV59ZFD/Tyler+Young_Asexual+Dreams_180.jpg tyleryoungimages - Make it stand out Asexual Dreams https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628192311077-JS5097Q42CMA5M5V76CR/Tyler+Young_Hydration_180.jpg tyleryoungimages - Make it stand out Hydration https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628192610601-CT1UC64ZNXSES67TC4KK/Tyler+Young_Torn_180.jpg tyleryoungimages - Make it stand out Torn https://www.hereinjournal.org/tyler-young daily 0.75 2021-09-09 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1628542767459-3AOHMGS77LEX8A27GBM6/Tyler+Young_Portrait.jpg Tyler Young - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/bilal-mohamed daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/d84a41ea-6944-4337-b5a9-1c72ddbb348a/Bilal.jpeg Bilal Mohamed - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/siobhn-arnold daily 0.75 2021-09-21 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1632241369648-WZ6X72Q6ZSAY1MSATQVW/Siobhan.jpeg Siobhán Arnold - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/eliana-dianda daily 0.75 2021-09-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1631559210565-H1VCJSJ8NIYLXEAKTO89/Eliana+Dianda.png Eliana Dianda - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/adam-belt daily 0.75 2021-10-04 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1632860961939-RUHD6JB9IY8FM6OC4MJS/adam_belt_0.jpg Adam Belt - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/matthew-hebert daily 0.75 2021-10-04 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1632861355250-282S0W76ACMXCI9PBX8F/Matthew+Hebert.png Matthew Hebert - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/christian-garciaolivo daily 0.75 2021-10-14 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1634231113846-UEL28REN6HGA1HOO9FZE/DSC01462.jpg Christian Garcia-Olivo - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/marcos-duran daily 0.75 2021-10-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7bd190c5-0a98-43f1-a653-1c550376d51c/B0000478.jpg Marcos Duran - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/kevin-vincent daily 0.75 2021-10-29 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/83d33413-4231-41f1-a306-581451074a1d/Kevin+Vincent.jpg Kevin Vincent - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/pinar-yoldas daily 0.75 2021-12-14 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3e0ae293-ce54-4a45-89fe-1a2576c92183/Pinar+Yoldas.jpg Pinar Yoldas - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/kaori-fukuyama daily 0.75 2022-01-03 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3a5a8fcf-2d11-4c40-abcf-d2d74649d847/Profile_fukuyama.jpg Kaori Fukuyama - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/jean-lowe-images daily 0.75 2022-01-06 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/80165b2e-664b-4a9e-8419-5970c9a0453a/Accomplishments+of+man+copy.jpg Jean Lowe images - Make it stand out Accomplishments of Man, 1992, mixed media installation https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/9cb9f67e-e830-4887-9def-68b788cd2f2c/Master+Bedroom+at+Gracie+Mansion+copy.jpg Jean Lowe images - Make it stand out Master Bedroom, 1990, mixed media installation using repurposed found furniture https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c52e7b9c-95cf-4cae-9ead-c5337f1e0d38/Loneliness+Clinic_Install.1+copy.jpg Jean Lowe images - Make it stand out The Loneliness Clinic, 2004, mixed media installation. Photo: Grant Mudford https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/3cac8a40-8e50-42ee-8f02-b60d3d7215b7/Empire+Style6+copy.jpg Jean Lowe images - Make it stand out Empire Style, 2003, mixed media installation. Photo: Grant Mudford https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1889c163-9b4d-44e4-b634-f4acce0cebda/Closeout+Priced.jpg Jean Lowe images - Make it stand out Closeout Priced from the series Love for Sale, 2009, enamel on panel, 47.5 x 47.5 in. https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/282ecab4-3a3b-45d3-8bfe-d5bdc9a52254/Auction+Page+%28Lost+Time%29.jpg Jean Lowe images - Make it stand out Auction Page (Lost Time), 2013, inkjet print on poly-metal, 33 x 21 in. Photo: Grant Mudford https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/b5a1b6d0-b53b-4885-8166-d7f5eb58c805/Bookcase+%231-B+copy.jpg Jean Lowe images - Make it stand out Achieve and Maintain a More Powerful Delusion (detail), 2007, enamel on papier mache. Photo: Grant Mudford https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c2441611-3299-4ad4-875d-0784ff3f3321/Carpet+Showroom+%28det%29.jpg Jean Lowe images - Make it stand out Carpet Showroom, 2019, casein on clot mache, enamel housepaint on canvas. Photo: Brian Lockhart https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/686aaade-78dd-410d-9ab5-cc2d4b89a952/Roll+Back.jpg Jean Lowe images - Make it stand out Roll Back from the series Love for Sale, 2009, enamel on panel, 36 x 36 in. https://www.hereinjournal.org/jean-lowe daily 0.75 2022-01-13 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/eb8650dc-a4fe-41fb-af22-57e67a75dbef/Lowe+Headshot.jpeg Jean Lowe - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/karla-centeno daily 0.75 2022-01-24 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/8a60c4d3-bb7a-40e3-8868-24881ff291f6/Karla.jpg Karla Centeno - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/casiel-jimenezsanchez daily 0.75 2022-01-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/72ccc3ec-7b91-4ba6-a404-0fd9f3c9846f/Casiel_JimenezSanchez_Portrait.jpg Casiel Jimenez-Sanchez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/brianna-rigg daily 0.75 2022-01-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/18496ed0-9e36-4007-930b-b1e8f57ac82e/Brianna+Rigg.jpg Brianna Rigg - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/kline-swonger daily 0.75 2022-02-03 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/114234f0-dece-4ab3-bf3a-2e46d1bbe99e/Kline+Swonger.jpg Kline Swonger - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/thomas-sanbeg daily 0.75 2022-02-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/229e13eb-5178-4d54-9220-40f28f78f6fb/Thomas+Sanberg.jpg Thomas Sanberg - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/sage-serrano daily 0.75 2022-02-14 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/cbb60292-24fa-48b5-8710-fe5c5cc1c020/IMG_8433.jpg Sage Serrano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/katie-ruiz daily 0.75 2022-02-24 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/1058dfbc-da08-4109-bcaf-d26e193526ef/Katie+Ruiz.jpg Katie Ruiz - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/amy-adler daily 0.75 2022-03-08 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/16ac1f8c-909e-4da8-a8fc-58b70168cb30/Amy+Adler.jpg Amy Adler - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/beck-haberstroh daily 0.75 2023-02-23 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/e3f684b9-3532-40a6-8cad-235119ea9437/beck+haberstroh+Credit+Arlene+Mejorado.jpg beck haberstroh - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/alida-cervantes daily 0.75 2022-04-25 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/2bbfabdc-9e74-44b6-98c5-e1564295cff9/Alida+Cervantes.jpg Alida Cervantes - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/amel-janae daily 0.75 2022-05-16 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/7e2d45b4-8c10-49fc-a5fa-4cd07ab63949/amel_portrait.jpeg Amel Janae - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/mara-antonia-eguiarte-souza daily 0.75 2022-06-09 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0d3fbac4-62e0-47db-9ce6-3c73a0072d9a/headshot+toni+.jpg María Antonia Eguiarte Souza - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/aaron-glasson daily 0.75 2022-06-27 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/0d1e84ca-0de1-4015-b3da-660abdfb5938/Aaron+Glasson.png Aaron Glasson - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hereinjournal.org/cesar-and-lois daily 0.75 2022-07-07 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/f3963f2e-5a13-4640-8221-e1265192678d/Cesar+and+Lois.jpg https://www.hereinjournal.org/amir-saadiq daily 0.75 2022-07-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/ec9aa45e-337a-4dc3-bb50-7ac5d40d4045/Amir+Saadiq.jpg https://www.hereinjournal.org/asa-mendelsohn daily 0.75 2022-07-31 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/c661a5ce-a3ca-4112-b1b2-520364e6c55a/Asa+Mendelsohn.jpg https://www.hereinjournal.org/kirstyn-hom daily 0.75 2022-09-08 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/504e1617-da4f-423b-b70c-b98677b9de07/Hom_Headshot.jpeg https://www.hereinjournal.org/matthew-bacher daily 0.75 2022-09-20 https://images.squarespace-cdn.com/content/v1/5e8235c414491577aa3f6148/4d263730-ad09-4e77-9a31-add4eb79dc36/bacher+photo.jpg https://www.hereinjournal.org/maya-gurantz daily 0.75 2022-09-29 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